On the language structure of TV news program pictures?

Abstract: The appearance and development of modern TV news about people's livelihood is the starting point of studying the language of TV news program pictures. This paper points out that the picture of TV news program is a complete thinking process. On this basis, the importance of picture composition is further analyzed from two aspects: the movement of TV news pictures, the integrity of continuous combination and narration, and the variability of picture processing viewpoints. Keywords: TV news programs; Sporadic; Continuous assembly; The integrity of narrative. The quoted TV news programs, whether reporting the changes of objective things or the process of reporting the deeds of advanced people and major events, all use TV pictures to reflect concrete and sensible images. Therefore, to study the image of TV news, we must first study the language of TV news pictures. Nowadays, many TV news programs don't pay attention to the expressive force of pictures, and think that news, as long as you explain the five elements clearly, explain the ins and outs of things clearly, and then interview the parties, constitutes news. News programs are different from literary programs, with gorgeous stages and stars to attract everyone's attention. Unlike documentaries, documentaries earn the tears of the audience by sensational stories. In just a minute or even dozens of seconds, it is impossible for a reporter to meet 9. 1 1 every day, and it is impossible to wait for a big emergency every day. However, for normal program types, most news depends on their intention of discovery and excavation. Therefore, TV news must focus on composition. As a complete thinking process, composition is to find out the order from the arrangement and processing of pictures, attract the attention of the audience and convey emotions through visual images. Rosenfeld of the United States mentioned in "Photographic Composition": "Composition is a thinking process, seeking order from the chaotic things in nature; Composition is an organizational process, which organizes a large number of scattered composition elements into an understandable whole; Composition is a process of responding to those elements, and it is also a process of trying to organize these elements, in order to let these elements convey to people the excitement, reverence, timidity, surprise or sympathy experienced by photographers ... ". Second, the composition of TV news program pictures * * * * TV news pictures reflect the main body of sports TV news pictures. To highlight the subject, we must seek the law of lens movement and seek a breakthrough from the general law of lens movement. An important feature of TV news pictures is movement. Although we can divide TV pictures into static * * * fixed * * * pictures and moving pictures, it doesn't mean that the so-called static pictures can be composed like photographic pictures, because they are very different in essence. Some reporters just "don't have enough photos" in the process of shooting, which is the taboo of TV news. Because in the concept of TV picture, the so-called still picture refers to the picture taken when the camera position is fixed, the focal length of the lens is unchanged and the optical axis direction is unchanged. This kind of picture produces the movement inside the picture, that is, the movement of the subject. That is to say, in the shooting of TV pictures, even if the picture range is the same as that of photo photography, the composition of TV news pictures is obviously different from that of photo photography, because the objects expressed in them are generally moving. The other is the external movement of TV pictures, and the use of push-pull, push-pull and swing directly reflects the changes of viewing angle and picture range. In the picture, the subject is moving and the camera is moving, so the composition of the picture will change constantly in the continuous recording of the picture, so the narrative focus of the picture is also changing. Change the position of characters and scenes in the picture, and change the background relationship and perspective relationship in the picture composition. At this time, all the modeling elements in the picture are in the process of orderly change, which will form different structural effects and visual flow effects. This montage is common in the performance of documentary pictures. The direct consequences of TV picture composition expressing movement are shown in three aspects: First, it breaks the time solidification and space stillness of painting and photography in expressing movement. The complete picture shows a continuous time and space, which is similar to the time and space of human beings in real life and is more easily accepted by our psychology. Secondly, the efficiency of TV motion shows the motion state, speed and rhythm of the object itself. The world is moving, and we are in this specific environment and become a part of this moving environment. Therefore, it is one of the basic requirements of TV pictures to accurately represent this kind of sports environment. Third, sports performance can help us understand the actual activity state and specific psychological state when people observe things. For example, shooting a horizontally moving lens can imitate the visual feeling of people sitting on a boat and observing the scenery on both sides of the river, while a simple shaking picture can show a person's psychological activity of looking around in a strange environment. This is the composition of other art categories can not be achieved. * * * Two * * * The continuity and narrative integrity of TV news pictures are also important features of TV picture composition. As painting and photo photography, the work itself is isolated, so it must be independent and complete in order to fully reflect the theme. Television programs are usually narrated through the superposition of shots, and the number of shots determines the nature of the program. It may use several or a dozen shots to express a short paragraph, such as news programs, or it may use dozens or hundreds of shots to tell a story, such as documentary programs or TV dramas, or even thousands of shots, such as TV dramas. For a single picture, it is not required that the composition of each picture must be complete, but when these pictures are used for narration, the lens should have continuity and integrity after assembly. That is to say, in a paragraph shot, the integrity of the shot is not formed by the superposition of individual shots, but the expression of the whole paragraph depends on the continuity of individual shots, so as to make a general explanation and explanation for the single shots that may be incomplete. Any single TV picture is only equivalent to a photographic work or a certain regional detail, and every single lens picture can't show the emotional development, continuation and end of the whole event. TV news program, even simple news, is a complex narrative process, which needs to be completed by a combination of pictures. This requires that the group diagram must be "open", "malleable" and "continuous" when dealing with composition, and can not only pursue the static integrity of a single picture composition. For example, the subject is treated in the corner of the picture, or in the depth of the background, or only part of the image of the subject is displayed, so that the subject occupies a small proportion in the picture, or is blocked by peers or foreground, or even regarded as a virtual shadow. However, if we excessively pursue the integrity of each picture, it may affect the overall conception, turn the picture of a complete work into an isolated landscape or portrait that lacks connection with each other, and lose the expressive power of TV pictures.