Traditional Culture Encyclopedia - Photography major - Lyrics with full firepower
Lyrics with full firepower
Song: Wang Leehom
Down with imperialism and unwilling to be a slave again.
My door was invaded. You said Miss Kaka, but I said why I should be afraid of her.
Whoa, whoa, whoa, whoa, whoa, whoa.
Don't kowtow to them, culture is a weapon buried in every nerve.
Awakened by the excellent people's drums, we must never allow failure, and we don't have to wait for victory.
Because of the arrival of the musicians, suddenly the whole world began to shake.
Rhythm and music have invaded the blood, and this time the strategy is full of firepower.
Full firepower. Full firepower.
So many accusations, Asian invasion.
They told me what to do and talked about the public's feelings.
The stirrup caused a great commotion and tried to distribute the responsibility.
It will stop this negative emotion and turn it into a positive and complete emotion.
Show my all and fight for equality.
But even if they blame us and try to frame us, no one can humiliate us.
I was about to sing the next paragraph in Chinese when suddenly the whole world began to shake.
Rhythm and music have invaded the blood, and this time the strategy is full of firepower.
Fire, fire, fire.
Down with imperialism, full firepower.
This strategy is full of firepower.
Full firepower, full firepower.
Extended data;
Full Fire is about the rise of oriental pop culture. Because the goddess Kaka is the representative of western pop culture, this song will mention her, but it is not aimed at Kaka herself, but reflects Wang Leehom's concept of cultural collision.
Combined with the rhythm of China Wushu and western street dance, the rendering of this explosive force is in full swing. In the layout, elements such as swire, artillery fire and alarm sound have also been added. Full firepower has a dramatic effect and a film feeling. It combines the eastern and western cultural elements, drives a new wave of pop culture with the creation of pop music, and interprets the arrival of China era with new musical language.
When the record company spent tens of millions of yuan to shoot the MV "Full Fire", it invited Adam, an international advertising director, whose short film won the Golden Bear Award at the Berlin Film Festival, cooperated with Leehom in advertising, and invited Malaysian photographers, Hong Kong editors and post-production in Thailand, which is a completely international production record in the history of MV production.
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