Traditional Culture Encyclopedia - Photography major - How to use contrast to construct in photography?
How to use contrast to construct in photography?
Contrast is the most dynamic and effective rule in photography.
In fact, contrast is one of the principles of photographic composition, such as symmetry, balance and golden section. Different composition rules will bring different style effects to the picture.
Contrast is to compare the different qualities and quantities of various formal elements of an object, which can make their respective characteristics more obvious and prominent, and produce striking effects.
Contrast is to compare the different qualities and quantities of various formal elements of an object, which can make their respective characteristics more obvious and prominent, and produce striking effects.
However, in photographic images, there are various forms of contrast, for example,
Contrast between light and shade, virtual reality, density, size, point, line, surface, shape, color, movement and so on.
In a real sense, there are many contrasts in an excellent photographic photo, and the contrast between light and shade is the primary factor, which is a very intuitive visual effect.
Contrast between light and shade, virtual reality, density, size, point, line, surface, shape, color, movement and so on.
All forms of contrast are to highlight the theme. For example, in portrait photography, the model and the car stand together to directly form a shape contrast, and the color of the background must always be coordinated with the subject, thus producing a color contrast. Of course, no matter what contrast is used, it is inseparable from the decoration of light and shadow, and color only plays a role in setting off the atmosphere.
Why do you want to use contrast in composition? Because it will have many functions, for example, it can make the existing but unclear shapes and connotations in the original factors more prominent and intense in comparison, and it will also bring visual changes to people.
It is worth noting that the contrast and coordination of colors are not antagonistic, but complementary, which means that the color of the main body of the picture and the color of the background pursue a unified relationship in the change.
It is worth noting that the contrast and coordination of colors are not antagonistic, but complementary, which means that the color of the main body of the picture and the color of the background pursue a unified relationship in the change.
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