What's the difference between "Drug Control" and "Drug War" in shooting style?

Anti-drug and anti-drug war are both anti-drug movies, but there are still great differences in style.

The rhythm of "drug control" is a big problem. Urgent and slow, that is, drug control, all kinds of sideline emotional dramas (mother and son, men and women, brothers, etc. ) are added, which is bound to confuse the tense plot. In addition, Chen Musheng likes to put several elements in the film too much: First, the setting of the three brothers. There was sympathy and opposition, but in the end they made peace with the enemy. In addition, there must be one or two hanging up, marking the true face of men. Second, the protagonist is down and out, trapped in prison, threatening his boss to escape from prison, and his boss put on a good show, marking "Never lose when you are new". Third, there must be a neurotic villain, that is, he doesn't catch a cold by imitating the villain in this black boy, aiming at Daniel Wu in "New Never Surrender" and Duan Kun in "Drug Control" (Duan Kun is too weak and nervous, but his business ability is too poor). Fortunately, Chen Musheng's aesthetics of violence is unique, which is different from John Woo's indoor particle blasting. He pays more attention to pneumatic blasting, which has amazing destructive power. In addition, the shooting scenes of several armed helicopters in the film are also quite amazing.

Drug War is very Du Qifeng, but because of the cooperation between Hong Kong and the mainland, it weakens the chivalrous sense of the game world revealed in his Hong Kong films, highlights the intrigue between good and evil, and is full of darkness. This kind of struggle is not reflected in the fierce fighting, but the wisdom and ingenious layout of the characters, mixed with lines that seem to be lighter in the wind than in the clouds, but in fact full of danger. This is his beauty. Du Qifeng's gangster films have several characteristics that many Hong Kong film directors can't learn: First, the classic role positioning, before the decisive battle, the gangster group must have its own distinct positioning. The advantage of standing posture is to highlight the personality characteristics of the characters, enhance the visual shock between gun and fire, and make the battle more calm and clever, and enjoy it.

The anti-drug style retains the original flavor, explosion, gunfight and brotherhood of Hong Kong films. The villains are miserable and won't shoot. The lead singer was too bright, and the gun killed people. The biggest highlight of the whole movie is that Liu Qingyun is going to choose which brother's life and death, which is quite sympathetic! Although "Drug War" is also a work directed by Hong Kong, it has added many elements, which is a bit of a western road film. If drug control is killing people for killing people, then the drug war is killing people for living. Like the following points, the details are full. Dumb people use real money as paper money, wear long pants and carry AK to fight with the police. There is a bottle of urine in the police car. Sun took the medicine and soaked in ice water. Finally, he killed many people, but Sun handcuffed him to his feet. And the performance in which Louis Koo was finally executed. If the drug war looks like a movie, then it looks more like a documentary.