12 Various mirror lifting skills

12 mirror lifting skills are as follows:

First, fixed lens: let's talk about a completely static fixed position lens. Fixed lens usually locks the camera on a tripod to shoot. Therefore, these lenses have no camera movement at all. It is a very good choice when shooting dialogue scenes. Accurate composition, or let the actors perform wonderful shots.

2. Pan-tilt lens: When the camera is fixed at one point, it can be horizontal or left and right. Pan can be used to track a character's actions or display some information. Slow translation will build expectations, while fast translation will emphasize the dynamics of the lens and establish the connection between different roles.

3. Tilt the lens: Tilting means that the camera moves up and down. Tilting motion is often used in film shooting to capture the vertical direction of the world. This is usually used to give the character an advantage or a sense of vulnerability. Similar to panning, tilting can also reveal more information, such as people, scenes or proportions.

4. Push the lens: Push the lens refers to pushing the camera to the subject. The main purpose of pushing is to emphasize a certain moment. A visual clue for the audience is that it is important to find a scene. You can express the details of a topic in advance.

5. Pull the lens: pulling the lens away from the lens is different from pushing. The signal indicating disconnection from the object can also unlock the scene or background to be displayed, or more characters. As the subject becomes smaller, turning on the camera will separate us from the scene or movie.

6. Zoom lens: Zoom itself is not the motion of the camera, but the motion created by the camera. Zoom lens changes the focal length of the camera lens to zoom in and out, similar to the camera's backward pull and backward push. Zooming out can show the texture of the surrounding objects, and zooming in can emphasize something or a detail.

Hitchcock lens: Push-pull zoom is used at the same time. Push-pull motion and lens zoom create a sense of vertigo, which originated from Hitchcock's film Vertigo. Hitchcock movement can be accomplished in two ways. The first method is to zoom in and push and pull at the same time, which will enlarge the background and keep the proportion of the foreground.

Eight, rotate the lens: rotate the camera along the long picture, while keeping the lens direction. The rotation of the camera will make people lose their sense of direction and disturb our balance. Rotation may be in a moment of panic and dispute.

9. Tracking shot: The tracking shot moves naturally in the scene and is mainly used to track a subject. Tracking photography is very different from zooming in and out because they are not simply close to or away from the subject.

X. Arc motion lens: An arc motion lens is a camera, which surrounds the subject with an arc. Usually it is a horizontal arc, or it can be vertical. Surround shots can add a lot of dynamic movements when the character is still, and can also connect a group of people with a whole.

1 1. Lift the lens: use a crane, boom or pedestal to move the lens up and down. Small-scale lifting action is used to reveal effective information, and large-scale lifting action is used to track the action of shooting people or capture the environmental information of the scene.

12. Random motion: The random motion of the camera includes camera shake, unexpected zoom or camera motion in a hurry. Camera shake is usually cleverly added as a subjective personal experience to get a more intimate effect.

Tips:

1. Careful planning: Before shooting the mirror, you should make full planning and preparation, including analyzing the movie scene and determining the lens movement and shooting angle. So as to avoid unnecessary mistakes and waste of time and resources.

2. Skilled operation: When shooting a mirror, you need to master the operation skills of the camera and the use of mirror-carrying equipment to achieve the best shooting effect.

3. Match the plot: When shooting a mirror, you should match the plot and emotion of the short film, and use the lens movement and shooting angle reasonably to express the theme and emotion of the film.