How is the picture of Farewell My Concubine coherent?

With a scream, Xiaoshi was scolded. Then the old man began to hit people, and the color of the film changed unconsciously. Because it happens to be spanking, the audience's eyes are always attracted by big moves, not to mention small semi-spanking, so they generally don't care too much about the color changes here, so the director is very smart and made a small article here.

When the second shot is cut, a group of children are crying endlessly. It's really a "wicked old society", gee.

The third shot is a close-up of a small stone. He looked at his mother and daughter outside. The fourth shot is very particular. Some students want to ask, just a panoramic view of two people. What's the point? Indeed, there is nothing special in the picture. Listen carefully to the sound. Is there a sound of "sharpening scissors and grabbing a kitchen knife"? This is an expansion of the space outside the painting. You don't know where the sound came from, but the sense of space suddenly came out. Later, a scene of shouting slogans outside the troupe was cut, which was in tune with this voice. Here, sound is used as the motivation of "editing", which lays the foundation for the later "parallel editing".

Then cut back to the close-up of the small bean (the sound of grabbing the kitchen knife is still there). At this time, the space has changed again. Only when the panorama came out did the audience know that they had jumped into the old man's house and he was searching for small beans. The transformation of these spaces is really a combination of heaven and man, which is beautiful. The old man is unwilling to accept it. It's a slightly upturned shot, ie it gives the characters an advantage. He proudly said, "As soon as he appeared, didn't everyone who went to the opera under that stage be scared away?" As the sound cuts back to the street, the cold tone environment of glistening contrasts with the room, which shows that the employment situation is really grim! Cut again (useless dialogue is naturally omitted), and Hong Yan starts to make eyes at him. At this time, the seat is slightly downward because she is at a disadvantage. I think Gu Changwei's heart was touched by these glances from Hong Yan. Squinting at people was also a treasure of prostitutes at that time, and it was used properly. In addition, I feel a little puzzled, why the sentence of brilliant red is said to the camera (that is, to the audience), as if it were unnecessary.

Hong Yan knelt down to the old man, and then the old man said a classic he loved to hear: "Oh, don't introduce it. They are all inferior, who hates who? " The old man won't let me go. At this time, a small bean was selected (specially made into a girl's sample to lay the groundwork for the future), an accent and a kitchen knife were robbed, suggesting that the environment was miserable and people would not be human. Maybe something will happen, and then something will happen.