Comment on the movie "Make a Famous Name"

After reading a work, I believe everyone has gained a lot of knowledge. At this time, it is necessary to make a good record and write it out. So what should we write? The following is my comment on the movie "Success". Welcome to reading. I hope you will like it.

Comments on the movie Becoming Famous 1 The movie Becoming Famous is a suspenseful mystery film and a masterpiece that exposes human nature. In the period of the Republic of China in Shanghai, a group of second-rate filmmakers wanted to make a big murder case into a movie, so as to achieve the sensational effect of this incident and make a name for themselves. With the development of the plot, people are trying to get closer to the truth, righteousness, gain and loss, truth and falsehood, good and evil at the crime scene.

The plot firmly pulls the audience's nerves in the fog; The story is constantly reversed, impacting the audience's thinking; Human nature tests the audience's choice in repeated collisions.

First, frustrated people

Lu, a desperate film investor, has come to the brink of bankruptcy and wants to achieve a counterattack through the big event of "three old cases". He set up a game in the wild to gather murderers, film directors, film writers and actors and actresses at the crime scene. How to make a film and explore the truth of the case are integrated. Zheng Dao, the king of bad movies, Li screenwriter whose career is not smooth, Lao Guan, an actor who has lived for many years, Meng Die, an elderly actress, Xiao Da, who plays physical doubles, and so on, the value collision and choice between them.

Screenwriter Li Jiahui leads people to explore the truth with clear thinking. He has justice and fearlessness. Even in the dark, he will explore the light. At the end of the film, he told us that conscience is more important than the truth. He did not expose that the nightingale was not killed, but chose silence.

Second, there is gray between black and white.

Human nature is very complicated. In general, there are no absolute good people and no absolute bad people. Many people are gentlemen for a while and snobs for a while; Many people are kind and kind on the surface, but in fact they are insidious and cunning; Many people have a heart as bright as gold under the shell of hatred. The film has made great efforts in this respect, portraying human nature incisively and vividly, and portraying characters incisively and vividly. In the constant reversal, in the constant conflict, in the choice of interests and conscience, the audience tasted the beauty of life, the beauty of the world and the warmth of the world.

Third, the awakening of conscience

After everyone approached the truth step by step, the plot reversed again, and the murderer Ji Leshan became the hero who started the love war. Don't give in to the dark forces, but be willing to sacrifice yourself for your lover. Who is the devil in this world? The three old people with infinite scenery on the surface are wolves in sheep's clothing in this world. The dark government of the Republic of China tried to cover up the truth of the incident by means of power. Behind the case is a touching love story, and everyone's conscience is awakened. Even if life is in danger, we should make this case into a movie and let the truth come out to the world. This is a group of lovely, respectable and responsible filmmakers.

final result

Why famous?

It depends on one's conscience. Not afraid of darkness, not afraid of power, not to protect ourselves in front of interests and justice, but to go forward bravely.

There is no shortcut to fame. Step by step, you can get it by word of mouth.

But doing good deeds is the future of Mo Wen. Starlight does not ask passers-by, and time pays off.

Comments on the movie "Make a Famous Name" II. I know if this will be cold.

One dark night in a month, a group of filmmakers were secretly called together, and they each "claimed" their roles.

It's kind of like "script killing"

Lu Ye, an investor played by Chen Haoming, made his fortune in Shanghai in the 1920s and 1930s. As soon as he returned to the city, he vowed to make this shocking murder a masterpiece on the screen. This time, Wang Yang, who was righteously in The Republic, became a somewhat timid and sophisticated boss. Li Jiahui, a conscientious screenwriter played by Andrew, feels frustrated and depressed. He wrote sharp criticisms and articles, which offended dignitaries. However, he took the bull by the horns and led the whole group of filmmakers to restore the truth of the incident. Yu Entai plays a bad film director, holding on to his fist and pillow. Even if the bad film is questioned, he is fearless, because black and red are also red, but the occasional flash of emotion and talent makes people vaguely see the appearance of director Jing Wong.

Su Mengdie, a washed-up actress, can tell her ambition by her name and guess her loneliness. In a group of male dramas, there must always be a beautiful woman who takes on some female perspectives; There is also the action actor Chen Xiaoda, a descendant of the dragon with little blood, but it seems that he is mainly responsible for making jokes. Then there is the silent film "Guan Emperor", which came to this secret room 20 years ago to act as a narrator and let the audience better understand the plot ... Finally, there was the police sea, and the sentence "I'm sorry, I'm a policeman" made the whole people in the screening hall laugh tacitly, but because he always insisted on justice, the story ended.

