The scorching sun accompanies me in the ending

At the end of "The Sun Is With Me", Sheng Yang and Jian Bing happily held hands and achieved good results in their careers.

"The Sun Is With Me" tells the story of a hard-working new designer Sheng Yang and a well-known advertising director in the industry, Jian Bing, who met by chance and started a "rechargeable love" story that illuminates and heals each other. Under Jian Bing's inspiration and encouragement, Sheng Yang continued to grow and emerged in the industry, while Jian Bing regained her confidence in life and love with Sheng Yang's care and company.

"The Sun Is With Me" is a drama about sister-brother love. As we all know, in recent years, dramas about sister-brother love can be said to be the "dark horse" dramas among domestic dramas, such as "The Next Stop Is Happiness" ", "Holiday Warm Ocean" and other dramas have become popular among the public after they were aired. Not only that, but there are also upcoming dramas such as "Just Love" and "Ball Lightning" that have attracted public attention. Therefore, it can be seen how deeply the public loves these dramas.

Introduction to the director of "The Sun Is With Me"

Song Xiaofei, born on January 27, 1976, is a photographer and director in Mainland China. He graduated from Beijing Film Academy majoring in cinematography. In 2009, he served as the cinematographer for the comedy film "Bullfighting", for which he was nominated for the Best Cinematography Award at the 46th Taiwan Film Golden Horse Awards. In 2011, the comedy movie "Single Terminator", where he served as a photographer, was released. In 2013, he served as the photographer for the action movie "The Grandmaster". In 2014, he was shortlisted for the Best Cinematography Award at the Macau International Film Festival for his love movie "Beijing Love Story".

Song Xiaofei has solid photography skills and attaches great importance to the use of emerging photography technologies. From the strong sense of form in the trilogy "The Stubborn Carrot", "Bullfighting" and "Killing Life", to the strong sense of form in "A Date with the Police", "A Story of Two Foods", "Star Sea", and "A Journey to Thailand Again" Traditional realistic photography. He can not only pursue the strong expression of literary and artistic films, but also take into account the audio-visual experience of commercial films, and can also sublimate the freehand Chinese artistic conception. His photography is like water, benefiting all things without contending. It is flexible, collaborative and full of tension.