What does the flying fish family mean? Come on, everybody, 3Q.

Flying fish is a special group in China. They have made good achievements in China, but they resolutely put everything down and went to a famous foreign school to study. "Flying Fish" originated from the novel "Flying Fish in Paris" written by the top business schools in Europe and America, which not only refers to their adventure of jumping out of their familiar domestic industries and trying to fly into the sky in Europe and America, but also refers to the objective reality that "they are fish themselves, but they are bent on flying and doomed to failure". Flying fish's argument is from the perspective of ridicule, but this kind of ridicule is a friendly and independent way of thinking. "Flying fish" is one of the new Chinese words 17 1 published by the Ministry of Education in August 2007. The Origin of the Flying Fish Family —— Introduction to the novel Flying Fish in Paris: Colombian contemporary writer Garcí a Má rquez said when reviewing his 30-year novel creation: "Truth is always the best mode of literature." When I was writing the novel Flying Fish in Paris, I thought about the relationship between literary truth and real life. The target readers of Paris Flying Fish are young white-collar workers in China and college students who are going to study abroad. The writing motivation of "Flying Fish in Paris" is to give future generations a documentary and unadorned story in a voluminous book praising famous universities in Europe and America based on their own personal experience. Novel is just a cheap narrative mode, and "truth" is my selling point and value center. The main reason why our generation of people in their thirties and forties gradually gave up reading novels in the past 65,438+00 years is that with our increasingly sophisticated life experience, popular literature is more and more divorced from reality, and more and more simply pursues the entertainment function of words and stories, even the possibility of the author himself entertaining the society. Although we don't object to the new and new human beings living a sui generis life, it is difficult for us to join its instant carnival that sublates the sense of responsibility. Frightened by the "generation-to-generation confrontation" between China's literary predecessors and post-80s writers, we are "caught in the middle" and feel that there is no generation gap in the way of literature. In the loneliness of literary expression, it is "truth" that gives us a sense of security and self-esteem. I feel some comments on "Flying Fish in Paris" on the Internet, or the author's own inquiries. Let me give you a brief feedback: Thanks to the interview work, in the past 13 years, I have traveled to nearly 100 cities in more than 30 different cultural countries. More than 200 students from the MBA program in Paris come from 75 countries and regions around the world. From a special perspective, my eyes caught the sparks of various cultural conflicts. To "truly" restore these stories of cultural collision, I regard "Flying Fish in Paris" as a photography exhibition. For a photo exhibition, the author is never important, what is important is that the audience can see the intuitive scene. "Flying Fish in Paris" is not a sitcom, and there is no suspense deliberately arranged. Only life gradually reveals the truth as the chapter goes on. If readers like the suspense of life, they can naturally be shocked. Flying Fish in Paris is not a commercial film either. It doesn't mix elements into a pot of frying, and it doesn't try to be a fireworks for the New Year. It only savors human nature in Vanity Fair, and realizes life by recording pain. How many flying fish in Paris are 100% true? My answer to this frequently heard question is: readers can read the academic part of business school as a reference book; For the part of exploring human nature, the unexpected stories in novels are often the most true stories.