Why does Qu Yuan love vanilla beauty?

Speaking of vanilla, it's just scattered vegetation.

Li Sao repeatedly said that vanilla is used for ornament, which really describes the talent of "inner beauty". "I have both inner beauty and self-cultivation" is another futile metaphor, saying, "I want to leave the Jianghu and be honest. I think Qiu Lan is respected". In Wang Yi's Zhang sentence, all of them are labeled as "vanilla", and the metaphorical meaning is explained: "To cultivate one's morality and keep one's family in order, you should take it as clothes; Clue Qiu Lan as an ornament; Learn from others and be strict with yourself. " Wang Yi's Zhang Ju attributed all the vanilla decorations in Qu Yuan's works to "self-restraint", which is the result of traditional Zhang Ju's independent interpretation of the text, because the context and the whole context can be ignored, and this interpretation can only convey the interpreter's ideas. Whether Qu Yuan wants to express the message of "self-restraint" will suddenly appear when reading the context.

"Lisao" is written as "a clear link between the past and the future, a place where the public is solid", and Wang Yi notes the public as "Yu Qunxian". Qu Yuan's empty pen is a metaphor: "How can I be jealous of my husband?" Wang Yi's Zhang Sentence explains this meaning: "All herbs are used to persuade saints. Yan Yu, Tang, although virtuous, still use many sages, so that they can't rule alone. " Vanilla here is a metaphor for virtuous people. Isn't it self-evident that Vanilla mentioned earlier said that "Hujiang left and finished, Qiu Lan thought it was admirable"?

Qu Yuan wrote with a vertical pen: "I am not only nine flowers of orchids, but also a hundred mu tree;" Stay abroad, expose the car, Du Heng and local chronicles are mixed. The branches and leaves in Hebei are so lush that I wish I could mow the grass then. Even if it withers, it will hurt and mourn the filth of the public. "Lan, Hui, Che Jiezhi,,, Wang Yi's notes are all called" vanilla ". These plants have their own characteristics and can be used as medicine, which means that people of all colors have their own strengths. In Wang Yi's words, it is "all saints and benevolent people". Then, the three kinds of herbs in the sentence "Shanghai River is separated from the garden, thinking that it is beautiful" are naturally "wise men and women" rather than "self-cultivation" of self-metaphor. This sentence should be understood as making friends with sages, birds of a feather flock together. Qu Yuan claimed that he was gifted and virtuous, walked with good people and participated in state affairs. The writing style of Ci and Fu is characterized by spreading propaganda and developing literary meaning by taking advantage of the situation. According to Wang Yi's interpretation, the meaning of words suddenly stopped, and there was no momentum. If we understand the appreciation of vanilla as the meaning of caring and kindness of friends, then this meaning will be expanded with "inner beauty", and the two metaphors of vanilla mentioned below will echo each other. Qu Yuan wrote in Lisao: "The root of wood is knotted, which runs through the pistils of Ficus pumila, and the bacteria are nurtured by thread, which makes Hu Sheng love." Practicing in front of my husband is not a secular service. Although it is not good for people today, I am willing to follow Peng Xian's legacy. "These two paragraphs are first empty metaphors, and then they are true. The idea is to take the sages before Buddhism, such as Mugen, Ficus pumila, Huihui and Hu Sheng. Wang Yi said "vanilla". These herbs are used to compare with ancient sages and set the atmosphere for "practicing Buddhism first". The metaphor of "vanilla" in Li Sao is either more virtuous than the times or refers to ancient sages, but this is not the case.

Li Sao mentioned the metaphor of making clothes with lotus leaves. Moire said: "making lotus flowers is clothing, and picking hibiscus is clothing;" I don't know if it is already embarrassing, and I feel that I believe it. " Lotus and hibiscus king didn't indicate vanilla at all. It is worth noting that all kinds of herbs mentioned above are used to hang ornaments or sachets, and will not be used to sew clothes. Decorative things are indispensable, but clothes are absolutely indispensable for covering the body, which is more important for Qu Yuan, who is respectful and beautiful. Therefore, lotus has a more special position in other herbs. In Zhu's Collection of Notes, it is mentioned that "the present and the next part are the so-called repairs", which refers to his original intention, and repeatedly explains that he is not upright, straight through the outside, and the mud is not stained, which can best describe Qu Yuan's own quality.