In a closed environment, a group of people who didn't realize the danger were trapped in a building, and the unsolved cases piled up, and the identity of men in black became a mystery, and insiders could not escape, and outsiders participated. The film form is very similar to the popular script killing and the imaging treatment of the secret room game. In particular, the old villa, based on flowers, murder, suspense and conspiracy are all common elements of killing people in the script now.

There is a hidden story in the play.

But making a name for yourself is by no means a simple script killing. These frustrated filmmakers want to make a name for themselves by remaking a sensational bloody case into a movie, but they don't know that they are already at the crime scene. On the wall of the Chamber of Secrets, there is a priceless canvas painting-The Death of Salda Paler, a masterpiece by French romantic master Eugène Delacroix. A fatuous king, in order to vent his anger on the rebels who are about to occupy the palace, ordered the destruction of everything, looked at what had brought him happiness, and went to the grave with him ... white body and red full of pictures, luxurious king bedroom and twisted killing action. The floor and wall pillars of the Chamber of Secrets are covered with blood, among which three Shanghai bosses died tragically, and there are strange hooks in four corners of the roof ... This is the most sensational case in Shanghai in recent years-"three old cases".

What is particularly frightening is that investors are madly invited to the murderer's deity. When the door is closed, a good work will not be produced, and no one will come up with this door. Everyone in the game is in danger and his reputation is in jeopardy. In other words, completely different from ordinary script killing, the "murderer" exposed his identity early, and the real story revolves around three mysteries: what is the identity of the murderer? What's the killer's motive? Why did the murderer give in easily? With the development of the plot, the murder scene was discovered, and the film entered the category of classic case mystery films, which became more and more serious. Different from ordinary mystery movies, the murderer and the murder case were determined from the beginning, but the process and motivation of committing the crime were uncertain, which became the main point of the whole film reasoning.

Is it fun to take care of the overall situation?

However, the most wonderful and commendable place in Make a Famous Name and Make a Million, does not lie in reasoning and investigation. In the process of screenwriter Li Jiahui leading people, looking for clues and revealing the murderer, everyone at the scene obviously has ulterior motives, but it is quite refreshing to let the audience take part in accidental amusement and take charge of the overall situation from the perspective of God. With the continuous restoration of the "three old cases", the audience can clearly see the subtlety and complexity of human nature through the different or even diametrically opposite performances of different roles, and various slices of human nature such as ugliness, courage, timidity and selfishness are presented on the big screen one by one.

It is worth mentioning that the film also used a script discussion to overlook the life of the whole film industry. Investors, screenwriters, directors, actors and actresses, from bad film directors to out-of-date stars to film critics, director Liu Xunzi used the ancient irony to catch the whole thing in his first feature film. /kloc-In the story of 0/23 minutes, in addition to a lot of ridicule, satire and self-mockery of the chaos in the industry, there are too many tributes to the old movies and filmmakers.

Finally, seriously answer the questions raised at the beginning of the article. Even though the filmmakers in Ten Counties and Nine Cools have worked hard to complete this film, they may not be able to "make a name for themselves", but they say "we did what we had to do and have a clear conscience".

I haven't seen such a good movie for a long time. Recently, I watched The First Stove of Incense, Wuhai and Aging Before I Get Old, and I was very disappointed with China's films. No director is serious about making movies, they just loaf about to make money. But being famous completely changed my view. Liu Xunzi Mo, to tell you the truth, I didn't even know what works this director had before. Maybe he is a new director, but he shoots better than many old directors. However, this film has excellent shooting techniques, complete plot, compact plot rhythm, advanced photography tone, full characters, mixed with suspense, feelings, loyalty, black humor and so on. And it was very scary in the middle, which scared me and my friends.

There were a lot of foreshadowing in the film, which finally came back, giving people an epiphany when they watched it. The ending is an unexpected reversal, which makes everyone mistakenly think that the dead girl is still alive in this world. The feeling of comfort makes people cry instantly.

