Photographer Wang Cheng

Cen Can went through Huayue Temple and visited Fahuayun Palace.

The wild temple talked about taking off the saddle and met the monk Fahua.

Open the door to Xiyue, with green ridge layer of stone wall.

Bamboo diameter thick moss, loose door wisteria.

Ancient paintings are listed in the promenade, and solitary lights are hung in the high hall.

It is hot in Shan Yu in May, and all three peaks are steaming.

When I heard people talking about firewood, ice was still piling up in the deep valley.

I have been looking for this mountain for a long time, but I have never found it.

Wang Cheng was exiled to the East, still suffering.

If you want to love two trees, why not get out of poverty?

The moon spits mountain fruit and the night sky is clear.

Hundred Flowers in The Book of Songs

The Book of Songs: Hundred Flowers

White-flowered sedge, its cylindrical bundle.

This person is far away, leaving me with an empty room to watch the loneliness.

White clouds in the sky, dewdrops.

Blame me my fate. This man is immoral and unprincipled.

The tiger water slowly flows to the north, irrigating the rice-rich farmland.

A long cry is sad, and a beautiful woman is worried.

Cut mulberry branches for firewood and put them in the stove to burn with high flame.

Think of that great beauty, suffering.

The bell in the palace is ringing, and the sound must be heard outside.

Read the words and look at me step by step.

The weir is on the weir, and the crane is deep in the forest.

Think of that great beauty, suffering.

Yuanyang nestled in the weir, and its beak extended to the left.

This man has no conscience and three are disgusting.

The flat stone came to the foot, and the foot on the dough was not high.

That man is far from me, which makes me sad.

Precautions:

1, Kan: perennial herb, also known as Luman.

Tian Bu: Tian Yun, fate.

Jude: I wish I could borrow it. Not good, not good.

The name of water is in the north of Xi City, Shaanxi Province.

5.Ang: me. Baby: a stove used to keep warm in winter.

6. Sorrow and anxiety.

7. Mickey: unhappy.

8. Stork: the name of waterfowl, with hairless head and neck, resembling a crane, also known as vulture. Liang: Fish beam is the dam to stop fish.

9. Jia: I got sick because of sadness.

Translation:

White flowers and grass, white grass tied it into bundles.

This man is far away, leaving me alone.

White clouds are floating in the sky and nectar is falling on the grass.

It's too hard to complain about fate. This man has no virtue and no way.

The pouring water slowly flowed to the north, irrigating the rice all over the ground.

Screaming and singing are sad. That kind of beauty is worrying.

Cut mulberry branches for firewood and put them in the kitchen hall for high fire.

I feel sad when I think of that great beauty.

When the bell in the palace rings, there must be a sound outside.

It's hard to miss you, but you get angry when you see me.

The bald raccoon is in the fish beam and the white crane is in the deep forest.

It pains me to think of that great beauty.

Yuanyang stood on the fish beam, her mouth sandwiched between her left wings.

This guy has no conscience and is half-hearted and annoying.

Flat stones are used to cushion feet, and people who step on them are not tall.

This man is far away, which makes me feel sad and disgusting.

Appreciate:

Mao Xu said: Zhou and others stabbed you later. Wang You thought that after marrying Shen Nv, he had to praise Shen Nv again. So it was nationalized, my concubine was my concubine, evil was my ancestor, and Wang Fu could rule it, and Zhou people wrote poems for it. Zhu's Preface to Poetry says: This matter is reasonable, and the preface covers it. And think that this is self-made after applying for it. This is quite credible. It can be seen from many abandoned wives' poems preserved in the Book of Songs that women in marriage are in a very unequal position, whether in the folk or in the upper class. If they meet bad people, the fate of being abandoned is inevitable. Tai Feng-Gu Feng, Feng Wei-Meng, Xiaoya-Going His Own Way and this poem show such historical facts from different angles and directions. Of course, from the anthropological point of view, in the class society that has just evolved from the primitive patriarchal society, all the old morals have been tested in the great social changes, as well as the status of men and women, as Engels pointed out in The Origin of Family, Private Ownership and State: the initial class oppression occurred at the same time that men enslaved women. Because of this, the poetry of abandoning a wife in The Book of Songs has more profound spiritual shock and historical significance than the poems of the same theme in later generations.

The first chapter ties Cao Cao and Bai Mao together, which shows that it is common sense for couples to love each other. Among them, white grass and white grass symbolize the pure and harmonious love meaning. Compared with the pure bundle of white grass in the white straw bag in Zhao Nan-Death with Leaves, we can see that white grass was a commonly used symbolic image at that time. Common sense was self-evident, but now my son is far away, leaving me alone. One is right and the other is wrong, which lays a sad and chilling tragic tone for the whole poem.