Among all kinds of plants described in Lisao, only the lotus flower is used by Qu Yuan to describe his moral character, and all kinds of plants called vanilla by commentators are metaphors of talented people, not his own situation. Plants always flourish and wither with the change of seasons, so they can't keep the best living condition for a long time; Qu Yuan was saddened by the deterioration of materials: "Even if it withers, it will hurt and mourn the filth of many people." Grass is covered with weeds, which can't show its characteristics. It certainly makes Qu Yuan sad, but what makes Qu Yuan desperate most is "changing without fragrance, turning into hair; What grass was in the past, now it is Xiao Ai! " Hong Xingzu added: "Xiao Ai is a humble grass, and the metaphor is not worthy", which is exactly what Wang Yi said: "Gentlemen are mostly villains, and loyalty is mostly illusory"; Qu Yuan blamed this depraved behavior: "If you want to continue your career, you can only know what it is, know what it is, and you can't change it!" Expose the root of the qualitative change of "vanilla" Qu Yuan, who has always insisted on "clothes first" and never changed his original intention, how can he describe himself with these herbs that change qualitatively at any time? It is against Qu Yuan's mind to regard vanilla as a symbol of self-reliance in Qu Fu.

Second, beauty-fear of beauty death.

Qu Yuan's "Li Sao" begins with a low and sad pen: "The sun and the moon suddenly don't cover up, and the spring and autumn have their order; However, the grass and trees are scattered, fearing that the beauty will be late. " Wang Yi's "Zhang Sentence" says: "Beauty means being pregnant with the king; People's clothes are beautiful, so they are beautiful. " People crown the hall, and the meaning of beauty is taken from clothes; This kind of training with literature is inevitably far-fetched. Hong Xingzu's "Supplementary Note" said: "Qu Yuan regards beauty as a metaphor, and he is afraid of beauty dying"; There are people who are good at people, and they are' full of beauty'; If there is a self-metaphor,' send beauty Nanpu' is also. " The supplementary note summarizes the meaning of "beauty" in Qu Fu. For the analogy with himself, please look at JIU ge. As for this sentence, I also agree with Wang Yixun's explanation.

Only the grass and trees are scattered, lamenting the deterioration of the wise men around you, opens the narrative of the rise and fall of vanilla below; Followed by "fear of beauty dying", a series of strokes are made for the following "seeking women". From the context, this sentence means that Wang Huai is a beauty, which is ultimately embarrassing; If you talk about inferiority, you should not be pregnant with a wise man; Qu Yuan abides by etiquette and righteousness, which is absolutely conscious. In addition to the disappointment of breaking the Tianmen Gate, Qu Yuan demanded the legendary ancient beauty, "glory can not be lost, and the next woman can be lost", and married to solve the frustrated loneliness in the court and seek spiritual * * * and comfort. This is a helpless choice, we have to wait for the second time, but we are still subject to opportunities. Twilight shows that time is pressing and we can't relax; "and glory is not falling" declares that we must seize the opportunity, otherwise the beauty of beauty will disappear with time. Therefore, "beauty" is Qu Yuan's favorite beauty, which echoes before and after, and the meaning of the previous sentence "vegetation" is also appropriate.

The process from narration to "seeking women" in Li Sao is also a series of setbacks. First of all, I asked Fu Fei, but "although I believe in beauty and it is rude, I refuse to give it up, but ask for it". It is said that Fu Fei's appearance is charming, but it is a pity that she is not loyal to her feelings. "Xi is second only to the poor stone, and she is Di Ku's wife and has an affair with Hou Yi." She is proud of her beauty and entertains in Japan. "The pen and ink fell on Judy, but it was blocked by the matchmaker. Di Ku had already got Judy from Qu Yuan, but his second courtship failed. After two failures, Qu Yuan was almost disheartened. Take a chance while Emperor Shao Kang hasn't married two women who are in danger. But Qu Yuan thought of the ability of matchmaking, so he took the initiative to cancel the action of finding relatives. He can only sigh: "I am far from home, but I am not a wise king;" I don't care, and I can't stand it. "These' beauties' are not unattainable. If Qu Yuan only wants women, Fu Fei can have them at any time. And if Qu Yuan doesn't obey the marriage etiquette and proposes in person without a matchmaker, Ju Di or Er Yao will get pregnant. However, Qu Yuan's intention is not here. He hopes to seek a life with the same ideals and get to know each other. Unfortunately, these beautiful women can't achieve their private affairs even if they are not moody and deliberately difficult. Qu Yuan is poor, and the road to the goal of "American politics" is too far.

Although "beauty" is dedicated to Qu Yuan, it cannot be regarded as a symbol of Qu Yuan's ideal personality, and its changeable behavior characteristics are the key to Qu Yuan's ideal personality. Although the withering of "vanilla" and "beauty" are Qu Yuan's wounds, it is always biased to regard "vanilla beauty" as the symbol of Qu Fu's art.