Introduction to the function of white box

Seiyuu: Kimura Zhuli

Musashino animation production. Now is the first year of work.

I have been interested in animation since I was a student, and I belong to a related hobby club.

But I didn't find a specific goal after graduation.

Then I came to Musashino to be an animator.

Clear and cheerful personality, always positive and optimistic.

The dream is to make animation again with friends who have the same aspirations as students.

Hua Ma and Jing Xiang called her "Little Kwai", and Qing and Mei Sha called her "Elder Kwai".

Colleagues in the workplace call her "Miao Sen".

I like donuts very much, Yasuhara Ema.

Seiyuu: Yoshimura Haruka

The original painter of Musashino animation.

When I was a student, I did animation at the party with Kwai and others.

Serious personality, but there is also a shrinking side.

After only one and a half years as an animator, I was promoted to the original painter.

However, due to my own personality, I can't decide the style of painting, and I have been troubled by it.

The adorable animator is good at daily drama, and he is a member of wave velocity animation. Sakaki Shizuka

Seiyuu: Chisuga Haruka

Volunteer with seiyuu.

I was an animation companion with Kwai when I was a student.

Fortunately, I joined the seiyuu firm Red Ghost Production, but I didn't make my debut.

For this reason, I have been training independently and continue to work in izakaya where they often go every day to motivate myself.

Hippo and Kwai call her "Xiaoxiang", and Qing and Meisha call her "Senior Jingxiang". Fujita Misha

Seiyuu: Masami Takano

Work for CG production company hypermedia creation.

She was a companion who did animation with Kwai when she was a student, and a junior one year younger than Kwai.

Feel the prospect of CG, as opposed to 2D animation, and begin to occupy a place and join the club.

She was called "Xiaomei" by Kwai, Jing Xiang and "Xiaomei's predecessor" by Green. Imai green

Seiyuu: Hitomi Ohwada

Volunteer to be a playwright.

I'm a junior, two years younger than Kwai, and I'm also a companion in animation together. Now he is a college student.

I plan to enter the animation industry after graduation, but I haven't found the opportunity so far.

The kind who will explore to the end and be keen on it.

Will talk like a sports club.

Honda Feng, called "Little Green" by Kwai et al.

Seiyuu: Hideyoshi.

Musashino animation belongs to.

Exodus! Production director, as the command tower of animation production.

Both steady and excellent, the only fly in the ointment is that you worry too much.

The mantra is "there is nothing to do!" (One thousand ways! )! )。

Run away for work! This is the work commissioned by Musashino Animation again after seven years! 》,

Is to face it with a deeper heart than others. Takataro

Seiyuu: Yoshino Hiroyuki

The first year of animation production in Musashino. It's basically the same period as kwai.

Always holding self-confidence for no reason is the type that will unconsciously bring trouble to others.

Because of this, it often causes chaos at the scene.

I often use "yes!" This unique young man (? ) special language.

I am keen on talking about seiyuu, and I also have a groupie side.

Moreover, in this character, I am very happy at work. Yano Erika

Seiyuu: Yuri Yamaoka

Musashino animation production.

At first glance, her appearance and behavior can easily make people think that she is a strict person.

But that's actually because I'm serious about my work.

In fact, she is a very reliable sister, who quietly taught Kwai Ichiro the essentials and consciousness of making.

In addition, in the face of Honda's director's attitude, it is not uncommon to take the initiative to stop the chaos at the scene. Luohe Daye

Seiyuu: Yoshitsugu Matsuoka

Musashino animation production.

Like Yano, I have accumulated a lot of experience in production.

He is the kind of person who doesn't show his emotions and calmly finishes his work.

But I can also grasp what I should do well, so I am trusted by the production team. Watanabe falcon

Seiyuu: Masaya Matsumoto

Online producer of Musashino Animation. Commonly known as Watanabe p.

I like mahjong and spend most of my working time in the mahjong hall.

So it will be considered as the kind of person who does nothing, but ...? Ogasawara Rinko

Seiyuu: Ai Kayano

Exodus! Role design and general drawing supervision. "

No matter what his name is, he is a famous animator in Musashino.

Because she often wears Gothic Lori's clothes, she is often called Miss Gothic Lori.

Elegant manners, supervision and correction in recording the master plan, but also like a good handwriting written by a calligrapher. Yukiya Xingjin

Seiyuu: Zhongyuan wheat

General affairs of Musashino animation.

An iceberg beauty who handles affairs management and other work.

I often pay attention to the surrounding situation while working, so I often help when there is something on the spot.

For a production company that can easily become a city that never sleeps, it is a rare non-overtime activist. Masao Marukawa

Seiyuu: Gao Mushe

President of Musashino Animation.

Monk's head and round glasses are its characteristics. Always have a smile on your face.

My interest is cooking.

It is his greatest pleasure to invite everyone to taste his favorite works in the company. He often appears in an apron.

Friendship with old friends sometimes saves the production team from the desperate situation! ? Morishita Seiichi

Seiyuu: Nobuyuki Hiyama

Exodus. Produced by Musashino Animation! "The supervision.

A little fat.

So far, I have produced all kinds of best-selling works.

However, the previous work "plucking the firmament" got a pretty cool evaluation.

Exodus! It is his long-lost work as a producer of TV animation series.

I am particularly enthusiastic about my work, but because I spent too much time before I started working,

And always let the progress fall behind the plan.

My favorite thing is fried chicken. Yuan Hongze

Seiyuu: Hirohito Saito

Freelance actor.

