The creative background of black and white Michael Jackson

Black or White is about race, but it is not expressed in a serious and boring way. This song has a brisk rhythm. At least in the song itself, Michael didn't show extreme indignation at those inequalities-although he still mentioned these facts, he completely ignored them and claimed that "I said that if you are' being my baby/whether you are black or white doesn't matter' (I said that you want to be my lover/whether you are black or white doesn't matter). Michael also tried to invite rappers to add color to his songs for the first time. L.T.B presented a rap in "Black or White", which inevitably criticized the darkness in society and expounded his attitude-"I don't intend to be a color all my life" (I don't live for a certain color in my life). In addition, this song has an unrelated opening overture. In the overture, the little sitcom of son and father brought joy to the public and added a relaxed tone (perhaps also disdain for racism). Of course, the overture is probably for Slash, and Slash has an improvisation in the form of a rolling stone. In the filming of the MV, Michael Jackson invited Macaulay King, the protagonist of Home alone, to give a warm family performance at the beginning of the film, and at the end of the film, he spared no expense to produce a sensational face-changing effect of all races. In short, singles and MVs are the best. ?