The second chapter moistens the grass and thatch with the dew of white clouds, which makes the husband go against common sense and cannot share joys and sorrows with his wife. Although literally, there is a direct correspondence and mapping relationship between the lush grass of Baiyun Ganlu and the injustice of fate to the abandoned heroine, in fact, it seems true that people complain about others, and the target is actually this ungrateful husband who does not conform to heaven.

The third chapter of the poem irrigates rice fields with Beiliu pond, which reversely corresponds to the unfaithfulness of heartless husband to his wife. Although this chapter is the same as the previous two chapters in evocation methods, it all uses things to describe people and uses common sense of heaven to counter the perversity of human feelings. Therefore, Jian Zheng explained: The water in the pond is the same. Infiltrating the paddy field to breed it shows that the king is not kind to the application, and it is worse than the pond. But then the crying heroine changed from a son to a master. As for talking about people, predecessors such as Confucius cited Wang Su and Sun Yu said that people refer to Shen, while Zhu's Biography of Poetry thought that people refer to Shen. In the original poem, the last two chapters refer to the people of Shuo as metaphors of things, implying that people are in an inappropriate position. Zheng Xuan's master of note interpretation is a monster, which is a compliment and a combination with poetry. Now that the topic has changed, the exclamation in the next chapter is naturally appropriate.

The fourth chapter inherits the meaning of the first three chapters, that is, the salary is useless, and the heroine's virtue is not appreciated by her husband, but abandoned. Therefore, whenever a poet is confused about his salary, mulberry is the most expensive firewood for female workers. Taking mulberry firewood as salary, just for cooking stoves, dignity is upside down. Contrary to his own fate, Wei Pishuo remembers that the demon man is now fascinated by his husband to take his place. All this is really a torture thing.

Chapter V It is inevitable that the death knell will be heard and abolished after the application for World Heritage. As the saying goes, there is no windtight wall, which is also called. I have been abandoned, but I can't forget it in my heart, so I have a deserted wife who misses my son. Since I abandoned it, I hated it first, so I have a heartless husband who regards me as a step forward. In contrast, the kindness and smoothness of the abandoned wife and the frivolous ruthlessness of her husband are more distinct.

The sixth chapter is similar to the fourth chapter in the poem, where the crane is frustrated and the concubine is translocated. At the same time, there is a metaphorical relationship between the whiteness and pliancy of cranes, the greed and malice of storks, and the aftereffect and praise. The charm of the demon man is really an important reason why the heroine was abandoned. No wonder she has repeatedly defended others and really worked hard for me. I can't help feeling sad at the thought of that enchanting man.

The seventh chapter takes Yuanyang, who always lives together occasionally, as an example, and opposes the immoral behavior that a heartless husband can't grow old with himself by loving each other and doing his own thing. This chapter should be read together with the fourth, fifth and sixth chapters in order to understand the resentment of the abandoned wife in a deeper level. What she is actually saying is: Although that seductive woman is very attractive, if her husband considers nature and human feelings instead of morality, there will be no result today.

In the last chapter of the poem, the low position of the flat stone is used to publicize the tragic fate of Shen Shen after being detained. Abandoned women can't help but think about their own fate and the distance between their children, which makes me very embarrassed. Facing the unknown future, it will inevitably become a disease. According to Zhu's Biography of Poetry, a flat and unremarkable stone is also unremarkable. My concubine is cheap, so is my pet. It is because my son is far away that I have a choice. This statement can be prepared.

Finally, it should be pointed out that the first chapter of this poem begins with chanting, three sentences end with Xi, and the last chapter ends with chanting and Xi. In the middle chapters, the tone is urgent and there is a great momentum to vent the pain in your heart. Between priorities, there is quite a discipline, and there is a sense of lingering sound when reading.

Du Mu crossed Huaqing Palace.

Crossing Huaqing Palace

Author: Du Mu

Original text:

( 1)

Looking back at Chang 'an, Mount Li is like a pile of splendid scenery, and the gates of Huaqing Palace on the top of the mountain are opened in turn.

As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south.

(2)

Xinfeng green trees have yellow dust, and I have ridden Yuyang several times to explore the messenger.

They lied about their military situation, and Tang Gaozong and Yang Guifei still indulged in singing and dancing until the Anshi Rebellion arose and the Central Plains was broken.

(3)

The whole country is immersed in the tranquility of music, and the Lishan Palace in the moonlight is particularly clear.

