Traditional Culture Encyclopedia - Photography major - Favorite Zhang Xiaoxian Classic Quotations
Favorite Zhang Xiaoxian Classic Quotations
Zhang Xiaoxian,/kloc-0 was born in Hong Kong on October 3rd, 1967 165438, a Hong Kong female writer, graduated from Hong Kong Baptist University. 1993 was written for Ming Pao? Fairy words? A column. 1994 is famous for the woman on the bread tree serialized in Ming Pao. Representative works: Woman in Bread Tree, Single Bed in Pocket, Thank you for leaving me. The following are my favorite Zhang Xiaoxian classic quotations for your reference.
To be such a woman: if her face is peach blossom, her heart is deep as the sea, she is self-aware, sincere and kind, sensitive to touch, full of emotions, determined and independent, and determined. Insist on reading, writing, listening to music, traveling, surfing the Internet, taking photos, sometimes singing, dancing, cleaning, cooking, dating and partying. Amy Cheung
A memory that I thought was unforgettable. Others may have forgotten. -Zhang Xiaoxian's Dance on the Stream
From one day on, it seems that I am not so good with you, and there are fewer meetings and fewer phone calls; When I am lonely, I refrain from looking for you. Dear friend, it's not what you did, but my story has become complicated. I don't know where to start, but it's better not to say anything. Some secrets can only be hidden in the bottom of my heart and borne by myself. I don't want to lie to you, but I'm more afraid of your painful blame, so I have to pretend to forget you. In fact, you have always been in my heart. Amy Cheung
I just want someone to know that I didn't say anything and it's not really okay; When I try to smile, someone can know that I am not really happy. Amy Cheung
As a woman, you'd better be excellent or beautiful. If there are many kinds of misfortunes in the world, it is a ridiculous misfortune. I suddenly understand why women are fascinated by men's promises, because promises are always so touching and soft. If a woman can't be with a man when he is frustrated, how much is her love worth? It turns out that being missed is happier than missing others. Time nourishes love and destroys it. Suddenly there is a sense of security, unprecedented. There is a person who appears when I am most lonely. -Zhang Xiaoxian is the woman in the bread tree.
The story may be like this. People invented curtain cloth to wrap their houses so as not to be seen by outsiders. Sofa is where women sit on it at night and wait for men to come back, while pillows are placed on the sofa to hold in their arms when people are lonely and to cry when they are sad. -Zhang Xiaoxian's Single Bed in the Pocket
In the growing years, there are always times when you don't like yourself. The real you are far from the ideal you. What is an ideal? That's just your fantasy and vanity, that's just the life of others. When you grow up and love and hate yourself and others, you will understand that this is you, and you should learn to accept and appreciate yourself. Amy Cheung
Some love is just an illusion. We thought we couldn't live without that man, but later we found it wasn't so difficult to leave him. It hardly takes much effort to forget him. Some love is not an illusion, we think we can forget that person, because the time of love is only so short. However, we later found that it was much more difficult to forget him than we thought. Amy Cheung
What best reflects a woman's taste is not her clothes and hobbies, nor what books she reads and eats, nor how she arranges at home, but what kind of man she fell in love with in the past and now. Taste can sometimes cost money to learn, but love is her truest and all of her taste. She seems to have good taste in other aspects, but she loves a bad person, so her taste is still not very good. Amy Cheung
You ask: If you are strong inside, you won't get hurt. People sometimes become strong because of injuries. It's not that I want to be strong from the beginning, but all the pains, blows and setbacks in my life let me know that there is no other way but to be strong, and also let me know that weakness is not shameful, but my heart is too soft. Who can say that this softness is not noble and kind? Amy Cheung
I often feel that two people can't be together forever. Combination is the exception, and separation is inevitable. We all love each other passionately for the sake of separation. If a woman likes you, she still likes you even if you are a heinous villain. If she doesn't like you, no matter how good you are, it's meaningless. -Zhang Xiaoxian is the woman in the bread tree.
We thought we loved each other too much to give up, but in a tiny joint, you would suddenly wake up. If you miss it, it will expire. Attachments will also expire. -Zhang Xiaoxian's "Butterfly Overstaying"
When people say that you are demanding and that you may remain single in the future, it is often said that you are not worthy of what you ask for. But does it matter what others say? The more you are looked down upon, the more you have to live up to expectations. Yes, I have my requirements for life and love, but one day, I will be worthy of all this. Amy Cheung
Extended reading:
Zhang Xiaoxian's creative characteristics
Theme of the work
Zhang Xiaoxian tells all kinds of love stories that are constantly staged in this city, showing the emotional waves and making his own unique interpretation of love. Love is drinking poisonous wine with a smile? . In Zhang Xiaoxian's novels, the protagonists pursue love and despair by drinking poisoned wine with a smile, and show their different feelings about urban love in this process of happiness and pain.
The characters in Zhang Xiaoxian's novels believe in the real existence of love and the purity of true love, so they pursue love and are willing to drink the cup of love? Poisonous wine? . Zhang Xiaoxian believed in and pursued love, and thought that love was an important part of life. He even thought? Love is self-improvement, self-realization? In other words, love has been promoted to the same height as life, and understanding love means understanding life and perfecting oneself, which gives the meaning of love life.
To elevate love to the same height as life, Zhang Xiaoxian tells us in her novels that love is an important part of life, and life without love is incomplete, so her works always emphasize the theme of pursuing love, and almost all the characters in the novels are pursuing their own love.
