Reflections on the film "Serf"

Tibet before liberation. Qiangba's ancestors were serfs. When he was born, his father was tortured to death by the noble master, and his only relative, grandma, raised him in suffering. Grandma died when he was a teenager! The noble master regarded him as a Langsheng (domestic slave). In the master's house, Jamba was played as a "horse" by the young master and whipped. The housekeeper grabbed his hair and threw it into the tree ... The stubborn Xiaoqiangba did not beg for his master's pity, but expressed his resistance with silence. He was determined not to speak again and buried his hatred in his heart like a mute. Jamba grew up in misery! One day, Ramba's friend and blacksmith Ge Sang's sister Lando told him that the People's Liberation Army had entered Tibet. The People's Liberation Army was a soldier who broke the shackles of serfs, and a glimmer of hope passed through Jamba's heart. The next day, Master Lang Jie went to meet with the People's Liberation Army. On the way, Master Lang Jie forcibly carried him across the river beach. The humiliation of childhood aroused his anger and exhausted his physical strength. When he climbed the ridge, he fell down and got hurt. Fortunately, when the China People's Liberation Army arrived, Jamba avoided the punishment of his master. The People's Liberation Army cured Jamba's injury and sent a horse to send him back. When the head of the army sent him to get on the horse, he thought that the head was going to get on the horse himself, but he was used to bending down and kneeling under the horse. When the chief lifted him up in surprise and let him get on the horse, he woke up from a dream and couldn't bear to leave with tears in his eyes. Lang Jie hated the PLA and was afraid of serf awakening. He asked the housekeeper to tie Jamba behind the horse and drag him to death. At this moment, Lando's brother Ge Sang, the blacksmith, arrived, killed the housekeeper and saved Jamba. They smashed the shackles and prepared to go to the People's Liberation Army. On the way to the PLA station, Jamba and Lando unfortunately met Langjie. Under the pursuit of Lang Jie, they fled to the edge of the cliff and jumped off the Yarlung Zangbo River. They're not dead. Lando was rescued by the People's Liberation Army, freed from the fate of slaves and became a new man. Jamba was caught back by Lang Jie. When Langjie executed him, the hypocritical Tudeng Living Buddha took him in as a Lama. Jamba was thrown into another fire pit. Soon, Master Lang Jie and Tudeng Living Buddha launched a rebellion in an attempt to drive away the PLA. The rebellion plot was shattered. When Lang Jie fled abroad, he took Jamba with him. On the way, Lang Jie rode on Jamba again. Jamba was very angry, threw Lang Jie to the ground and killed him. At the critical moment, a PLA soldier saved Jamba with his own life. Jamba woke up. He knows who his relatives are and who his enemies are. He ran back to the temple and took out the weapons hidden by Tudeng Living Buddha and gave them to the People's Liberation Army. Unfortunately, Tuden stabbed me. In order to destroy the criminal evidence, Tudeng set fire to the temple in an attempt to frame the PLA. Jamba rushed out of the fire and exposed Tuden's crime. The serfs were completely liberated. At this time, Jamba and Lando met, and the "dumb" began to speak.

The film focuses on the history of the blood and tears of the serf Qiangba family, and shows the cruelty and cruelty of Tibetan serfdom and the sharp contradiction of serfdom demanding complete liberation with the help of real and touching artistic images. Tibetan actor Wang Zhan plays the leading role, a "mute" who runs through the whole film but has only a few lines. It is very difficult to shape the role. The director inspired the actors to grasp the characters' personality characteristics and emotional tone according to their own life experiences, accurately expressed the characters' profound and complicated inner world, and created an excellent serf image.

The script of the film combines records and stories, poetry and drama, while the director's style is dignified, concise and profound. The long lens description of photography, the symbolic modeling of light and shadow, and the application of special effects make the film have strong artistic expression.

The film won the Golden Eagle Award at Manila International Film Festival in the Philippines on 198 1.

1964 Huang Zongjiang won the Creation Award of the General Political Department.

1994 was awarded the "Dragon Dragon Award" by the National Ethnic Affairs Commission.

I didn't find a ready-made reading experience, just a brief introduction.

Some netizens commented that they didn't want to watch it again.