An Lushan dragged his fat body and danced "Pure Land Dancing", which caused Yang's laughter to fly over the peaks.

Precautions:

1, Huaqing Palace: Located in Lishan Mountain, Lintong County, Shaanxi Province, it is a playground for Tang and Yang Guifei. Yuanhe County Records: Huaqing Palace is located on Mount Li, and a hot spring palace was set up in the early 11th year of Kaiyuan. Tianbao was changed to Huaqing Palace in six years. He also built the hall of eternal life, named Jilingtai, to worship the gods.

2, embroidered piles: refers to flowers, trees and buildings like piles of splendid.

3. Thousand gates: describe the magnificent palace at the top of the mountain with many portals.

4, the second time: in order, one by one.

5, a ride (ancient J read Ji, generally read Qi (two tones)): refers to the person riding a horse.

6. Red dust: refers to the dust flying when riding a horse.

7. Concubine: refers to the imperial concubine of Yang Yuhuan. Music history "Biography of Yang Taizhen": On the last day, I said: Enjoy the famous flowers, don't use old music words for concubines! Biography of Li Guifei in the New Tang Dynasty: My concubine loves litchi and wants to be born, so she rides it, travels thousands of miles, and reaches the capital without changing her taste. Tang Shi Supplement: Yang Guifei was born in Shu, loves litchi, and was born in Nanhai, especially in Shu, so she flies forward every year. However, the party is familiar with the heat, and it will be defeated. It is unknown to future generations. Press: This may be a freehand brushwork, intended to satirize Xuanzong's favorite concubine, and it is impossible to verify all the historical facts one by one. In the Tang Dynasty, the litchi in Lingnan could not be transported to Chang 'an, so Su Shi said that the litchi at this time came from Fuzhou, not Lingnan. Litchi ripe season, Xuanzong imperial concubine is not in Lishan. Xuanzong entered Huaqing Palace every winter and October, and returned to Chang 'an the following spring. Chen Yinke, a close friend, also made textual research on the fallacy of Cheng's Archaeological Compilation.

8. knowing is: knowing.

9. Xinfeng: Xinfeng County is located in the Tang Dynasty, in the northeast of Lintong County in Shaanxi Province, not far from Huaqing Palace. Yellow dust: dust raised by galloping horses.

10, agent: The emperor once asked his agent to test An Lushan's denial, so that he could be guaranteed and keep his word.

1 1, Nishang: "Colorful Feathers", the court dance music at that time was personally adapted according to the Indian Brahmin dance music presented by Yang, a Chinese ambassador to the western regions.

12, Qianfeng: refers to Mount Li with many peaks.

13, dancing to break the Central Plains: refers to the Tang Xuanzong's indulgence and misunderstanding of the country, which led to the Anshi rebellion.

14, nationality: refers to the whole country.

15, Yitian: Describe the grandeur of Lishan Palace.

16, two sentences in the cloud: Biography of An Lushan in the old Tang Dynasty: Lushan Mountain is fat and weighs 330 Jin, but he can perform Hu Xuan dance in front of Xuanzong of Tang Dynasty, and his illness is like the wind. The imperial secretary next to him applauded because the dance was too fast and the beat was out of order.

17, random shot: An Lushan is fat, but he can write "Hu Xuan Dance" in front of Xuanzong, and it is like the wind, and the imperial secretary is chaotic.

Translation:

( 1)

Looking back on Chang 'an, Mount Li looks like a pile of magnificent scenery. On the top of the mountain, thousands of doors of Huaqing Palace opened in turn. As soon as I rode, the smoke billowed and the princess smiled. No one knows that the south has sent litchi fresh fruit.

(2)

Yellow dust can be seen from time to time in Xinfeng area surrounded by green trees. This is the return of spies to Yuyang. They lied about their military situation, and Tang Xuanzong and Yang Guifei were still addicted to singing and dancing until the Anshi Rebellion and the Central Plains were broken.

(3)

The whole country is immersed in a song and dance, and the palaces and castles on Mount Li are particularly distinct in the moonlight. An Lushan dragged her fat body and danced Hu Xuan, which caused Yang Guifei's laughter to fly over the mountain peaks in the wind.

Appreciate:

There are three songs on this topic, which are Du Mu's feelings when he passed the Huaqing Palace in Lishan Mountain.

First of all:

Huaqing Palace was built in 723 AD (the 11th year of the reign of Emperor Xuanzong of Tang Dynasty), where Emperor Xuanzong and Yang Guifei had fun. Many people in later generations have written poems about Huaqing Palace, and Du Mu's quatrains are particularly exquisite and well-known. This poem lashed out at the extravagant life of Xuanzong and Yang Guifei through the typical event of sending litchi, with a slight artistic effect.

