About the studio

This question may not be answered completely and accurately at once, because you still have a lot to understand.

If you are filming a micro-movie, that is, shooting a video, I feel that you should basically focus on location and real scene.

If you build your own real-life shed, the cost will be high, which is what domestic film and television drama crews try to avoid.

If you just want to shoot special effects and dig blue (or green), the investment in the shed will be much smaller.

First, we need a room big enough.

The size depends on your needs, what you shoot (panorama or close-up, whether you need to hang Weiya), the complexity of lighting, the rent you can accept, and so on.

Then you need a blue or green background paper (cloth).

The length and width also depend on the size of your shed and the needs of your shooting content.

The standard background paper of the studio is 2.72mx11m.

If the person you are shooting needs a large activity space, you may need a large area of background paper (cloth).

This may require homemade or splicing.

With the background paper (cloth), the hook of the background paper (cloth) is also needed.

There are lamp poles, tripods (lamp stands or magic legs) and fixed multi-axis electric background stands to choose from.

These are mainly for the convenience of changing different background papers.

But if you just dig blue and don't need to change the background, then the simplest nails can solve the problem.

Then the light.

It can be said that there should not be too many lights, at least two or three should be prepared.

This depends entirely on your needs.

It also depends on your ability to control the lights.

There are special film and television lights, mainly imported ARRI, and there are many imitation brands in China, which is considered cheap and good.

The wattage of the lamp depends entirely on what you want to shoot and the size of the shed.

Maybe between 300W and 1200W is used more in the shed.

The color temperature of the lamp is also completely determined by what you shoot.

In addition, there are some lighting AIDS.

Lamp holder, four-leaf board, black and white flag (for shading and soft light), magic legs, and some opaque black paper and clips, reflectors, etc.

Needless to say, props or something.

If you want to shoot with a camera, you'd better have a video shooting kit, which is more convenient to operate in follow focus.

If you shoot mostly in a fixed position or use AF, the video suite can also be saved.

Try to choose a heavier tripod, which is more stable.

The height depends on the shooting angle you may use.

Because timely rain may stick to the ground and shoot at a low angle, it is sometimes necessary to shoot from above.

Yuntai, pay attention to Yuntai. Don't use the camera.

When choosing a camera, it is best to use oil pressure with damping.

This will make the picture smoother when you shake the mirror.

As for the camera model, this is really not recommended.

It can be said that as long as it is a camera with video shooting function.

It all depends on how much you plan to spend.

Canon 550D, 7D, 5D2 and 5D3…… will.

By the way, monitor.

I think it is necessary to buy a small monitor, even a 7-inch head display.

The LCD screen on the back of the camera is too small. I don't think the accuracy of focusing can be guaranteed, so I can't see clearly.

Especially when focusing manually.

If you have certain requirements for sound, it is still a real sound.

You also need a recording microphone. This thing is also a "bottomless pit", no matter how expensive it is, it depends on your financial ability.

I think five or six hundred dollars will do.

If you can afford a recording pole, you can use a bamboo pole if you have no money. :-)

Agitator ... let's talk about this if you are sure there is a sound engineer.

I think so much at the moment.

Come to think of it, add.

Please ask again if you don't understand.