What is the noumenon aesthetic element of film and television art

First, the aesthetic characteristics of plastic arts. Plastic arts refers to the use of certain materials (such as pigments, silk, cloth, paper). Stone, metal, wood, bamboo, etc. ), an art form that expresses social life and artists' feelings by shaping visible static images. It includes painting, sculpture, photography, architecture, arts and crafts and other specific art forms. Its main aesthetic characteristics are intuition and concreteness; Eternity in an instant; Differences in spatial expression; Formal beauty of cohesion.

(1) Intuitive concreteness means that plastic arts have the characteristics of using material media to express concrete artistic images in space. Plastic arts use material media to create concrete artistic images and directly attract people's visual senses. This kind of direct and concrete image contains rich artistic implication, which directly presents the concrete visible or tangible image to the audience and causes the audience's intuitive aesthetic feeling. Plastic arts can also transform some intangible things that are difficult to express in real life into concrete visual images that can be intuitive.

(2) The eternity of an instant means that plastic arts have the characteristic of choosing a specific moment to express eternal meaning. Plastic arts is a kind of static art, it is difficult to reproduce the movement and development process of things, but it can capture, select, refine and fix the most expressive and meaningful moments in the development process of things, "moving in the static state" and expressing "eternity" with "moments". For example, photography, the instantaneous expression of photographic images, often seize the moment before the climax, leaving people with unlimited imagination.

(3) The difference of spatial expression means that all categories of plastic arts have different characteristics in spatial expression. For example, Chinese and western paintings use different perspective methods to create an illusory three-dimensional space on a two-dimensional plane. Western oil paintings use "focus perspective" and Chinese paintings use "scattered perspective".

(4) Cohesive formal beauty means that plastic arts have the characteristics of condensed and aggregated formal beauty in artistic image. The law of formal beauty is universal to all categories of plastic arts, so using the law of formal beauty to deal with material media can integrate artistic symbols condensed with formal beauty. Various laws of formal beauty (such as symmetry, balance, rhythm, rhythm, contrast, proportion, master and slave, scale, light and shade, truth and falsehood, diversity and unity, etc.). ) condensed into various forms of beauty in the concrete application of various arts. For example, the symmetry of proportion, the change of rhythm, the contrast between light and shade, the unity of diversity, the coexistence of reality and reality, etc. , are the concentrated embodiment of the law of formal beauty in various art categories.

Second, the aesthetic characteristics of performing arts. Performing arts is an art that uses artificial symbols (music) and expressions and gestures (human movements) to create emotional and vivid images through performance, mainly including music and dance. The common aesthetic characteristics of music and dance are: lyricism and performance; Process and liquidity; Beautiful sense of rhythm and rhythm.

(1) The lyricism of performing arts refers to the art of music and dance, which is good at expressing freehand brushwork but poor in reproducing realism. It can directly express and reveal people's inner feelings and has a strong emotional shock. Performance refers to the artistic image of music and dance, which is lyrical. It must be presented through the second creation of the artist's live performance, and only by appealing to the audience's audio-visual senses can it be finally completed.

(2) The process and fluidity of performing arts refer to music as a time art and dance as a time-space art, and its image composition is displayed in the process of time, so it is more abundant in reflecting the development and changes of life and expressing emotions. The time when music and dance express images is illusory, but the emotions expressed are real.

(3) The sense of rhythm in performing arts means that both music and dance take rhythm as an important means of expression, and express their feelings through the regular repetition of music and movements. Rhythm is one of the important laws of formal beauty, and it is the most important basic element and expression means of music and dance. The connotation of artistic rhythm is the change of emotion, and different rhythms can have different performance functions, thus making melody and dance have distinct personality. Thirdly, the aesthetic characteristics of language art mainly include three aspects: rhetoric of language, indirectness and implicitness of image.

(1) Rhetoric of language refers to the language in literary works, which not only creates literary works through aesthetic factors such as pronunciation, grammar and figures of speech, but also constitutes an integral part of the beauty of literary works. The beauty of literary language is embodied by rhetoric. Rhetoric of language includes phonetic beauty, grammatical beauty and rhetorical beauty.

(2) Image indirectness refers to the image created by language art, which does not directly appeal to the reader's senses, but relies on the reader to appreciate, grasp and understand indirectly through language symbols and imagination, and then the image of the work can be transformed into the image in the reader's mind.

(3) Implication is a summary of the special language and meaning of literary activities, which means that literature is practiced as a social language symbol, and its language organization contains rich possibilities of meaning generation. The implication of literature is often more fully reflected in two typical forms: implication and ambiguity. Implication refers to hiding seemingly infinite meaning in limited language, and the real meaning is covered by literal meaning, so that readers can appreciate infinity from the limited. Ambiguity, also known as ambiguity, polysemy or polysemy, refers to the seemingly single meaning, but the definite language contains multiple and uncertain meanings, which makes readers remember deeply. Ambiguity makes readers feel that there are multiple meanings and various "reading methods" when reading literary works.

Fourth, comprehensive aesthetic characteristics, comprehensive art is the art of comprehensively using various artistic symbols to create a living image. Mainly drama, opera, movies, television and so on. Its aesthetic characteristics mainly include three aspects: high comprehensiveness, richness of plot and diversity of expression.

(1) A high degree of comprehensiveness means that comprehensive art absorbs various artistic elements from other arts and organically blends them into its own artistic symbol system, thus enriching its artistic expression and artistic appeal. At the same time, the comprehensiveness of film and television art is based on science and technology, which makes it a new modern art.

(2) the richness of the plot. It should be understood from two aspects: artistic expression and artistic acceptance. Comprehensive art develops contradictions and conflicts, shapes characters and embodies creative style with storylines composed of characters and events; At the same time, comprehensive art, as an ornamental art, should provide wonderful and vivid storylines for the audience to attract their attention and meet their aesthetic needs.

(3) the diversity of performances. It refers to the drama, traditional opera performance and film and television performance of comprehensive art, which form their own different performance styles because of their different aesthetic characteristics. Their common aesthetic requirements are: the performance should be the unity of actors and roles, and the unity of experience and embodiment.

Art classification is not absolute and unconditional. On the contrary, the boundaries between various art categories are not absolute and conditional. There are differences, connections, mutual transformation and common development between them in aesthetic feelings, means of expression and mutual convergence. Their aesthetic characteristics also have a lot in common. To realize the aesthetic experience of artistic synaesthesia, we must firmly grasp the similarities and differences between various arts, and make these aesthetic characteristics communicate with each other in the aesthetic feelings of various arts through the exchange and borrowing between feelings.