Traditional Culture Encyclopedia - Photography major - "In the Mood for Love" Why can Wong Kar-wai make such a superb film?

"In the Mood for Love" Why can Wong Kar-wai make such a superb film?

This magnificent In the Mood for Love is Wong Kar-wai's masterpiece for more than ten years. Especially with Du Kefeng's photography and Zhang Shuping's costumes and editing, the film reached its peak. The plot of the film can be described almost simply. Yunhe is a neighbor, but Zhou's wife has an affair with Su's husband, so the film tells how Zhou and Su face this relationship and their psychological changes. In fact, movies are not only not simple, but even complicated or difficult to enter. Almost every picture has meaning, and almost every plot has metaphor. Layers of mystery wrapped up the complex psychological changes of two people. There are too many unknown secrets hidden under such a simple story, far from telling the story of extramarital love, but in a chaotic environment, the collective loss, the helplessness of collective loneliness, the helplessness of everyone and the loneliness of everyone are all rendered to the extreme through this extramarital love. The color of the film is extremely gorgeous, which is the most poetic application of Wong Kar-wai. Usually, cold pictures give people a cold feeling, and warm colors are used to express warmth, but warm colors show a cold and lonely atmosphere, and Wong Kar-wai is the first person.

The story happened in the 1960s, a depressing time. The film basically doesn't explain Zhou's wife and how it started, what process and what result, and even doesn't want to give them a positive face, because this is not the focus of the film, they are just symbols of all sentient beings in society. After Yunhe became neighbors, the whole process was almost represented by the lens, from acquaintance to meeting in the street, and finally found out what was strange about each other. When they came to the restaurant to reveal their romance, they had formal contact with each other. After experiencing pain, struggle and helplessness, they finally became at arm's length, which fully demonstrated Wong Kar-wai's ambiguous temperament. When the author tries to walk into their hearts, he will find that Wong Kar-wai's grasp of the characters is so precise. First of all, from the cloud point of view, his wife's infidelity is a serious blow to himself. According to common sense, he will inevitably take revenge, but he is not as excited as he thought. Wong Kar-wai's voice-over is already obvious: the gathering of the cloud and his wife has made the other party feel powerless, and he even has an expectation for this feeling, regardless of the result. From Su Lizhen's point of view, when she learned of her husband's betrayal, it was a helpless performance, and she could not change anything. As she said, marriage cannot be achieved by one person's efforts. Unlike Yun, she still loves her husband deeply and has illusions, at least she doesn't want to.