Fujii Fujii's love letter

Fujii Tree by the Ten Most Heartbreaking Men in Movie History

Love Letter is the first love that can never be erased from everyone's memory. Snow, pink cherry blossoms, teenagers swaying under the white curtains of the library, and handsome side faces make people fall in love at first sight. He is a young Fujii tree. He has always had a crush on the girl with the same name and surname in his class, the girl with big eyes who can talk.

"Love Letter" is the most delicate and touching film describing the plot of a teenager's secret love. The plot in the film awakened many people's first love feelings, and they even dared not watch it again because of their inner throbbing. I had a secret love in my childhood. With the communication between two women, I found that there was a tortuous soul in the depths of time. The boy standing behind the curtain in the library, bathed in the early spring sunshine and as holy as an angel, had already disappeared in the snow-capped mountains.

Looking for lost time.

While carefully depicting this love story, director Shunji Iwai also deliberately expressed his nostalgia and memories of the lost years. Love Letter is just like the name of Proust's novel. It is in the memory of the protagonist that the past love and youth gradually became clear and revived. Compared with reality, the past in the film is brighter and more beautiful. In those beautiful pictures, cherry blossom fragments flying all over the sky and teenagers with dark feelings aroused our infinite reverie. And the beautiful middle school time constructed in Love Letter may be the warmest and purest memory of Shunji Iwai and many people.

Like many Japanese movies, Love Letter also reflects death. It can be said that the story of love letters always revolves around life and death, but what is different is that it does not deliberately show the horror and cruelty of death. The death of Fujii, a male, and the death of Fujii's father, a young girl, were all diluted into a kind of grief and nostalgia. However, the film pays a lot of attention to the critical illness and rescue process of female Fujii, aiming to set off the preciousness of life through this life-and-death contest.

The reminiscence of the past and the description of life and death in Love Letter are very oriental, which implicitly and elegantly expresses the theme of the film-cherishing limited life and precious love. When Bozi stood in the snow and shouted to the deep mountains, when Fujii finally saw the portrait behind the book card and moved to tears, all the arguments about life and love became meaningless.

Fujii's Secret Love Era

The Japanese film Love Letter tells a slightly sad story. Two girls, one who loves but can't get it, the other who loves but doesn't know, find the truth about a secret love story, but the protagonist in the film can't get it back.

In fact, the protagonist of the film did not appear. The young man named Fujii was killed in a mountaineering accident. After his anniversary, his girlfriend Hiroshi Watanabe found his hometown Hokkaido in her boyfriend's high school graduation photo album. Now it has become the former site of the expressway. Driven by completely natural motives, Hiroko tried to write a letter to Fujii just to greet her boyfriend in heaven: "You! This is just a letter to heaven, expressing her infinite grief, but to Bozi's surprise, she actually received a reply from Fujii: "I'm fine, just a little cold." Bozi was both surprised and excited.

Although Mr. Akita, who secretly loves and pursues Hiroshi Watanabe's son, laments that the old love is unforgettable, he still actively helps her find out the truth: It turns out that Fujii has a middle school classmate with the same name and surname, who is a girl-Hiroko copied the wrong address. There are two Fujii trees, a man and a woman. Behind the names of two Fujii trees is a secret love story, which will be finally revealed in the future.

This is a complicated story. Still immersed in her deep love for her boyfriend, Yoko Watanabe explores Fujii's "once" and expresses her desire to have all Fujii's once; The memory of Fujii, a girl, provides all the past of Fujii, a boy, but also slowly reveals another truth: throughout the middle school, Fujii has always had a crush on his namesake.

Hiroshi Watanabe gradually lost Fujii in the process of owning Fujii in the past. Fujii, a young girl, provides the past to Hiroko, who loves Fujii deeply, and at the same time discovers the unknown truth that she has been secretly loved by others. The film is vaguely sad. Fujii, a girl who represents Fujii's past, and Hiroshi Watanabe, who represents him later, are slowly approaching in the "present" time and space, witnessing a touching love, even if it is only unrequited love. Unavailable love and uninformed love seem to be mirror images of each other, which makes unrequited love and unfinished unrequited love reveal a noble and beautiful side.

