Simple steps to take a silhouette photo

Lead: Silhouette is an excellent way to show the dramatic effect through the lens. In a photo, injecting objects that are quite different from the overall picture and omitting details may cause visual impact and psychological shock with unique charm. People may experience the beautiful, mysterious and distant artistic conception from it, and even present shocking scenes in some pictures, which makes people tremble with fear. I'd like to share with you some steps of taking a silhouette, hoping to help you.

Choose the theme carefully.

Before considering the technical details and camera settings, you need to make time and energy to consider choosing the object. This will be a tricky thing, because you need some experience to make a proper choice. You will want the object to be relatively simple and show a completely different shape from the surrounding environment in two-dimensional space. The natural charm of silhouette shooting is that you will peel off all the details of the object and blend in with the surrounding environment, showing almost no sense of depth of field.

In the meantime, we should pay attention to the fact that the object should never be rigid or blocked by annoying buildings or simple sculptures. In addition, be careful if there are many people shooting pictures. If the silhouette overlaps too much, it will give people a sense of confusion and ambiguity. In shooting, try to make every object clearly identifiable, even from the perspective of a single object.

What are the subjects you usually see? Kissing silhouette? Two of them hugged and kissed each other, but the final shooting result was a bit strange because of the excessive overlap of faces.

As can be seen from the above photos, although the overall image looks good, if you pay attention to the overlapping part of the face in the silhouette, it will be a little confusing. If you want to imitate this shooting, try to do it? Coincidence The face was not touched before and after kissing to get better performance. Remember, this principle is not only necessary for silhouette, but also applicable to any two objects with overlapping tendency in photographic works.

explain

Obviously, silhouette is a masterpiece of backlight. The basic idea behind this is, what are your prospects? Object profile? Compared with the background brightness, the brightness can be ignored. To understand the mystery, you must learn to be like a camera? Think and observe it? Things. If you accidentally take a silhouette, you will know that what the camera sees is completely different from what you see. Sometimes under bright backlight conditions, the subject seen by the naked eye is still good, but the final shot is a silhouette. The fundamental reason for this gap is that cameras are very different from human eyes.

I will discuss this in detail in the camera setting section later. Now let's first understand two basic types of lighting scenes when shooting silhouettes.

Lighting scene 1: studio

Silhouette shooting is the easiest to control in the studio as long as you have the right equipment. Generally speaking, you should design the background to be very concise and consistent, and form a strong contrast with the silhouette as much as possible. So grab the lighting background and put the studio lights on it. Next, put all these behind the main body and keep a certain distance from the shooting picture.

If you want to control the tone and expression of the photo besides highlighting the outline of the object, you can try to add bright colors and try the expression effect of halo map.

Another variable you can try is how much of the object you want to be outlined. Local silhouette is to select a specific part of the object to shoot, thus producing some amazing shooting effects.