What do you need to consider in photography?

Don't let the scenery miss the camera. People often mistakenly think that it is so simple to pick up the camera and press the shutter, but the photos we get after a passionate click are often not what we want. Indeed, the towering mountains and the blue sea can arouse our infinite impulse and inspiration. They are always so photogenic, but what have we done wrong and what should we do? The light near the evening highlights the effect of texture. In front of the scenery, our vision is subjective, and we will unconsciously ignore those discordant and messy things. The film of the camera can only record the real scene. Therefore, before the next trip, I suggest you adjust the focal length of the camera to a moderate level; In the process of shooting, try to restrain yourself from taking the beautiful scenery you saw at first sight into the lens; If it is difficult for a photo to capture the scenery completely, you can try to take photos from multiple angles and express the beautiful scenery in the form of group photos; First survey the whole situation with a wide-angle lens, and then gradually zoom in to capture the most beautiful details. If your stupid camera has a built-in non-zoom lens, it is only as close to the scene as possible to better highlight the key points. The sunlight passing through the forest adds a dramatic effect to the monotonous forest scenery. In any case, you don't have to bother to collect all the rocks, trees or other scenery elements. For example, it is often more interesting to photograph a solitary tree on a mountain than a lush hill. Although it's easy to shoot a branch against a corner of the blue sky, photos are often more infectious. Remember, all great photos have only one theme, or central element. If the viewer of the photo feels that the theme you captured is not clear enough, then the appeal of the photo will of course be greatly reduced. This rule is not only applicable when you try to express patterns or abstract impressions, such as shooting colored stones, footprints of animals in the snow and so on. The floating clouds added peace to the farm. The elements in the foreground of the photo can bring artistic effects to the whole photo and guide the audience's eyes to find the theme. Point out typical examples, such as the fence in front of the farmhouse, the intertwined roads in the canyon and the winding railway tracks in the mountains. In the choice of film, the film with the sensitivity of ISO 100 is most suitable for showing the delicate and bright colors needed for landscape photos. If you are shooting a moving object, or the light in the shooting environment is dim, then you should consider using a film with higher sensitivity. Many people who use a fool's camera only like to take pictures from a horizontal angle, probably because this posture is the easiest to grasp the camera. But for landscape photography, sometimes the vertical angle will have a better effect, such as shooting towering peaks and waterfalls. Some scenes are only suitable for shooting at a horizontal angle, such as the seaside. Of course, there are also some scenes that are suitable for both shooting angles. The reflection of water provides an interesting framework for this photo of the city scenery around the theme. When shooting, even if you are sure that the scene is suitable for the horizontal angle, you might as well put the camera vertically and see what effect it will have if you shoot from the vertical angle of the frame. In addition, don't be too disciplined in shooting, and don't dare to violate the rules. Give it a try, and you will find that some scenes will be more interesting if they are deflected at a certain angle. Many people will stubbornly believe that outdoor photography is only suitable when there is plenty of sunshine. In fact, this view is wrong The dazzling sunshine at noon will wash away the original color of the scenery and make the foreground look gray forever. In contrast, the morning and afternoon with good light are more suitable for shooting. At these times, the light outside will be softer and the shadows may have dramatic effects. Even with a simple camera, it is possible to shoot a rare masterpiece at this moment. Photography skills in different weather conditions Whether we are shooting for magazines, shooting materials for documents or recording holiday trips, we want to be prepared for all situations-from shooting a football match to making portraits for our grandfather's 90th birthday; Take the first step in life from shooting the Great Pyramid of Egypt to recording babies. In this chapter, we will discuss how to apply the technical knowledge and aesthetic skills learned in the second chapter to the actual situation. If you know that you are going to face a special scene, check the relevant chapters-for example, if you are going to travel to the Grand Canyon, look at the tips about the scenery. You can also consult other photography books and magazines to see how other photographers shoot under the same or similar themes. Think carefully-and keep it in mind-how they successfully demonstrated this effect. Just as painters learn from the works of masters, we can also learn a lot from others. Meteorologists like dramatic weather. Rain, snow, fog, stormy sky-using the weather can add color to photos and help you convey a mood or emotion. Wet streets reflect neon lights, which look very different from abandoned houses in the sun. Fog will have more atmosphere than sunny days. Try to photograph the scenery near your home in different weather conditions and compare the mood conveyed by each picture. When shooting in the rain, find a sheltered place (such as a porch). Simply wrap your camera with an umbrella or plastic bag and leave a hole for the lens, because water may damage your equipment. Pay attention to the raindrops that fall on your lens or filter, and always wipe them clean. Cure it or blur it. To freeze raindrops in mid-air, please use the shutter speed of1125 or higher. 1/60 seconds, the raindrops will lengthen, especially when you slow down the shutter speed. It is best to highlight raindrops in a dim background, but if it is impossible, try to include another clear object in the picture to show that it is raining-for example, an umbrella holder or water dripping in a puddle. Tip: If it's raining or just beginning to rain when you shoot the city, go out-sparkling streets will add a lot of color to your photos. The influence of rain Learn how rain affects your pictures. The leaves will shine, and the windward trunk will become dim because of the humidity, making the forest more dramatic. A farmer can stand in the field and watch the timely rain with a smile, while a businessman who is in a hurry may look unhappy. Photo 1: At a railway station in Ethiopia, the rain did not stop the woman from trying to sell goods to passing passengers. The high-speed shutter freezes the raindrops and is almost invisible. The shutter speed of 1/60 seconds makes raindrops appear faintly on the dim background of the train car, which is fast enough for the main body of the character. Figure 2: Same picture, same exposure, different effects. The shutter speed of1/60s almost solidified the snowflake on the left, and the snowflake was elongated at115s. Before adjusting the combination of aperture and shutter speed to correctly expose the camera, think about what kind of effect you want. Ice and snow, like a beach, can deceive the exposure meter: bright white will lead to underexposure-because-don't forget-the exposure meter gets readings from 18% gray scale. The easiest way to compensate is to get a reading from a gray card or a landscape that you know is in the middle tone. Make sure it is in the same light as your subject, and the exposure meter will not read data in a bright background. If it's an important shot, use surround exposure.