What's the difference between the real shooting mode of Chronicle of Summer and the shooting mode of direct cinema?

For the recording object, "direct cinema" thinks that the lens and director should avoid interference, while "real movie" needs the intervention of the lens and director.

The difference between "direct cinema" and "real movie" lies in:

1, the "direct cinema" documentary is in a state of tension in front of the camera, waiting for the occurrence of extraordinary events, and the hasty "real movie" documentary tries to promote the occurrence of extraordinary events;

2. Artists of "direct cinema" don't want to show their faces, while artists of "real movies" openly participate in movies;

3. The artist of "direct cinema" plays the role of an irrelevant bystander, while the artist of "real movie" plays the role of a provocateur;

4. The author of Direct Cinema thinks that the truth of things can be recorded in the camera at any time, and the "real movie" is based on the argument that the artificial environment can make the hidden truth surface.

5. The key lies in the fundamental difference between "record" and "fiction". The former thinks that documentary should be a pure record of reality, capturing the truth in a passive state and opposing the use of fiction in documentary; The latter believes that documentaries should not simply record reality, but should actively explore reality and not exclude the use of fictional strategies in documentaries.