The film arranged for Yoko Watanabe to meet Fujii, a young girl. Bozi came to Otaru, Fujii's hometown, and saw a girl who looked exactly like him passing through the snow, just like a dream. Later, when Hiroshi Watanabe was looking at the photos of Fujii's middle school days, he suddenly found that one of his classmates had a girl who looked like him. "Does he love her? Or love me like her? " Bozi's doubts really opened the narrative of the film. After returning home, Hiroshi Watanabe asked to communicate with the girl Fujii * * * and enjoy the memory of middle school in memory of her dead boyfriend. Hiroko's endless questions were sent to the girl Fujii by mail, so the middle school age of the boy Fujii reappeared in the letters that kept coming and going; It was also in this process that Bozi found that her boyfriend fell in love with her at first sight because she looked like a girl named Fujii. In the memory of the girl Fujii, there was a secret love that she didn't know was written into the library card ... At the moment when Otaru looked at Fujii, Bozi gave up. Maybe when she saw the girl who looks exactly like herself, she understood everything-everything about her dead boyfriend Fujii's emotional past. The genius of Shunji Iwai, the director of Love Letter, is to let two identical girls pass by, so the film is freed from the fetters of "being present". At the end of the film, on the snowfield reflected by the morning light, Hiroshi Watanabe shouted to the snowy mountain where Fujii tree fell: "Fujii Jun, how are you?" I'm fine, I miss you-miss you-miss you-"; At the same time, Fujii Shu, a distant girl who is experiencing life and death, received Bozi's cry at the end of this time and space. This exchange also vaguely completed a response, surreally expressing the most sincere feelings to the young Fujii tree in heaven.

Who does the boy Fujii tree really love? On the surface, he loves girls Fujii and Hiroshi Watanabe, but when his eyes stare at Hiroko, he penetrates the present body and gently hugs teenage girl Fujii. At the end of the film, Bozi finally found herself lost because she was injured while crying and shouting on the snowy mountain. However, the girl Fujii fell into the depths of her memory because of Hiroko's search and tasted a bitter softness. This may be due to the introverted personality of the boy Fujii: put a paper bag on his head, stab him in the face, scare him out, and then walk away, let the girl Fujii rock the wheel, light up the lights, pretend to like studying papers for a long time, and write the name "Fujii" on every library card in the reading room ... No wonder Fujii didn't understand him when she was a girl. -Maybe this unrequited love is doomed to have no result in the lifetime of Fujii, so it can only be solved after his death. If Miss Fujii didn't find a library card, she wouldn't cry. She cares about each other's secret love is the happiest secret love. The girl Fujii may hide her secret love for the boy Fujii, such as the shy feeling when staring at him in the library. Even if the other person never knows, she won't lose anything.

1997, the most popular movie in Japan is Love Letter. It is said that this film was shown in a cinema for half a year, but it was always packed-some people always like to watch it again and again. In Taiwan Province Province, someone looked for a pen pal after reading the name "Fujii Shu" for six times in a magazine and said, "As long as you know the name, you must know me". The film Love Letter has a slow pace and a typical Japanese flavor: sadness and silence. -people can't help but think of Haruki Murakami's novel "Norwegian Forest". Sentimentality, like the wind blowing through the fingertips, disappears silently in the gap of time, but it is heartbreaking. Perhaps the best thing about life is this fruitless feeling-everything is too late to express, all possibilities are frozen by death or missing, and the living can only get a little warmth from this world with memory. True feelings are like snowflakes, pure, crystal clear and cool, so fragile that they will melt in the secular sunshine at any time.

The past is with the wind, and the mood can only swing with the wind forever.