The whole poem begins with looking back, setting suspense at different levels, and finally uncovering the mystery without anyone knowing, which not only exposes the absurdity that Emperor Tang Ming did everything he could to please his favorite concubine, but also echoes the unusual atmosphere rendered earlier. The whole poem is full of difficult words, concise and exquisite, beautiful and handsome, lively and natural, and profound and subtle, and it is indeed a masterpiece in the quatrains of the Tang Dynasty.

The first sentence describes the scenery of Mount Li where Huaqing Palace is located. The poet writes from the perspective of looking back at Chang 'an, just like a cinematographer. He first presents a broad and far-reaching panorama of Mount Li to the audience: lush trees, lush flowers and plants, palaces and castles stand among them, just like a beautiful group. Pile embroidery not only refers to the East Embroidery Ridge and the West Embroidery Ridge on both sides of Mount Li, but also describes the beauty of Mount Li.

Then, the scene moved forward, showing the magnificent palace on the top of the mountain. The normally closed palace door suddenly opened slowly. Then there are two close-ups: outside the palace, an emissary is riding a horse, flying fast, raising clouds of red dust behind him; In the palace, the princess smiled. Several shots seem to be unrelated to each other, but they all contain the suspense carefully arranged by the poet: Why are thousands of doors open? Why is there a car coming? Why did Yu Ji laugh again? The poet deliberately kept silent until the tense and mysterious atmosphere made readers want to know, and then implicitly and euphemistically revealed the mystery: no one knew it was litchi. The word litchi tells the whole story. Biography of Yang Guifei in the New Tang Dynasty: I love litchi, so I want to live it, so I ride it and travel thousands of miles. Her taste has not changed, and she has arrived in the capital. Knowing this, the suspense in front was released at once, and those shots naturally merged.

Wu Qiao's "Poems Around the Furnace" said: Poetry has implications, especially for people who have no definite view of the story. The artistic charm of Du Mu's poems lies in its implication and profundity. In the poem, I don't understand Xuanzong's debauchery and lust, and the imperial concubine's lust and arrogance. The vivid contrast between riding the world of mortals and the princess's smile has received much stronger artistic effect than expressing opinions directly. The word "princess smile" has a profound meaning. During the Spring and Autumn Period, Zhou Youwang smiled for Bo Feizi and lit a bonfire, which led to the country's demise. After reading this, readers can easily think of this well-known story. The word unknown is also thought-provoking. In fact, litchi is not unknown, at least the concubine knows, and so does the emperor who is not named in the poem. This writing is to show that this matter is very important and urgent, and there is no reason for outsiders not to know. This not only exposes the absurdity of the emperor's doing everything he can to please his favorite concubine, but also echoes the unusual atmosphere rendered earlier. The whole poem does not need difficult words, allusions and carvings. Simple and natural, profound and powerful. It is a masterpiece of history in the quatrains of the Tang Dynasty.

Second:

During the reign of Emperor Xuanzong of the Tang Dynasty, An Lushan served as our envoy in Pinglu, Fanyang and Hedong, waiting for an opportunity to rebel. However, Tang Xuanzong liked him very much. The Crown Prince and Prime Minister Yang repeatedly started fighting, and Fang sent assistants to inquire about the truth in the name of sending oranges. An Lushan was generous to Yulin and praised his loyalty when he came back. Xuanzong believed in lies, and since then he has been more unrestrained. Xinfeng green trees rose from the yellow dust, and several spies returned from Yuyang, describing the scene of spies returning to Chang 'an from Yuyang via Xinfeng Pegasus. The yellow dust rolling behind the spy is a dazzling smoke screen and a symbol of the upcoming rebel war.

From the complicated historical event of An Shi Rebellion, the poet only chose the scene of Yu Yang's return from exploration, which was quite ingenious. It not only exposes An Lushan's cunning, but also exposes Xuanzong's confusion, which has the magical effect of killing two birds with one stone.

If the first two sentences of the poem show the transformation of space, then the last two sentences show the change of time when dancing on a thousand peaks and decomposing. The contents of the first four sentences were originally independent of each other, but after clever editing by the poet, there was a causal relationship between them, suggesting the internal relationship between the two things. As far as the whole article is concerned, it is natural to associate the envoys from Yuyang to Nishang Ganfeng with Huaqing Palace. This way of writing not only summarizes a major historical event with extremely frugal pen and ink, but more importantly reveals the cause of the accident. The poet's conception is very ingenious.

