How to take a good tunnel photo?

In today's world, people often encounter landscape objects such as tunnels. The lighting conditions in the tunnel are difficult, and these environments will have some influence on your shooting. Have you ever considered shooting in the tunnel with the right ideas?

Tunnel environment has many advantages: interesting background, composition elements, and analysis of some data before shooting. What is the width and height of the tunnel? What is the brightness of the sun's rays?

Dream portrait in 85mm f/2 soft light, ISO 400,1100 seconds.

For this photo, you can take such a calm portrait with a large aperture and backlight.

In sharp contrast, the portrait is 85mm f/2, ISO 50, 1/200 seconds.

The production of this photo is almost the same as the last one, but there is an important difference: the tunnel itself is used as a dark background, and the amount of light is measured, and at the same time, the backlight method is adopted, and the result is completely opposite to the previous portrait photo.

Picture composition 150mm f/2.8, ISO 50, 1/200 seconds.

The model stands in the light and brings the background closer with a telephoto lens. Photographers must also shoot from the side of the tunnel.

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150mm, f/7. 1, ISO 400,1/800s.

Silhouette styles are usually shot in different situations. From the current position, the model's back is leaning against the wall, and the photographer moves to the other side of the tunnel and shoots along the dark part of the tunnel. This effect can be seen at short shutter speed and aperture.

Tip: To take a real silhouette with the subject all black and the background all bright, please take this photo at noon.

Shadow 40mm, f/5, ISO 50, 1/200 seconds.

When the sun almost falls below the horizon, it will produce side light, similar to the side light of a photo studio, like the effect in the photo, leaving luster on her hair and face, and all other places that can be illuminated by a flash.

40 mm f/5 ISO 50 1/200 seconds.

Wide-angle lens 20mm, f/4, ISO 400, 1/200s.

With the extension of wide-angle lens, even the narrow tunnel space appears "boundless" to produce its continuous visual effect.