How is the practical logic expressed in the American film The Matrix?

For example, there is a fighting scene in the American movie The Matrix, in which a man jumps up, kicks in the air and lands. In traditional editing, the speed has not slowed down, or it is repeatedly spliced together after shooting from several angles, emphasizing simultaneity. In this film, when people jump in the air, they suddenly stop, and then the human body and the room rotate 360 degrees-which is equivalent to the lens turning around the actor, and this time has passed for several seconds-and then the normal moving speed is restored, and the actor flies and kicks the ground. In this shot, the time understanding of the field intervenes and stops the normal time flow. Such time logic is not only a sense of time transformed from subjective psychological experience, but also a sense of time continuously integrated into spatial understanding.