Traditional Culture Encyclopedia - Photography major - Li Xiaoming and China's Traditional Realistic Painting Lotus Daquan Painting Steps
Li Xiaoming and China's Traditional Realistic Painting Lotus Daquan Painting Steps
1, complete the sketch (that is, line sketch). Bring up two kinds of ink colors: medium ink and light ink, then dip the light ink with Longfeng Gou Xianbi, and outline the flower head with You Simiao. The branches of the grass, the branches of the lotus and the parts of the lotus are all outlined with iron wires with pens dipped in ink. Lotus leaves and grass leaves are outlined in China ink. Pay attention to the firmness and smoothness of the lotus leaf lines, and pay attention to the pause and relationship of the lotus leaf in the process of drawing.
2. Brush the whole body with a layer of light emerald green (phthalocyanine blue plus Garcinia cambogia plus a little ink), and remember to leave blank when meeting the flower heart (mainly around the lotus). Then paint the background emerald.
3. Use turquoise (flower green with Garcinia and a little ink) and then apply the background color flat. The front of the lotus leaf is dyed with emerald cover, and the front of the lotus leaf and the grass leaves are dyed with emerald green from the veins (remember to leave the waterline). The reverse side of the lotus leaf is dyed light green (flower blue and a little gamboge) along the vein, and the branches of the grass are painted green. Stamens are dyed pale yellow (ochre and rattan yellow) from the inside out.
4. Continue to smear the background with emerald green (Garcinia Garcinia plus cyanine plus a little ink) once, cover the lotus leaf and its front 1~2 times with emerald green, and reserve waterlines along the veins of the lotus leaf. The leaves, branches, the reverse side of the lotus leaf and the stalk of the lotus leaf are covered with medium green (gamboge with a little phthalocyanine blue), and the waterline is reserved for the part with veins. Stamens (around the bottom of lotus) were dyed with light yellow 1~2 times.
5. Use turquoise to paint the whole picture of Tu Ping (the flower heart is left blank and not painted), and leave the blank to dye evenly. The front end of the grass was dyed with ochre for 2~3 times, and the back of the lotus leaf was painted with stone green dyed by Gou Xianbi. Dot the petiole and lotus seeds with medium ink, and hook the grain on the front of the grass leaves with light ink. The petals of the flower head are dyed with white for 2~3 times, then the petals around the flower head are hooked with white again, and finally the pistil is drawn with white silk thread.
Matters needing attention in drawing lotus flowers are as follows:
1. When drawing lotus stems with ink, the stems should be heavier to achieve flower weight and leaf weight. Weak flowers, weak leaves and weak stems.
2. In order to reflect the richness of the works, the embellished items can be supplemented by reeds, calamus, aquatic plants and moss spots to create changes in points, lines and surfaces, but attention should be paid to the changes and unity of density, shade, dryness and wetness, and length.
3, the lotus leaf painting method is to draw the lotus leaf first, take a medium bucket pen dipped in ink or three green, three green, the nib dipped in flower green, light ink, in one go, pay attention to the size of the pen, not even. It should be piecemeal. The color of ink should change in depth, and the shape should not be too round.
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