Besides the plot, the characters are also very interesting. Xiao Da, a martial arts player who came back from Hollywood, looks tough and strong. He also claimed to be a descendant of the dragon. As a result, he was afraid of ghosts, pretended to be dead and laughed to death. When Deng Jiajia asked him to check the vent, he blurted out, you poisonous woman. So timid and cute. But it is such a person who, after knowing the story of the murderer, is determined to restore the truth to the world. Zheng Dao played by Yu Entai is also a lovely role. He was once scolded by teacher Guan: I didn't expect you to have a heart of gold under your dirty appearance! He is snobbish, money-loving and timid, but he is also an artist. The actress played by Deng Jiajia is also very good, and many details are handled well. That's great. Andrew, boss Lu, including the last big man who stepped on the flame, every acting skill was great!

This film was very inspirational in the early stage. Boss Lu led a group of frustrated young people to make a name for themselves. The middle is horrible, the ending is tragic, but it is also very satisfactory. The killer made the greatest sacrifice for the people he guarded, and his sacrifice was finally worth it. A sad and happy story is yyds!

There are many reasons for watching this film, whether it is an actor, a screenwriter or a creator, it is a hodgepodge of my hobbies. I was looking forward to the trailer when it came out, and finally I waited until the weekend to see it in advance.

I knew for a long time that it was a double story line, which gradually revealed the unsolved case during the filming process. I knew there would be a little fierce script killing. Although the murderer has been identified, the motive and method of killing still have to come up with a truth to reassure screenwriter Li. However, under certain restrictions, I only used three scenes on the second floor of 1 villa to tell everyone's background, conflict points and the ins and outs of the story. Even when the middle door was locked and BGM was changed, I thought there would be a snowstorm-like cannibalism or escape from the secret room. The drama is too tense to estimate what will happen in the next second, so I have to sigh that the writer's idea is very clever.

Apart from the story line itself, what impressed me most about the whole movie is that it is a movie about "people". It was these scripts that killed the players-no, it was the kindness of these filmmakers. Vanity Fair's obsession with money and greed has created a broken axe. When it comes to broken faces, everyone is ugly, but this is just a rotten gamble. Even the cameras that keep recording and running are terrible and dirty. But why do these people have other completely different sides?

Lee, the screenwriter played by Andrew, will let me see the shadow of the business boss again in a few casual moments. Finally, the hand he stretched out and took back behind the girl is more important than sticking to the truth, and it is also the humanistic care that I think the creative team should emphasize in the film. By the way, I really have a forever goose filter.

Yu entai, long time no see. After all, in this comedy-oriented movie, his several conflict points almost made me cry. He is a very ordinary director. He has some feelings, some speculations, some doctrines and some bumps. It is for the sake of the market and box office regardless of basic logic and human rationality. Anyway, the audience can make money by going through the motions. He was the first to run when he felt danger, and insisted on taking personal interests as the highest program, but it was the same. This man full of bourgeois egoism, even if misunderstood and hated, kept Li Jiahui's job. Even if he was slapped by the winner, he protected the man who said he would "torture slowly" at the last minute (thank you). The scene where he trembled on the grass, was at a loss, and shouted to encourage himself was the struggle and self-salvation of the little people. The role has a strong sense of conflict.

Zhang Benyu is great, really great. I don't know if it should be called progress, because I always feel that there is far from progress behind. At that time, those who were serious and funny never gave up their serious creation and performance, which was really unexpected. Deng Jiajia is as stable as ever. Although the character line in Dream Butterfly is a bit cliche, it really echoes the heroine in the case. Many backgrounds and some words that the heroine may say are expressed through the role of Dream Butterfly. Finally, Mengdie and the little police officer have a subplot, which serves the script well and enriches other characters.

In fact, the role of small police can not die, and it is better to die. This has been the case since ancient times. The most innocent people, by contrast, are the kindest people, and always die in the darkness before dawn. However, it is worth mentioning that during the whole shooting process, they left no tidbits, only a photo taken by a small police officer accidentally with an old black and white camera.

At the end of the movie, I was still unfinished, and some details were fighting wildly in my mind. In fact, if I comb it carefully, there are still some bugs and "accidental" plots, and some obscure metaphors can be discussed. The idealized ending is in sharp contrast to the final silent egg, and some comedies are sad and humorous, that's all? This is the final fame?

But in this contradiction, everything seems real.