What is the art of shooting rope?

Just like all games, rope art has its own rules. In order to bind safely and happily, we must understand and abide by these principles.

The first and most important principle of rope art is voluntary participation. This is the fundamental difference between rope and art and real violence and the relationship between its perpetrators and victims. It is important to care for and respect each other. Among these principles of voluntariness and mutual respect, the most important one is voluntariness. Whether you are a master or a slave, first of all-you must be voluntary, no one will force you, and you can't force you. Many people can't help but restrain their imagination and be coerced in fantasy, because such fantasy can make them more emotional, but they don't really want to fall into this relationship, and their relationship with the rope partner is not forced, but voluntary.

The second principle of rope art is that before the activity, both parties often agree on details such as role assignment, activity content, plot and scene. What the two sides must agree on is: what kind of plot and role can arouse the sexual arousal of both sides; Whether there is a third party or more people involved, and what kind of people they are; Do you want a safe word? What is a safe word? Because in the process of behavior, when one party says "no" or "stop", the other party doesn't know whether it is true or not. If the person who says "no" is in bondage, it is impossible to take the initiative to escape the unbearable pain. The word agreed in advance for this situation is called "safe word"); What kind of sexual safety measures are taken; ! What kind of behaviors and roles will cause unpleasant memories, so they should be avoided; When to end this activity and so on. Once you decide to establish a relationship and make a detailed agreement on the details of the upcoming behavior, you must follow the carefully arranged script in advance. Any change to the expected plot may reduce the degree of sexual pleasure and satisfaction with the activity, and even lead to danger, panic and anger.

The third principle of rope art is that in most cases, it is always the receiver (tied) who arranges and controls the content and degree of activities, not the giver (tied). The bound person clearly knows the degree of pain that can arouse sexual desire, so most of them consult with their partners before sexual activity so as not to exceed the degree of pain they can bear-in fact, the bound person is controlling the bound person's hand. The bookbinder's role is to help the bookbinder realize his fantasy. The control and directing rights of the whole performance must be respected by the bookbinder. Of course, in a successful rope art activity, although the tied person controls the whole process, the tied person must have good intuition and know under what circumstances to continue, no matter how the tied person cries or protests; Under what circumstances we must stop. It's like a good actor will improvise, but a bad actor will only ruin the whole game.