How to take indoor photos like a professional photographer?

In order to get a good indoor photo, you must decide the target of the image you want to make in advance. Why are you taking pictures? Show ongoing interior design, decoration details, furniture, floor or ceiling? Maybe the lighting company hired you to show you how this place is lit after renovation. Why is this important? Well, at least because you have to choose a shooting location before taking pictures. If you want to take a complete internal photo, you need a wide-angle lens and a favorable position to show the space, or you need to be as close as possible to the subject, equipped with a large lens and ring led lighting device to convey the details of furniture or ceiling.

In this article, we will discuss the steps and photography skills of taking amazing indoor photos.

First, the camera position When shooting interior decoration, do you observe the space through the eyes of visitors or designers? The designer will definitely want you to provide an internal overview. These photos are needed to give him a chance to explain the general situation of this place to customers. The shooting point should be higher than the observation height of tourists. In order to get good results, you may need to look up from the height of your eyes and take pictures.

When installing the camera in the required position, please use a solid tripod that is horizontal and adjustable. You will find that the so-called ball head bracket for flexible positioning is far from ideal for this kind of work. It is best to use a tripod with a 3D tripod head. You can adjust each centimeter individually. Built-in levels will provide a good starting point.

Look for patterns and observe the diagonal lines inside. Make sure the vertical line is vertical, the wall will not fall off, and the furniture doesn't look like pears. Understand that when converting a three-dimensional space into a planar two-dimensional image, the resulting image should be pleasing to the eye. Looking for the classic diagonal observation line, try to perform the trisection.

Find the horizontal line related to the edge of the image. This is ideal if the horizontal line is flush with the frame. Don't forget that any correction of vertical and horizontal perspective in post-processing will lead to image distortion.

Using a wide-angle lens to change the tilt angle can make life easier and provide greater flexibility in choosing shooting points. In addition, try to view it in real time (on a laptop or tablet).

Second, exposure and contrast wide-angle lenses and tripods provide maximum closed aperture and closed depth focusing. In 17-24 mm lens, Quan Huafu lens can use f/8-f/ 16, and the clearest and clearest image can be obtained in ISO 50-200. Use a remote control or timer to reduce camera shake.

You will find that there are great changes between bright indoor areas and dark indoor areas, especially in bright daytime. If measured or estimated exposure is used, white walls and ceilings will look dark gray, and dark areas will lose details and colors. A simple way to deal with this phenomenon is to simply redisplay the image, and then blur some areas in the post-processing.

By adding light to the dark area, the overall contrast can be reduced, and the color and brightness will return to the dark area. Obviously, this needs to be done carefully so that the natural lighting of the space will not change.

Another method is to combine multiple images in Photoshop. According to the overall contrast, by adjusting the exposure, make 3-6 options and take some photos. Make sure that the camera does not change its position during shooting, and there are no moving objects in the image.

You need to start with one or two images that stop overexposure, and then overlay the dark layers. It takes some practice, but you will get good results!

Third, there are usually many different light sources in the color greenhouse. Fluorescent lamps produce green images, while incandescent lamps make the surrounding areas yellow. There is a lot of blue sunlight coming in, and the flashing light is also blue. It is important that you consider the color balance of the light source to get the image you need.

Usually, the color balance depends on the warm light source, and the white balance in the camera should be set in the range of 3000 to 4000 K, which makes it easier to edit in RAW, which will provide ample opportunities for post-processing. When you set the camera to the color temperature of 3000-4000 K, you will see blue light outside the window. It endows indoor photos with plasticity and is the fashion trend of indoor photography.