In Musashino, animation plays the role of Exodus! "The performance.

Originally a photographer, he has a strong digital working ability.

So we can use digital to draw a mirror and become a treasure of the company.

I don't put too much enthusiasm into it, and I'm the kind of person who will handle every shot indifferently.

The feelings and reality on the network will be viewed step by step, and the work will be carried out in a leisurely manner. Takashi Yamada

Seiyuu: Kenji Hamada

A freelance artist with a painting background.

In Musashino, animation plays the role of Exodus! "The performance.

Usually very steady, but you can often see his stubborn side.

As a performance, the ninth sentence of the last work "Bouncing Paradise" produced by producer Muxia appeared.

It has also become a legend in that sentence (in a bad sense).

I like Japanese movies, which can be seen everywhere in his role performances. Wellhead failure

Seiyuu: Manami Numakura

Exodus! Assistant to the chief paint supervisor.

I have been learning from Kogasawara since I was a newcomer, and I have accumulated it until now.

The way of speaking is cheerful and somewhat casual, but the work attitude is quite serious.

The strength can be compared with that of Kogasawara, and he can become a famous animator in Musashino. Yoshisuke Endo

Seiyuu: Satoshi Matsumoto

Freelance animator.

Musashino's animation is Exodus! "Responsible for supervising the painting of every sentence.

I like those animations that focus on refreshment, and I am also good at applying them to action painting.

Especially for special effects scenes such as missiles or explosions, I am more persistent than others. Laichuan Miri, Malaysia, Malaysia

Excellent voice: the beauty of mountains and rivers.

Freelance animator.

Act as exodus! Every sentence of painting supervision.

Both the quality and speed of painting are highly praised in the industry.

Musashino Animation also placed great trust in her.

Do not rely on feelings, but mainly describe the action of the role with realistic theory. Sugimoto

Seiyuu: Koyanagi Motoi

The animator to whom Musashino Animation belongs.

Musashino animation has the longest history and rich experience.

Now I'm doing children's animation in other companies, and I didn't participate in Exodus! "The production.

With the hope of "making children all over the world smile", I have been drawing with a pencil. Liu Xia Xiongichiro

Seiyuu: Majima Junji

Musashino animation belongs to Exodus! 3D supervision. "

Warm personality, left a good impression, as a director leading the 3D team of Musashino Animation.

The one who has the opportunity to enter this industry is the legendary giant robot Edie Pan. Shiori Sakura Liang Shu

Seiyuu: Takanashi Kengo

Musashino animation belongs to Exodus! Photographic supervision. "

Being at the end of animation production, it is often affected when the production time is tight.

But even then, I can work calmly and calmly.

Interest is origami. Tang Benzhi Hui Mei

Seiyuu: Itou Shizuka

Musashino animation belongs to animation test.

Big sister with a gentle and warm smile.

Director of animation department, check the action.

There is also training for new animators. Nishikawa Naixu

Seiyuu: Hino Mari

Responsible for color designation and inspection.

Judge the color of each shot and give instructions.

At the same time, it is also responsible for confirming whether the coloring is completed according to its instructions.

Take a slightly strict attitude towards production, but it is also to enhance each other's understanding of the work.

In fact, he has a good personality and will take care of others, gaining the deep trust of people around him. Okataro Keitaro

Seiyuu: Nobuyuki Kobushi

Act as exodus! Producer of.

The attitude towards deliverables always aggravates the sense of crisis, but it is also painstaking to the works.

Playing the role of being caught in the middle.

As a producer, I often go to the original author and discuss with P. Toona Ando Watanabe.

Excellent voice: Ye Shan Yu Mei

Musashino Animation's new employee. Enter the company as a producer.

Pure anime fans, there was a fan activity in high school.

Therefore, I am subtly familiar with things related to animators.

It has always been full of vitality and its advantages. As a newcomer, it is always full of vitality.

But because of his personality, he always looks empty and full of vitality.

In addition, as a newcomer, he will make mistakes unintentionally and face many problems. Sato Sharo

Seiyuu: Madoka Yonezawa

Musashino Animation's new employee. Enter the company as a producer.

I worked in Zhang Mu Shopping Center for three years, and then I changed my job.

I haven't seen much animation, but in order to reduce working hours, I chose Musashino animation which is close to home.

Have the experience of social people, know the big picture, and be cautious.

However, due to the lack of understanding of the scene, there are also times when it brings trouble to the surrounding area. Hiraoka Jing Daole

Seiyuu: Kobayashi Yū Jie

Musashino animation production is in the middle.

With five years of production experience,

He used to work in studios, such as Amin's "Levin Film and the Gate of Hell" Chapaike.

Therefore, in a specific studio, there are many people in contact.

The attitude towards work is to attach importance to efficiency.

Sometimes his personality is a bit eccentric and his speaking attitude is very cold, so he often has conflicts with the people around him. Jiunai maternal love

Seiyuu: Shiori Izawa

The New Artist of Musashino Animation.

In exodus. As an animation, but from the third flight Syoujotai became the original painting.

Very bad at communicating with people, very few words.

In addition, people will be flustered when they are accosted, and it is easy to fall into panic.

Because drawing hemp is her new guide, she can communicate with others by drawing hemp. Mimki and Lolo

Eye masks, fashion dolls, and bear puppets that are always with Kwai.

When Kwai is upset, she will become her inner spokesperson (actually Kwai is manipulating and endorsing).

Basically, Mimki expressed his doubts and dissatisfaction with the problem, while Lolo persuaded him philosophically.