Ding ya's main works

Photographer of Jinggangshan live performance "Jinggangshan"

Hailar Rock Photographer Performing "Tianjiao Genghis Khan"

Chief photographer of Zhangjiajie live performance "Tianmen Fox Fairy"

Hangzhou west lake impression west lake photographer

Jiangsu Kunshan city propaganda film

Tianjin promo

Beijing Olympic bid propaganda film

2)MTV:

Zhangyan's "Dear Man" rock photographer

Situ Lanfang's "Phoenix Wings" rock photographer

Yang Qian's beautiful home rock photographer

3) Film and television works:

1, photography direction of the film "Commitment"

2. Photography direction of the film "Spring Breeze Action"

3. Director of the film "loved one"

The picture of the whole movie gives people a fresh, exquisite and aesthetic feeling. After reading it, it is not only pleasing to the eye, but also temporarily calming the impetuous heart, and at the same time, it can make the closed heart be gently touched and recall the beautiful past of the first love. In this impetuous atmosphere in which the media and audience are pursuing high box office and big production, this film is a cool breeze, which brings people sobriety and emotion. This film was broadcast on CCTV film channel from 2065438+2003122 October, and received wide acclaim.

4. Chief producer and producer of the movie Forever Sunny.

It is an inspirational public welfare children's film. The film tells the story of He Xiaorun, a 9-year-old girl, who confronts her father and daughter in order to help her disabled father who is addicted to cockfighting and gambling all day long get rid of the decadent spiritual world. In this dispute between father and daughter, Xiaorun silently rebelled against his father at first, then openly confronted his father and son, and finally let his father see his fairy-tale "spiritual world". In the face of his daughter's deeply hurt young mind, the ruined father suddenly woke up and felt guilty and self-reproached for neglecting her daughter's growth for many years, so he regained his courage to face life with her encouragement.

At the beginning of the film, the reporter was shocked and moved by intuition. A long shot lasting more than four minutes followed a little girl carefully across a long street with a bowl of noodles ... This accumulation of time produced a gaze effect, which made the audience pay close attention to the little girl. Her concentration makes people feel her inner obsession and stubbornness; Her caution makes people feel uneasy and helpless.

This kind of space movement shows us the living environment in which she lives, the unknown fate prospect she is heading for, the limit she should try to bear as a little girl of eight or nine years old and so on. The audience's guessing eyes were led by this little girl holding a face, and she walked into her story step by step from a chaotic world and into her young and complicated spiritual space. ...

This long shot with a distinctive Italian realistic style shows a lot of information of the film with only one shot, which is both concentrated and efficient, and reflects the director's imagination and ability to grasp the film language. Fundamentally speaking, the expressive force of this kind of picture and the ability to use the lens are exactly the characteristics given to this film by the director. The local part contains the whole and the detailed mapping theme, and each picture contains the whole information of the film. I think this is the highest pursuit of film art at the technical level, and it is called "holography" for the time being.

"Holographic" movies are perhaps the most intriguing, and director China is outstanding in this respect, perhaps because of the genetic genes carried in symbolic discourse. Such as Jia's "The Life on Earth" and Wong Kar-wai's "Ashes of Time". Regarding "holography", take Jia's film The World as an example. What the film wants to express is that the world looks big and beautiful, but in fact everyone is looking for comfort in the corner alone. Therefore, the main scene of this film is the World Park, where there are China people, foreigners, men, women, urban residents, rural people, the rich and the poor. They gather in this space called the World Park and condense it into a "world", which is the embodiment of the theme in the scene and character composition of this film. Look at the details, the opening of "The World": On the resplendent stage of the World Park, a beautiful dance appeared, and then the camera turned to the background. The heroine walked from the dark corridor to the narrow corner and repeatedly shouted: Who has a band-aid? The splendid stage at the front desk constitutes "the world looks beautiful", and the corridors and corners at the back desk constitute "in fact, they are all very lonely". Band-AIDS can't soothe the wounds of the soul, and you can't find a band-aid. Thus, the long shot at the beginning of "The World" completely alludes to the theme of "Solitude for Comfort".