Traditional Culture Encyclopedia - Photography major - What are the skills for getting started with SLR?
What are the skills for getting started with SLR?
1, shooting scenery
Shoot the landscape aperture first (AV aperture priority automatic exposure mode)
The aperture should be small and far-reaching
White balance single drive (white balance is adjusted according to light conditions, and single drive mode is adopted)
Focus on infinity
Step 2 take a portrait
Shoot people with telephoto and large circle first (AV aperture priority automatic exposure mode, telephoto and large aperture shallow depth of field, suitable for highlighting the blurred background of the theme, generally F5.6 and above)
The focus of photometry is the eye surface line (with central focus photometry or spot photometry, the head focus is on the eyes, the bust is on the face, and the whole body is on the body curve).
Change the angle and the background is far away (the photographer and the subject change the angle, and the subject is as far away from the background as possible to blur the background)
Use fill light cable to release (use fill light equipment such as flash to prevent jitter, and use tripod and cable to release).
Step 3 shoot flowers
Shoot flowers with a macro lens (preferably with a macro lens)
Great circle close-up far background (large aperture; Close shooting, the closer the shooting distance, the smaller the depth of field; As far as possible after the flower background)
Contrast of long focal length of backlight (the longer the focal length, the smaller the depth of field; The stronger the contrast between the flower color and the background color, the better)
The flower is big and the nucleus is in the middle.
Step 4 shoot animals
Animals are always moving.
The mode should be p automatic (the program automatically exposes, and the shooting time takes precedence).
Intelligent servo focuses on the eyes (for animals that have been moving, artificial intelligence servo autofocus mode should be adopted to focus on the eyes of animals).
Using continuous shooting virtual background
Step 5 watch the night scene
Don't shoot the night scene too late (sunny, not too dark)
Low sensitivity shutter with night balance is slow (white balance at night, low sensitivity ISO 100, shutter11/).
8-9 aperture negative compensation (white plus black minus: -0.5- 1 compensation)
Anti-shake of tripod door line (using tripod and cable release)
Step 6 take a silhouette
To take a silhouette, please use the backlight.
Aim the light at the bright spot.
Usually 400 sensitivity
Exposure compensation minus second gear.
7. Shooting moving objects
Moving objects should be photographed continuously.
The shutter is dynamic (TV shutter is preferred, and the shutter is set according to the speed, trend and focal length of the moving body: the shutter is faster for the moving body)
Subsequent bodies with slightly higher sensitivity (usually ISO400. For shooting action, use the following method, and the shutter should be lower than1/60s).
The autofocus shutter is very fast.
8. Shoot the rain
When it rains, the wind tends not to move (strong winds tend to rain)
Large circle with slow background and dark background (large aperture, shutter speed around 1/30, using dark background)
The focal rain is directly proportional to the luminous light (the focal length is large and the rain is long; The focal length is small and the rain is short. The luminous shooting effect is good)
Backlight is taken from the eaves of the leaves (using backlight, shooting at a proper distance, using umbrella, dripping water from the eaves and reflecting light from the water on the ground)
9. Shoot the snow.
When shooting snow, the drifting speed should be slow (shutter 1/30 or so).
The focal length is set in the middle and short segments.
Aperture setting 8- 1 1
The dark background is dynamic.
10, shooting snow scene
Key Exposure of Snow Scene Shooting
Brightness and white compensation for the second and third gears (white increase and black decrease: +2-3 compensation)
Cleverly set the foreground to avoid smoothness (setting the foreground to increase color contrast, it is best to use backlight and side backlight)
Shoot people and measure their faces (for example, shoot people in a snow scene and measure their faces)
1 1, emitting a halo.
Take a photo of Xiaxia Circle 8 and measure the clouds and sky (measure the light against the brighter sky and clouds).
The prospect of negative one compensation (white increase and black decrease:-1 compensation)
The morning glow comes early and the sunset glow comes late (it should be shot before the sun rises above the horizon and after sunset, neither too early nor too late)
When you meet water, take a reflection.
12, picture layout
See the mountain and find the sidelight.
Look at the water and shoot the reflection.
There are more cloudy days.
70% of Wan Li's cloudless land.
Golden section line
Subject intersection
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