How can I be called a traditional beauty in China?

China's traditional aesthetics' evaluation of female beauty includes: emphasizing the unity of emotion and reason, and emphasizing the unity of beauty and goodness. This really gives oriental women a unique aesthetic feeling.

China's aesthetic characteristics must be reasonable, and beauty and goodness must be combined. It is difficult to break away from China's traditional philosophy, and the influence of Buddhism, Taoism and Confucianism on China's social and cultural concepts, especially Confucianism after "ousting a hundred schools of thought and respecting Confucianism alone", has become the orthodoxy of China feudal society, and China people's aesthetic tendency and moral judgment have been immersed in it for thousands of years. Confucius said, "In the prosperous times, poetry is the foundation of ceremony and joy." The Book of Rites says: "Rites are the order of heaven and earth; Musicians are the sum of heaven and earth. " Therefore, in the aesthetic concept of China people, we should talk about love, ceremony and integration, and follow a certain "order", so should the evaluation of female beauty.

The traditional criteria for judging the beauty of women and examining the beauty of the East embodies the essence of artistic beauty such as poetry, painting, music and books. "The fledgling hibiscus is naturally lovely", "embroidered with brocade and full of carvings". "Lotus Out of Water" and "Wrong Gold" are two aesthetic feelings or ideals, which are manifested in all aspects of China's traditional poetry, painting and arts and crafts. Feminine beauty is also the image of China's four traditional beauties, namely, Shi, The Story Of Diu Sim, Guifei, Zhaojun (the other one is like a bag) and Shi's "Dancing by the Stream", which is called the beauty of sinking fish when it scares the fish; The Story Of Diu Sim mainly shares worries, and the back garden burns incense in Yue Bai, which is called the beauty of closing the moon; The imperial concubine is drunk and bathed in the floating flower pool, which is called the beauty of being ashamed of flowers; Zhaojun is out of the fortress, snow is flying all over the sky, and the north wind blows geese, which is called the beauty of falling geese. China's traditional aesthetics. Pay attention to the unity of man and nature, and highlight the beauty of the theme through the indirect description of sinking fish and falling geese and closing the moon and feeling ashamed of flowers. The beauty of human beings is integrated with landscape flowers and birds, and heaven and earth are natural. At the same time, the four beauties are divided into two categories: Stone and The Story Of Diu Sim are light and elegant, just like Tsing Yi in traditional Chinese opera, which embodies the fresh beauty of "Lotus Out of Water"; However, because of their different identities, Guifei and Zhaojun are slightly rich and graceful, just like Hua Dan in the national drama, emitting a strong fragrance of "wrong gold". China people's cognition of traditional beauty is implicit and elegant. The description of women's graceful posture in The Book of Songs is indirect, which is worth savoring. "The white dew is frost, the so-called Iraqi people are on the water side", "Guan Guan's dove is in Jiangzhou, my fair lady, and a gentleman is good" are not true.

The four classical beauties in historical dramas all have their own touching stories. Think about it carefully, except for their beautiful faces, they all have a tragic charm endowed by political external forces. The reason why they are respected as traditional beauty is also because they are affectionate and polite, in line with kindness and feudal order.

The TV series Romance of the Three Kingdoms pursues freehand brushwork and pays attention to the grasp of characters in style. The Story Of Diu Sim in the novel, it is difficult to connect before and after. The front is The Story Of Diu Sim in Wang Yunxian's serial plan, who sacrificed himself for the political struggle. When Cao Cao attacked Shapi, the book wrote: "Cloth clothes will not come out all day, only with Yan and The Story Of Diu Sim to relieve boredom". Director Wang Fulin made The Story Of Diu Sim appear in a beautiful and quiet environment in order to maintain The Story Of Diu Sim's strong personality of integrity and humiliation. Finally, she gradually disappeared in the fire. At this time, the song outside the painting-"The Story Of Diu Sim has gone with the wind and turned into white clouds". We seem to hear The Story Of Diu Sim's voice: the quality is clean, clean. The treatment here is successful because it respects the ancient beauty of history and shows the personality characteristics of women. Similarly, the stone was humiliated and presented to the prince of Wu, and Zhaojun was married and exiled, and the imperial concubine finally committed suicide in bai ling. This beauty stems from the maintenance of feudal order. "Cultural implication is the aesthetic feature of TV series. Carrying forward the national culture and personality ideal will build a beautiful world, "said Professor Zeng Qingrui in" Principles of TV Drama ". "If a TV series carries forward the fine tradition of national culture and publicizes the beautiful personality of the nation, it will reach the artistic realm of aesthetics."

China's aesthetic theory of artistic conception is a treasure house of national culture, which we should carry forward. However, the oppression and fraud brought by feudal ethics greatly restricted the display of personality, especially the status of women and the liberation of personality. Propagandizing his beautiful personality ideal will form a modern and correct aesthetic consciousness.