Strong irony is expressed implicitly, especially on the top of a thousand peaks, and the two sentences of dance are broken down. Without a word of discussion, Xuanzong's indulgence and paranoia were vividly portrayed. It is obviously an extreme exaggeration and impossible to say that a song can climb to the top of a thousand peaks and dance all over the Central Plains, but it makes sense to write like this. Because singing and dancing alone can't directly break the Central Plains, the breaking of the Central Plains is actually caused by the rulers' endless indulgence in singing and dancing. Moreover, it is not enough to describe the prosperity of singing and dancing, nor does it exaggerate the drunkenness of the rulers and the serious consequences of the country's demise. In addition, the sharp contrast between the two poems and the use of important initial words show the poet's profound skill in choosing words and making sentences, which effectively sets off the theme. It is the profound ideological content and perfect expression that make it a famous sentence. The whole poem comes to an abrupt end here, which is even more memorable.

Third:

This is the last of three quatrains and an allegorical poem.

It is said that Tang Xuanzong and Yang Guifei spent all day playing in Mount Li, regardless of state affairs, and the whole country was immersed in a song and dance. Eternal towers, temples and moons are distinct, which means that the palaces and castles on Mount Li are towering into the sky, which is particularly distinct in the moonlight. Random shooting of Lushan dance in the cloud. This sentence ironically said: When An Lushan met Tang Xuanzong and Yang Guifei on Mount Li, he dragged his fat body and danced Hu Xuan in the hall, which actually triggered Yang Guifei's hearty laughter. The wind is too strong to laugh at the foot of the mountain. This laughter drifted across Shan Ye with the wind and echoed in the mountains for a long time.

According to the report, Yang Guifei was overjoyed when she saw An Lushan dancing Hu Xuan, and even accepted An Lushan as her adopted son. Tang Xuanzong was also very happy and attached great importance to An Lushan and appointed him as our special envoy for the three towns. But it was their adopted son who raised the banner of rebellion to them. Since then, the Tang empire has slipped into the abyss of decline.

This poem is subtle and euphemistic, and its style seems to be brisk. In fact, it makes a bitter and merciless mockery of the extravagance and mistakes of the king who perished.

The Book of Songs is a prosperous flower.

The Book of Songs: A Brilliant Flower

It is beautiful, but it is yellow.

Worried that your heart hurts you!

This is a beautiful flower, and its name is Ye Qingqing.

It is better to have no life than to know me like this!

Yangtoufen, Samsung is in the cave.

People can eat, but they are seldom full!

Precautions:

1, wild pea: Camptotheca acuminata, vine.

2, taste its yellow: the appearance of yellow vegetation.

3. Sheep: ewe. Grave: big.

4. Samsung. The stars are shining. A small net for fishing.

5, fresh: less.

Translation:

Camptotheca acuminata is in full bloom on the vine, and its petals have turned yellow.

How sad I am, full of sadness is hard to tell.

Camptotheca grandiflora is blooming, the leaves are clear and the flowers have fallen.

If I had known my heart was so bitter, I wouldn't have given birth.

The ewe's thin head is very big, and the starlight shines on the fishing net.

Although there is food, few people can eat enough.

Appreciate:

Ancient people depended on the sky to eat, and if they were not good, they would naturally lose their source of livelihood, and famine and hunger were everywhere. This happens once every three years, five years and four years. Among them, the tragedy is unimaginable with our ample food and clothing today. Even the sheep that eat grass are all skin and bones, showing huge heads, and people can imagine their situation.

However, no matter how hungry you are, there are always people who don't worry, eat fish and swallow meat, get in and out of cars and horses, and have slaves in their daily lives. In Du Fu's works, Zhumen wine stinks and freezes bones, vividly showing happy scenes and countless family troubles. A full man knows that a hungry man is hungry. Maybe some people really don't know, but I'm afraid more people know. Even if I know, what can I do? For the sake of self-interest, it is unlikely that Fu Han will open a warehouse to help the poor and share weal and woe with the people. What can a hungry person do except shout for a few days and look up at the sky and sigh? It is wrong to call every day. When you don't know, you can only sigh the misery of fate and life.

The sky is merciless, people are merciless, and fate is merciless. Only when all these hot irons come to the head can people find out how pitiful and pathetic they are.

The quatrains of ancient poetry are so classic, concise and full of infinite feelings. Do you want to see more quatrains and ancient poems? Please enjoy the ancient poems on the quatrains of Huaqing Palace.