Which one do you think is the pinnacle of domestic spy war drama?

What happened to the domestic peak? The originator of spy war drama? The backstabbing is the only one.

Understand? Sponsor? The position is not entirely due to the earliest appearance of plot against, but it is the most groundbreaking. The first shot of the spy war drama was fired, which set a solid milestone for the works with the same theme. Follow-up high-quality works have their own styles, but plot against is not inferior to any drama.

34 episodes, three stories, concise and powerful. In 2006, 34 episodes were considered as novellas. Aside from the age and historical themes, film critics should worry about whether there is such a quantity. Water injection? Composition. But anyone who has seen the plot against me knows that it actually belongs to? Short and pithy? In that category, each episode is solid and rich, and there are no redundant pictures and characters in the whole film.

The whole story is divided into three parts: listening to the wind, observing the wind and catching the wind, which happened independently in three different times and were connected in series by Zaitian An, one of the male masters. Just watching one is actually just a short play with about 10 episodes, but the time is short and the content is rich and powerful. None of them flinched or repeated.

These three chapters are actually three? Genius? This story.

The core role of Listening to the Wind is the blind man played by Wang. Because of his natural keen hearing, he changed from a simple country boy to a deciphering hero. The first half of the story is full of blood and burning brains, the growth of genius A Bing, the game between 70 1 and enemy agents, and the reversal plot everywhere, which makes the audience unable to predict the plot.

The final ending focuses on the ending after becoming a hero, and the distance between genius and madman is shocking under the interpretation of the plot. It is hard to imagine that the story of 10 not only tells the story of a hero's life, but also depicts the ideological pattern of people at that time, which has two sides: dramatic brilliance and humanity, sense of mission and powerlessness.

Watching the wind is the most stinging of the seven words. This was originally a romantic proposition, and the love story of Huang, a beautiful talented mathematician, sounds romantic. But the description of this talented woman's love in Looking at the Wind, from the beginning of people to the end of the system and environment, makes this love no longer simple.

From this story, the audience can clearly feel the world view of the plot against the enemy, which not only praises the hero, but also praises the mission, without avoiding the disadvantages of the times. In his heroic epic, there are songs and sorrows, which give the audience a rich and comprehensive presentation. This attitude has never been seen before, and no one has come since.

It is worth mentioning that although this tragic story hurts the audience, it will not accumulate negative energy. The more people feel sorry for the tragic songs of the characters, the more they will become lucky for the audience because of the beauty of the moment. Sometimes, if the description of the times and human nature from a comprehensive perspective is solid enough, the thinking given will be more mature.

Catching the Wind is an article that can never be tired of reading, and it is also the most consistent work with the definition of spy war hero in the story of plot against. It depicts Qian Zhijiang, a potential genius. The opening of this story clearly tells the audience the positive and negative settings, the relationship between the characters is clear, and the wonderful psychological warfare is in a sealed environment.

Qian Zhijiang's meticulous, acting director's biting, and the game between them make the audience nervous, and the charm of spy war drama brain-burning stimulation is fully displayed in this article. When the final ending appeared, the audience was shocked, amazed and even more tearful, and the impeccable excitement was bound to make it a magnificent spy war drama.

14 years, different stages, different feelings, interpretation of "plot against" or interpretation of Liu Yunlong's spy war drama, there must be appreciation for the deep excavation of human nature. But Qiyan thinks that Liu Yunlong's excavation of heroic stories can stand the test of time best, because it rarely gives? Correct answer? This is the most difficult place to be surpassed in the plot against.

An obvious change is that in the 14 years after the publication of "shady plot", audiences of different psychological ages and social cognitive segments will have different feelings. Take Listening to the Wind as an example. When we first saw this story, many people were dissatisfied with A Bing's wife Lin Xiaofang's betrayal, thinking that she was a stone slab that crushed the hero.

However, when we read this story after learning about this marriage, we not only sympathize with A Bing, but also sympathize with the liar Xiaofang. Doesn't she love her husband? On the contrary, her betrayal was out of admiration and love for her heroic husband, but it was a pity that the environment at that time created people's narrow thinking.

Whether it is A Bing's mother, the staff of 70 1, Xiao Fang, or even A Bing himself, there are misunderstandings. They are familiar with the titles and traditional concepts of heroes. No one wants to admit the imperfection of the hero, and no one realizes that the hero is still a naive child psychologically. What he needs is not marriage but guidance.

When you have a deeper understanding of the reality and listen to the wind, you will find that every character is the executioner of A Bing's death and every character is the victim. In this sad ending, the audience can constantly interpret valuable content, so that the idea of "plotting against" will never be out of date.

What makes a classic a classic is its outdated story core, which many cool dramas can't do.

Lens language, music, art and drama, after talking about the wonderful and core of the story, should pay special attention to the perfect integration of art and drama in plot against, which is its unique beauty. In fact, we can see Liu Yunlong's control ability from the script creation. Under his constant polishing, the script of Assassination is intuitive and powerful.

In the end, the audience's vision and mind are both satisfied, so that this drama can also come in handy when the spy war theme is in an unpopular state. Empty streets? High ratings have become the biggest dark horse of the year. In addition to the script, the charm and soundtrack of "Shady Assassination" are also the finishing touch, which is very impactful.

In "Listening to the Wind", the lens style is biased towards the war films in the black-and-white film and television period, and a little thriller element is added to make the story full of suspense. From the villagers' ulterior motives in looking for A Bing to the undercurrent under the protection of 70 1, the camera gives the audience infinite reverie, and every time they think about it, the tension will increase by one point.

In order to contrast the attributes of love stories, Looking at the Wind chose a relatively beautiful lens, and photography captured Huang's expressions at different stages. Under the lens language, it is perfectly combined with yellow. Looking back now, the role of Huang is a well-deserved watershed for her to become a goddess.

"Chasing the Wind" is limited by the scene, and the lens is relatively conservative, but the tango elements incorporated in this paper make the classics freeze. The scene with Tang Tango became the most unforgettable picture of the whole drama, and it was a high-energy moment for the audience to look back infinitely.

The integration of dance elements not only makes the dramatic effect more prominent, but also reflects Qian Zhijiang's long-term repression with the enthusiasm of tango. One last dance is an emotional outburst before the hero's generous death. Surrounded by the enemy, he showed his passion by dancing, which was ingenious and shocking.

At the same time, Liu Yunlong's attention to the soundtrack is no less than that of the camera, whether it is soothing music showing beautiful love, sad songs showing heroic ending, or impassioned tango dance music, it is used properly. The fusion of these elements adds too much literary sense to Assassination, which is a rare way to present the theme of spy war.

Perhaps, only Liu Yunlong, who has both heroic feelings and romantic style, can grasp the tension between artistic presentation and drama from script to expression, and achieve unsurpassed plot confrontation. But at present, I still hope that the increasingly flat spy war drama can learn from the style of Assassination, learn from the classics and achieve excellent works.