How to tap the tap? . Now there is one SLR camera and one studio, and the old camera doesn't work well. . Which expert to ask for advice

Get on a tripod Turn down the aperture, f8 or f 1 1 to ensure that every part of the faucet is clear. ISO is the lowest.

The metal reflection of the faucet is very strong, and the most important thing in shooting is to avoid messy reflection.

You can surround the faucet with a soft cloth, leave a seam for shooting and polish it from the outside of the soft cloth. The more uniform the brightness, the better.

You can also put the faucet on the still life stage and shoot around the faucet with multiple soft lights. In fact, the principle is the same as the above method. If the conditions are limited, at least two soft light lamps illuminate from the left and right angles of 45 degrees. The area of the soft lampshade must be large enough to ensure that the light spot on the same reflecting surface of the faucet is a whole from top to bottom and cannot be too fragmented.

The ambient light must be dim, preferably at night. Turn off all other lights in the room and try not to have stray light. Otherwise, photography tables, photographers, cameras and tripods can easily form a mirror effect on the faucet. If the light is used properly, the gap used for shooting will only leave a black dividing line on the stainless steel surface and will not reflect the environment. This black line can also improve the texture of stainless steel. If you want to control this dividing line more flexibly, you need to use gray cardboard or black cardboard.

General ready-made recording studio faucets are not easy to use. In short, it is definitely not easy to shoot a good faucet, which requires a lot of trial and patience.

Besides, the tickets are useless. Polarizers are used to deal with the reflection of glass and water, and have nothing to do with the reflection of mirrors.