Ask the expert to tell me what the word of this signature seal is, and it is best to tell the source. thank you

"Please tell me what is the word of this signature seal, and it is best to tell the source. Thank you. "

Hello, the word of this signature seal is: Pei Jing. From the calligraphy written by Liu Peijing, it can be proved accordingly.

About Liu Peijing, Yan's "A Brief Introduction to Changshu Painters before the Anti-Japanese War", "My brother-in-law Liu Peijing can draw beautiful women, which is quite neat and elegant." Although there are few words, it can be seen that she is a lady who specializes in drawing characters. That's all I can offer. You can keep looking for relevant information. See the paragraph in this article:

Twenty, Jong Li, Li Yan, Yi Ding

My uncle Jong Li, whose real name is yu zhang, also known as Grain Rain, was named Dongpu old man in his later years. He is a scholar, the second generation calligrapher in our family. The first generation was my grandfather's taboo words, and he was the first calligrapher in Changshu Tongguang era. My father prefers painting to writing. So writing fell on my uncle. He is mainly writing, and when he sees the Han tablet carved by money, he will inevitably curse, thinking that there are vulgar pens everywhere. That is, the official script of Xiling Bajia and Zhu Yizun. His old man doesn't seem to care much. His kung fu is all on Han's tablet. People unearthed before Tongguang can be said to have never used kung fu. In his later years, he devoted himself to three Fu (Shimen Fu, Gaoge Fu and Xiyan Fu) and wrote eight words for people. Such a big official script is strong but not rotten, vigorous but not vulgar. This is a great work. He loves me the most. Ask whatever you want to learn. Are tirelessly teaching me. His study is my library. I saw that he took the white passbook of the Qing Dynasty and wrote thirty or forty kinds of Han tablets, all of which were vivid. His seal cutting was also carved in Chinese and Hindi, and he was the first disciple of Mr. Wu Changshuo, who was not very famous because he lived in his hometown. And Zhao Shize is my uncle's student. Later, Zhao Shi became famous for his sculpture, and he tended to surpass my uncle. But Zhao Shi still has great respect for my uncle. Every important occasion can be called "Sir" from a distance, which shows that the ancient road can be windy. Uncle is not an official. However, in order to help his good friend Xu Yuan, he went to Pinghu County as a magistrate for a period of time. Go home at once, feed the birds, plant flowers, burn incense and study. When I was a teenager, I liked to write lyrics and learn from Jiang Baishi. He doesn't go to the teahouse, but there is a study behind his bedroom. Wandering around all day, I have seen a lot of his skills. It was not until War of Resistance against Japanese Aggression that his brother let him escape from the countryside. He died of illness at the age of 75. It was the winter of the 26th year of the Republic of China, when I was in Hankou. He also wrote nine songs about crying at him. It's a pity that even poems have disappeared since the chaos. My father was afraid of the word Lengzhuang, also known as Lengga, and later called the old man Gachan. His old man's house is a rare and interesting person with many abilities and unprecedented love for love. He is a fair gentry in the local area, and is the internal medicine and surgery of traditional Chinese medicine. He is a gardener. It's a photographer. A collector. This is a restaurant. A painter. Although his paintings are famous for flowers, insects, feathers and beasts, they are also very close to people's scenery. He is very close to Li Xishan. Sha Shanchun is also an acquaintance, but he is better with Ni Baotian, Mo Geng and Ren Yu Lifan. Because my great grandfather, Mr. Sang Lvmei, is a rich man, likes painting and has a deep skill in landscape. When I was young, I saw a lot in my hometown. Sangfu invited many painting friends, so my father approached me first. So I have everyone's advantages. Painting at home is always late into the night. Therefore, we have never seen his old man's pen stained with color. After he drowned the factions, he turned to Jiang Nansha himself. When I was in my twenties, I borrowed a "Hundred Flowers Handscroll" by Jiang Nansha from the Sangjia collection. It was originally an ink pen, but my late father used color easily. After the completion of the volume, Wu Honglun, an elder in the school, wrote the word Confucian old gentleman. Take it to Weng Wengong and let him write it. At that time, I wrote the word "legacy of Qingtong" at the end of the volume. He wrote two more four-character poems. Now that the volume is gone, I can recite these two poems and say:

Why not turn ink into sand? Nongshu will always be a family.

Envy the quiet and leisurely vegetation. There are no overseas mandolin flowers.

The end of the pen is gloomy and graceful. A roll is full of sleeves.

Painting and poetry rhyme, too. I like listening to the wax drum on the partition wall.

There are dozens of poems in this scroll, which is difficult to mention at the moment. When he lived in the north for more than 36 years in the Republic of China, he compiled the title and postscript of this volume into a book. And preface, to the effect that if there is another war, the inscription will be lost, and please add the words "Qingtong legacy" to Zhang Yishui's Taishi. It's really sad that this book has been merged and lost so far. My late father painted many pictures during the 20-26 years of the Republic of China, and once painted four screens for Mr. Jin Songcen. They are all flowers, trees and animals. At that time, because I studied poetry with Mr. Jin, my father worked hard for it because he loved me. Later, Mr. Jin wrote a seven-character ancient poem in a hundred-character style, describing the scenery in the four screens one by one, and talked for a while at that time. The money man wrote a piece of paper for my late father (Mr. Jin's eyes were too short to write big characters). Later, when War of Resistance against Japanese Aggression broke out, I went to Hankou for a short stay on behalf of my father. Six months later, I was sent back to Shanghai. Later, I will go to Chongqing. One morning, when my father was still sleeping in the bedroom, I left home and never saw him again. Alas. Father's paintings are beautiful but not thin, gorgeous but not vulgar, thin but not soft. Strong but not rough. Sand bear, you can't be quiet with my father's pen. You can't take my father's son. After my late father died, I moved to Hong Kong and went to Shanghai through a tunnel. I recited scriptures and served wine in a Buddhist temple in the French Concession. I made a picture book of my late father's will and displayed it with several folding fans. At that time, many people were envious, but unfortunately, I have been asking for it everywhere for twenty or thirty years, but I didn't get an inch of paper. My late father accepted a student named Ding Yi, who showed great respect for my late father. It's a pity that I don't know him and have never seen his paintings. Now there are three people in my family who can draw. My wife, Cai Xiangzhi, was taught by my late father when she was young. After coming to Taiwan, she studied landscape painting with Mr. Wu Zishen, Zhu Lan and her brother-in-law Liu Peijing. She can draw figures and ladies, which is quite neat and elegant. Li Mei, the youngest daughter, studied painting with Sun, Sun, Chen and Chen in Taiwan Province. She is a beauty, with landscapes, meticulous flowers and birds, and freehand brushwork flowers. He Dafeng Tang created a new ink-breaking painting method, which was very popular. In recent years, I have studied in the United States, and I have been encouraged by my wife, Daqiaoweng, in California, and I still strive for perfection.