Memory of Jiangnan is an excellent poem. Does it describe the scenery of Jiangnan?

Recalling Jiangnan (epigraph name)? [y Jiāng nán]

Recalling Jiangnan was originally the title of Tang Jiao Fang, and later it was used as an inscription. Jin Mang Ji, also known as Wang Jiangnan, Dream Jiangnan, Wang, Qu Chunlai, Sleepwalking Fairy, Hao Anyang, Bu Xusheng, Hao Hushan, Wang Penglai and Wang Jiangnan Willow, entered Lu Nan Palace. Monotonous 27 words, three-level rhyme. There are seven words and two sentences in the middle, and the duality is appropriate. There is also a bracket in the second sentence. Song people often use double tones.

The last sentence is the most important of the first five sentences in Memory of Jiangnan. The following are two poems by Huang Fusong for comparison.

Blue embers fall, and the screen is dark red bananas. I dreamed of plum blossoms in the south of the Yangtze River, painted boats and played flutes, and the rain was raining. At the People's Postal Bridge.

The "blue ember" at the beginning refers to snuff. The light is broken, and the banana painted on the screen is dim, indicating that it is already late at night. The next three sentences are about dreams: listening to the boat flute in rainy season, fourteen words sum up the scene of Jiangnan water town, which is really like a famous painting. But unfortunately, these fourteen words, as the second half of a four-character poem, are a good poem with infinite charm; However, as a dream in the south of the Yangtze River, there is a saying behind it that "people say Gangbian Bridge". Because the whole scene is not concentrated, it is inevitable that there will be a ridicule of "snake feet". The structure of this song is the same as that of Huanxisha, and the most taboo is to drag a lonely tail at the end.

HuangFuSong wrote another just right song:

Sleeping upstairs, the curtains fall under the waning moon. I dreamed of the melancholy of Moling, peach blossoms and catkins all over the river, and I sat in blowing sheng in a bun.

The word begins with a night scene, and the last three sentences begin with a dream, just like the previous one. The reason why it is better than the first one is that the last sentence is followed by two sentences, which constitutes a beautiful artistic conception. "Double bun" looks at the whole from a local perspective and writes the image of the whole beauty. "Peach Blossom Catkin" seems to have no necessary connection with Sheng Sheng, but it is closely related to the sound of flute and rain, but the artistic conception is the same. Lang Shiyuan in the Tang Dynasty wrote a four-line poem "Listen to blowing sheng Next Door":

The wind blows like a cloud, and I don't know whose house it is outside the wall. There is nowhere to find the heavy door, and there are countless flowers and peaches.

I don't see people in blowing sheng. I imagine that Sheng Sheng comes from countless peach trees. This is the so-called artistic conception "synaesthesia", which depicts the beauty of sheng sheng with the beauty of peach trees and writes the sound with colors. With the word "peach blossoms and catkins all over the river" as the background, people who write about blowing sheng have the same artistic effect. And use a beautiful memory scene to fight against the "melancholy" in the third sentence, making the technique image more tortuous and beautiful.

Memory of Jiangnan is also known as Dream of Jiangnan and Looking at Jiangnan. Huangfusong wrote Dream and Wang, which were also famous works in the late Tang Dynasty:

After washing, I boarded the river pavilion alone and leaned against the bar to stare at the river. Thousands of ships passed by, and no one expected to appear. Broken-hearted Baipingzhou.

This is about a woman expecting her lover and finally being disappointed. She hoped that a boat in front of her would take her lover back, but at dusk, it failed. Under the sentence "Crossing Qian Fan", the scene is very wonderful with the words "Oblique light and pulse" as a foil. "Crossing" not only writes about the immediate events, but also writes about feelings, which contains the meaning of "everything in the world is infinite, and promises to be your own" in ancient Yuefu. Tan Xian's Ci in Qing Dynasty: "The branches of red apricots are so numerous that a hundred flowers and a hundred herbs flow from the canal." I agree with you.

"Twilight is full of water" is not only a scenic phrase, but also used to spend some time with the opening sentence of "grooming", which shows that she has been looking forward to it all day. It is also used to express her feelings (Wang Guowei's "Words on Earth" says that "all scenery and words are affectionate"), and she can use "oblique tenderness" to describe her affection for her lover. "Shuichang" means that he is heartless, like a long river, which is gone forever. "Youyou" here is a description of ruthlessness, such as "leisurely", which means that people passing by don't care about me at all. This contrast between the two sides forced out the "heartbroken" of the following "heartbroken Baipingzhou". If we only look at it in a general way, the word "heartbroken" will lose its source, and the whole structure will be relaxed, which will not reflect the "finishing touch" effect of this last sentence. I think, as far as this word is concerned, it should be understood in this way, and as far as the style of Wen's works in the Ministry of Personnel is concerned, it should also be understood in this way (the wording is very profound and meticulous, which is different from Wei Zhuang's works).

This word is concise, and the attached words all have a purpose: for example, the beginning of "grooming" is not a nominal word, but it contains the ancient meaning of "a woman loves herself". People send acacia flowers, and the last sentence of "Bai Pingzhou" also receives the whole feeling. It seems that every scene and every prop in the movie plays a close-up role. The last five words must not be general. However, if you don't understand the wonderful combination of the seven words "slanting light and long water" in the previous sentence, the last sentence will also become a lonely tail, which will live up to the author's ingenuity.

There are probably several ways for predecessors to carry on, summarize, turn and clarify the last sentence of this piece of music. Sitting in blowing sheng's Double Bun is a sequel, and heartbroken Bai Pingzhou is a summary. As for the turning point, such as Yang Shen's "Yin Xue":

It's sunny and snowy, and the jade scales are floating. I don't go with the girl in green at night, but I owe it to Xizhou to be ashamed and treat Sue.

The last sentence suddenly made a disappointed and dissatisfied speech, but it meant endless. He also has a poem "Chanting to the Moon", just like this one:

Moonlight, shadow immersion balcony. Three thousand people in the golden world followed the distance, and twelve people came one after another. I only owe one drink.

The last sentence shows the original intention, such as a poem by Wang Shizhen:

At the beginning of the song, the sun is half red Soft green stems with plum rain, light yellow shirts against lotus root wind. My home is in the east of Wuhu.

"Rouqing" is a beautiful sentence with the words "home is east of the five lakes" at the end, which is meaningful and rhyming. It is both an extension and a supplement. This tone seems to be better than Li Yu's "Flowers and Flowers are Spring Breeze".