Traditional Culture Encyclopedia - Photography major - The makeup of the 87 version of A Dream of Red Mansions is so thick that it feels like everyone has floating powder on his face. Did you find it strange when you watched it?
The makeup of the 87 version of A Dream of Red Mansions is so thick that it feels like everyone has floating powder on his face. Did you find it strange when you watched it?
Float powder is the limitation of the times. Float powder is the limitation of the times. After all, floating powder is a bit strange than not floating powder, but there is nothing I can do. Taken at 1987, the plastic surgery production technology at that time was definitely incomparable with that now. I have seen a foundation cream around the 1980s. Although it is well preserved, it is too rough to draw. Now it is used to paint the walls. There was an interview that looked like a documentary. At that time, there was no concept of makeup powder. Mascara is not waterproof. Some actors secretly wear mascara, and when they cry, they become panda eyes. Later, the director strictly prohibited the secret application of mascara-the quality of cosmetics like that, floating powder is simply too normal.
Even now, the makeup of actors is definitely different from that of ordinary people. Ordinary people put on makeup for up to ten hours, even if they stay in an air-conditioned room. Apply makeup liquid foundation and spray makeup spray. A fine powder cake can make up makeup at any time, and it is impossible to completely avoid floating powder, let alone actors. Beauty requires perfect photonics, and no dark circles and acne marks are allowed. Then the foundation is thin and concealer, so you can't have it both ways. Besides, actors have to act, cry, laugh, get angry, get wet and be wrapped in heavy clothes. The high temperature in the studio is 30-40 degrees, and sweating is also a problem. I can only make up my makeup constantly. No matter how skilled we are, after putting on a lot of makeup, our makeup will get thicker and thicker. In fact, actors and models are very thin.
At that time, there were not so advanced things. I didn't even know what green cloth was at that time. Almost at the same time, the special effects of Journey to the West feel more than fifty cents now. what can I do?
But there is absolutely no problem with makeup design. To tell the truth, when it comes to classical beauty modeling, the most charming version of A Dream of Red Mansions is 87. Every beautiful woman has her own characteristics. You can tell at a glance which one is Daiyu, which one is Baochai, which one is Mistress Xiaosan and which one is a big girl. They don't need to talk. For example, the shape of Daiyu, Daiyu's hairstyle is rather bun-like, and the braids hanging down look like the whole person is a little more playful in the romantic smoothness, and the eyebrows are boldly painted with a slant eyebrow. In traditional aesthetics, the eyebrows should be marked after painting, but the eight-character eyebrows here reflect Daiyu's delicate and touching temperament, and also fit this character very well.
Baochai's hairstyle, contrary to Daiyu's, is almost a smooth and neat bun, which is in line with Baochai's gentle personality. And if I remember correctly, Baochai has almost no pigtails on both sides, because her role is big sister, and she needs to look more stable and mature, less lively and more dignified than others. Xifeng's eyebrows are also worth mentioning. What does Wang Xifeng look like?
It is clearly written in the book that Liu Ye's eyebrows have the eyes of a phoenix triangle, so her eyebrows are more curved and more selective than traditional Liu Ye's eyebrows. Compared with the elegant eyebrows, the eyebrows with large radian will make people look more energetic and energetic, and look sharper than the traditional elegant beauty. This eyebrow painting must be strange on ordinary people's faces, but it is especially suitable for matching Wang Xifeng, a smart and elegant beauty.
For another example, girls are also very careful in styling. Qingwen's makeup looks more delicate than xiren's. Xiren is a gentle big sister at first sight. Qingwen looks like a lively and well-behaved little girl, whether it is a pigtail hanging down unilaterally or a clever hairpin on her head. Pinger is a servant girl, so she combs her hair and makes a woman's bun. How many people have noticed this costume drama now? Whether a woman is married or not, she runs around with her hair in the camera. In ancient times, when she was a woman, she had to comb her hair. Edition 87, no matter how old, all married people with husbands don't leave pigtails.
Now look at version 87, and all the beautiful women in it are like ink paintings. Now look at the 87th edition, the beauties in it are all like ink paintings, full of ink, as if they had stepped down from meticulous painting. Coupled with their acting skills, their eyes are full of emotion and smile, which should be both joy and anger. This is my view of those beautiful women in ancient times. Nowadays, costume dramas are not ugly, but they always feel that something is missing. What do you think is that a group of modern people are acting in costume, which can't reach the feeling of "this is a group of ancient people"-it seems a little better now, at least a little better than in previous years. In previous years, Andy in "Ascending to the Top" and Cece Momo in "Splendid Not Over" were all spiritual little sisters with big flat eyebrows.
It is neither suitable for the actor's own appearance nor for the character temperament. Obviously, Andy's curved arch eyebrows in Sweet Honey and Rachel Momo's pale eyebrows in Empresses in the Palace are both beautiful. In recent years, the better clothing style, the number one biography of Zhen Huan, has moderate makeup and does not use exaggerated false eyelashes and thick eyeliner to gild the lily. The Legend of Mi Yue has been subverted a bit, and it has been pushed too hard. Do you know if this is okay? The color matching and lighting are very good, and the design of Mi Xiang is very careful. After all, Xianxia drama is full of fairy tales, and it is ok to be unconventional. If you use the Qing Dynasty drama, the style of Biography of Yan Xi Palace is more interesting.
Now there are always people who are addicted to the same makeup, no matter what role or actor's characteristics. They came up with a big flat eyebrow, long eyelashes and Barbie pink lips, and then ignored their marital status, all wearing waist-long hair and messy in the wind. But I still think the elegant and elegant style is more fragrant.
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