Traditional Culture Encyclopedia - Photography major - What did the guinea pig horror film say?
What did the guinea pig horror film say?
The first "Demon Experiment" tells the story of three masked youths who carried out various atrocities on a woman in order to examine the "limits of human physical and mental suffering", including punching and kicking, acupuncture, noise interference, dirt attack and the most cruel evisceration. Later, this miserable woman was abandoned in the wilderness by them.
The second "Flower of Blood" is also a story about kidnapping women and cruel torture. A perverted man dressed in ancient Japanese samurai costume and makeup dismembered a woman like a work of art after anesthesia. Later, he even revealed all his "artworks" to the camera: a large number of dead heads and limbs that had already rotted and were covered with plants and parasites.
Although the third film "He Can't Die" changed the "soup" and didn't make a fuss about kidnapping and torturing others, it still didn't change the "medicine" and showed the same bloody "self-mutilation". An ordinary clerk is quite frustrated in his career. In order to find excitement, he even hurts himself with various instruments. As a result, after discovering that he was "immortal", he was ecstatic and immediately called his colleagues to perform a disgusting caesarean section in front of them. Although the film ends with a joke-like scene, it still cannot dilute its strong bloody atmosphere.
The fourth mermaid in the cellar and the fifth robot of Notre Dame can be regarded as two thoughtful works in this series, but their blood is still boiling. The latter, Robot of Notre Dame, makes a "cruel" discussion on the contradiction between science and human nature by telling the story of a gnome scientist who used organs obtained from living experiments to save his terminally ill sister, but was rejected by her sister.
The fourth plot: a painter found a mermaid in the sewer, but she had several big pustules on her stomach! The kind painter took her home and put her in the bathtub to recuperate. The big pustules on the mermaid grew bigger and bigger, and the pus stained the water in the bathtub. The painter helped the mermaid dig out the pus bit by bit and cover it with a towel! The mermaid said that she would not live long, and asked the painter to draw the process of her illness. A few days later, pustules were covered with mermaid's breasts. When the painter came to see the mermaid, he saw maggots (leeches) crawling in the pustules. The painter's face twisted into a ball ~! Under the sad cry of the mermaid, the painter shook his hand and brought out the maggots one by one! Later, the mermaid's face was covered with pus and maggots, and finally several fat maggots nearly a foot long overflowed from her. The mermaid died, and the painter saw this terrible scene and cut the maggots on the mermaid like crazy, cutting all night! The neighbors downstairs saw blood dripping from the ceiling when they were eating. They rushed to the painter's house and watched in horror as the painter cut the body with no expression, and there was a baby embryo on the ground! The painter was put in prison, and a mermaid scale became his eternal companion.
The biggest impact of this film comes from vision. Dirty sewers, abandoned babies half immersed in dirty water, piles of maggots, rotting cats, maggots' carrion, pustules with viscous liquid, maggots crawling in mermaid's carrion, half a rotten face, artists dig out a formed baby in mermaid's body with a knife ... one dirty and disgusting picture after another, impacting your poor eyes and stomach. There will be such sewers under any colorful and resplendent city, so beautiful mermaids will be polluted by dirty sewers, so art is always defiled by people's desires.
Some people say that this film is the originator of "Dead Love", and many such successful films, such as "Confused Romance", are famous all over the world by imitating its content and plot. But I said that for such a film that despises the spirit of all mankind, it is worse than its 100 reactionary remarks. In the film, the living and the dead, purity and filth, truth, goodness, beauty and ugliness are no longer estranged. A sex scene between the hero and heroine and a rotting corpse is enough to make people sit on pins and needles and turn their heads and close their eyes. Skinned rabbits, dissected seals, slow-moving snails, spasmodic geckos, smashed black cats, and the bodies of each animal are waving the breath of extinction. The infatuation with the corpse, the care for the organs and the yearning for the dead are all infinite worship and admiration for the word "death". The film begins with the lingering love between the two men and the corpse, and ends with the hero Robert committing suicide for love. The plot during this period is inseparable from rotten and disgusting things as a foil. Even in the most romantic dreams, the scenes of the hero and heroine running and dancing on the grass are all linked through the transmission of heads. Finally, Robert's caesarean section with a knife is a classic of this film, which is close to the real suicide ending. Slim leaves and blood gushed out in unison, and the wailing and screaming of painful tears formed the most striking contrast with the previous face-to-face death. Is the highest state of pleasure death? I wonder if the injection of all liquids at the moment when the steel knife plunged into the body is a portrayal of happiness to death? Maybe only suicides can fully feel it. We want to ask this moment's freeze frame with confusion and doubt, but at this time, some have become silent.
The second episode, shot after four years, although the special effects tend to be more realistic, the solidification of the plot is hard to surpass the achievements brought by the first episode. Generally, sequels are hard to do, which has become the rule of most movies, so it is not surprising that the second episode is dark. However, the story of dismembering the body with a rusty hacksaw in the middle and finally changing the body still made the audience's psychological and physical endurance reach the maximum. Even a large-scale explicit erotic drama will not excite the audience. If you sit in front of the silver screen, you will doubt some people's preferences for certain things.
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