What are the introductory tutorials on video shooting skills?

1. Push the mirror forward, pull it back and push it forward.

Pushing the mirror forward, pushing it forward and pulling it back means moving the lens closer to or away from the subject at a uniform speed. Pushing the lens forward is to gradually change the scene from the distant view and the middle view to the close-up view or even close-up, so that it is easy to highlight the main body and gradually focus on the viewer's field of vision.

Pull the mirror back and stretch the lens back, which is opposite to the direction of moving forward. From near to far, the scenery at both ends gradually increased, which explained the scene environment and formed a sense of grandeur.

When shooting, the stabilizer uses full lock mode, then plans the route and keeps moving at a constant speed when transporting the mirror. Uncle here recommends you to use ninja step, which can better maintain the stability of the stabilizer.

2. Around the mirror

When shooting a surround lens, you need to keep the camera position unchanged. By rotating and moving around the subject with the hand-held stabilizer, the lens can be seen as a patrol angle, which can highlight the subject, render emotions and make the whole picture more tense.

When shooting around the mirror, the stabilizer adopts the course following mode, the subject is placed in the center of the picture, and the photographer moves around it to shoot in a circular way. Attention! The key point of winding the mirror is to ensure that the mobile phone is equidistant from the subject, and the other is to move as smoothly as possible. Photographers try to lower their center of gravity when shooting, keep small steps at a constant speed and improve stability.

3. Low-angle mirror.

By simulating the pet's perspective, the lens is shot at a low angle or even close to the ground. The closer to the ground, the stronger the sense of space. Low-angle shooting can also focus more on a certain part, the most common is walking with legs.

When shooting with a low-angle mirror, the stabilizer uses full lock mode, holds the stabilizer upside down, lowers the photographer's center of gravity, and adopts ninja step to follow the shooting slowly. If the mobile phone has super wide-angle function or an external wide-angle lens is added, the shooting effect is better.

4, extremely fast switching

Fast switching is a common shot in many movies. Whether it is used in dialogue scenes or transitions, it is a natural transition and will not appear stiff. Many stabilizers have a fast following mode. Through the shaking and swinging of the arm, the stabilizer will respond and follow in time, creating a visual sense that the picture becomes blurred.

When switching cameras to shoot at high speed, the stabilizer uses the following modes at high speed. Pay attention to the strength of the arm when moving, and drive the stabilizer to rotate through the strength of the arm. Don't pay too much attention to prevent damage to the motor.

Step 5 move and follow

Moving the follow-up mirror means that the photographer shoots by moving in front, back or side of the subject. The key is that the photographer needs to keep the same distance from the subject and move in parallel and at a constant speed. This kind of lens has a first-person visual sense, which is easy to bring the viewer's emotions into it.

The moving following mirror uses the heading following mode, which can move left and right with the moving direction of the subject. When using the moving follow-up mirror, you can use a wide-angle lens or a telephoto lens according to different focal lengths, which will create different visual effects.

6. Lifting mirror

The lifting mirror can appear with the help of the foreground, and when it rises or falls, it can be photographed with the help of the stabilizer, which can bring a sense of expansion to the picture. On the main body, move slowly from the part of the main body; In space, from contraction to depth. Contrast the atmosphere and reflect the change of emotional state of the picture.

Generally, the stroke following mode or the full locking mode is used for the movement following of the lifting mirror. The photographer needs to lower his body's center of gravity, and his body will stand up slowly from the semi-squatting state, while the stabilizer needs to be raised gradually through his arms. You can use twice the focal length to make the picture more compact.