From what angles is the snow scene of the West Lake described in "Watching Snow at the Pavilion in the Heart of the Lake"?

The snow scene of West Lake is described from three perspectives:

1. Before visiting the West Lake, a summary from the auditory perspective: "It snowed heavily for three days, and the lake was filled with the sounds of people and birds. "Absolutely beautiful"

2. (When traveling to the West Lake) Always write about the panoramic view: "The sky, clouds, mountains and water are all white"

3. (When traveling to the West Lake) Later, he described the close-up scene in detail: "The shadows on the lake are just a trace of the long embankment, a little pavilion in the center of the lake, a mustard with Yu Zhou, and two or three grains of people in the boat." Extended information

1. Introduction:

This short piece combines narrative, scene description, and lyricism. With refined pen and ink, it describes the author's experience of watching snow in the lake pavilion, and depicts the quiet, profound, white and vast snow scene he saw. The picture expresses his remote and refined leisurely elegance.

2. Appreciation:

This article uses fresh and elegant pen and ink to describe the tranquil and pure scene of the West Lake after snow, showing the elegance of the lake tourists and the author's aspirations, while implicitly It expresses the author's nostalgia for his motherland (Ming Dynasty). When I read it, I feel that this is not an article at all, but purely a connection between a lonely person and a lonely person, and a lonely person and the heaven and earth. This is because the author puts many things that he knows in his heart out of words, and uses broad-mindedness and tranquility to express his feelings. It brews an almost pure and beautiful artistic conception.

3. The descriptive characteristics of "Shadows on the Lake" in the article:

The author uses line drawing techniques to describe the most representative scenery after snow on the "Lake" from far to near. , that is, the long embankment, the pavilion in the center of the lake, the boat, and the people in the boat. Under the heavy snow, these scenery and people all become ethereal, fuzzy and tiny, and heaven and man are one. The vastness of the universe and the insignificance of people form a strong contrast, turning into a trace, a dot, a mustard, two or three The grains have a fairy tale-like dreamy color.

However, the most insignificant "two or three grains" of people are the masters of this empty and lonely snow world, and they are the main body of snow appreciation. The author's description is like the freehand technique of Chinese painting, conveying the shape and spirit of the scene with just a few strokes.

4. The expressive effect of the phrase "How can there be more people like this in the lake":

The phrase "How can there be more people like this in the lake" is related to Zhouzi's murmur at the end. The murmurs "Don't say that your husband is an idiot, there are even more idiots who are as crazy as your husband." The first sentence uses the surprise of "guest" to meet a close friend by chance, praising the author's "insanity"; the second sentence borrows Zhouzi's mouth to talk about "guest"'s " "Crazy", finding "synonyms" for the author's "crazy", and finding a "reason" that can be forgiven.

The author's otherworldly behavior and aloof and self-admiring feelings not only aroused cries from the "guests", but also through his "community" with the "guests", it seemed that the novel had no elegance. Zhouzi was also infected by the spirit of "madness", which made him enlightened and thoughtful. The article ends abruptly, and the lingering sound is endlessly memorable.