Women in Zhang Xiaoxian's novels are persistent in their pursuit of love, because they have their own careers and are financially independent, so they don't have to rely on men to live. China's traditional patriarchal ideology hindered the development of women's individuality, personality and independent space. Modern women in Zhang Xiaoxian's novels, like men, have the desire and ability to think independently about the value of individual life, and no longer rely on men and marriage to survive like women in Zhang Ailing's novels and Xibao in Yi Shu's novels.
Describing the pursuit of love and disappointment in love is almost one of the common themes in most love novels, especially in Zhang Xiaoxian's works. For example, the woman in the bread tree rhymes moderately, thinking that love is the whole of life and falling in love with the gifted scholar Lin, who has always been inarticulate. Lin's derailment again and again made his heart hurt again and again. The quarrel and breakup between two people can never erase the love in each other's hearts. They can't forget each other after breaking up. When the misunderstandings were eliminated one by one, the two made up again. In the love with Lin, Cheng Yun suffered setbacks and disappointments, but what she longed for was Lin's love. Even though she was betrayed, she still believed in love and pursued it. On the road of love, you can't always get what you want. Pain and happiness are intertwined. In the face of disappointment, women in the new era still choose to believe in love, indulge in love and enjoy the happiness and pain brought by love. Perhaps the frustration in love will be more unforgettable than the frustration in love, but women in the new era believe that this will be a feeling of life and self-growth.
novel
Zhang Xiaoxian's novels are short in length and simple in plot. A single book has only tens of thousands of words, plus the beautiful pictures in the insets and the gaps between films, it is just a small book that is not thick. But this beautifully bound and concise little book is undoubtedly very suitable for white-collar workers in busy cities to read in their leisure time. The plot of the novel is not complicated: it tells the daily trivia in love life in a simple and natural way. What is its focus? Love itself? It changes intentionally or unintentionally in the clean stream of the day. From the unexpected encounter of love to the final disappearance, there are no twists and turns of traditional romance novels, no coincidences and misunderstandings, no love-hate interweaving, and no contradictions and conflicts. The development of each story is only the simplest process, but it is more real and profound in her situation.
Secondly, the love stories in the novels all take place in the bustling metropolis of Hong Kong. A slight change in the background of time or place will affect the development of the plot or the characterization of the novel, and it may no longer be Zhang Xiaoxian's novel.
Zhang Xiaoxian's novels often have incomplete love and unhappy endings. Those are often not caused by the interference and destruction of the foreign affairs office or the influence of birth, illness and death, but the subjective inner feelings of lovers. They are too rational to see each other clearly, not because of the destruction of outsiders or misunderstanding between the two sides, but because they are too familiar with each other and know each other too well. When they no longer feel in love with each other, they choose to end a relationship soberly and rationally and never drag their feet.
Zhang Xiaoxian used to use the first person, that is, with? Me? Eyes? Me? Emotional story? Me? Tone to describe the ever-changing love. In her novels, she seldom writes only a love story between a man and a woman, but often it is a combination of many scattered but by no means isolated love stories. These works are often based on? Me? Take this as the center and connect all the stories together.
? Me? Can this center extend vertically? Me? A period of love experienced in time span; You can also extend it horizontally. Use it first? Me? The love of lovers and friends, and then the love stories of lovers, friends and friends' lovers, the love of these characters will overlap and connect with each other to form an orderly network. Zhang Xiaoxian, like a skilled craftsman, leisurely weaves a piece of true and sad love.
Can you find it? Me? Most of them are female endorsements, which reflects that Zhang Xiaoxian has been using the female perspective in her novels. The author looks at men and women and all kinds of love in the world from a unique perspective of women. A slightly limited perspective will also have a very limited field of vision, but it will undoubtedly increase the realism of the story, make it easier for readers to integrate into the hero's heart, and at the same time reach a certain emotional tacit understanding with the narrator in the work, so that readers can feel immersive.
Male images are rarely highlighted in Zhang Xiaoxian's novels, and they are usually used to set off the heroine's love. Dominated by the author's female perspective, the male images in novels often appear as men in the eyes of women. Although they are also eager for the appearance of their ideal male, the male image in the novel is still not perfect.
Compared with other traditional romantic novelists, Zhang Xiaoxian prefers to use plain narrative skills. She seldom uses complicated modifiers and complicated details to describe her inner feelings, but often uses the simplest and most plain daily language to clearly describe the story itself, and does not like to quote poems and famous sentences. Avoid inserting the narrator's own comments or long lyrical descriptions into the narrative. She uses more short dialogues between characters and a small amount of action descriptions to express the development of the plot and the emotional changes of the characters. This objective narrative technique makes her novel language appear true and natural, but delicate.
The language in the novel is obviously not beautiful and gorgeous, and even seems a little ordinary and light because of the lack of elaboration, but it is very natural and smooth to read, with an ordinary tension. In fact, this seemingly casual language is the unique feature of Zhang Xiaoxian's novel language. It seems handy, but in fact it is mellow and memorable, which is carefully refined by the screenwriter.
essay
Most of Zhang Xiaoxian's articles are objective and true, with little personal emotion. But some works also vaguely reveal the author's ambiguous position.
Zhang Xiaoxian's prose describes ordinary trivial matters in modern urban life, and evaluates the wonderful relationship between women, men and the world with love as the center. Little women's prose? One of them is.
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