Traditional Culture Encyclopedia - Photography major - Glory and dreams reappear in the War to Resist U.S. Aggression and Aid Korea, and the director’s emotional expression is moving. What other highlights are there?
Glory and dreams reappear in the War to Resist U.S. Aggression and Aid Korea, and the director’s emotional expression is moving. What other highlights are there?
Glory and Dreams, directed by Liu Jiang, has been launched and I have started to follow the drama. The latest broadcast of the history of the War to Resist U.S. Aggression and Aid Korea can be said to be one of the unforgettable climaxes in the drama. The war scenes are high-pitched and shocking, and the emotional expressions are delicate. Touching, the 38th episode ends. The War to Resist US Aggression and Aid Korea is about to end. The show is about to say goodbye to everyone. Looking back at the whole show, countless classic clips and timeless scenes are still fresh in my memory. The last meeting of the Party’s First National Congress was on a cruise ship in Nanhu, Jiaxing. At the meeting, Chiang Kai-shek's mutiny and revolution, Mao Zedong launched the Autumn Harvest Uprising to promote the establishment of the Jinggangshan base area, the Red Army's Long March, and the victory of the Anti-Japanese War. When these historical events and major historical turning points that are familiar to the common people reappeared on the screen, they were far away from our current lives. .
But we will still be moved by this glorious and painful history, and pay sincere respect to our great ancestors. Director Liu Jiang’s superb directing skills not only bring the characters to life The image is vividly created, and the profound reproduction of historical events also gives the film a strong sense of rhythm. The clear distinction between right and wrong in his shots makes the audience feel emotional all the time and become involved in the process of chasing the drama. In the field of main theme TV dramas, it gives the audience such a perception It is especially rare and shows a high artistic level. Director Liu Jiang's unique "big picture" and delicate emotional expressions made me cry several times. In terms of the overall situation, Glory and Dreams has a large time span and major historical events. There are many, but the whole play is one.
It didn’t fall apart. They looked at each other from beginning to end, and the details echoed each other. It inadvertently touched the tears of the audience and made people burst into tears. Do you still remember the beginning of the first episode, Chairman Mao held the The wooden comb, every time it appears in subsequent plots, gives people warmth and touch. When Yang Kaihui sent the wooden comb to Mao Zedong, his sincere emotions also made people feel warm. Later, the scene where the couple, Mao Zedong and Mao Anying combed each other's hair It has been shown many times, conveying the seemingly ordinary details of life. This is the simplest emotion. When Mao Zedong saw the telegram and learned about the scene of Mao Anying's sacrifice, he lit a cigarette but could not find a match, holding a wooden comb in his hand. Falling to the ground, he did not cry bitterly, but flashed back to the past.
There are also tears on his cheeks. The last line of tears made me, the audience, burst into tears. In these important emotional passages of Liu Jiang, the director expressed an extremely restrained expression, but it moved the audience even more. "Resist US Aggression and Aid Korea" After the victory of the Anti-Japanese War, Peng Dehuai personally wrote on paper "Long live the Chinese People's Volunteers and the 38th Army." All the soldiers on the battlefield shouted these two sentences with excitement and pride. All the heroic sadness before was suppressed. Released at this moment, this scene once again made people laugh and cry. While we were deeply shocked, we once again understood that the victory of the revolution was hard-won. We are also proud of the blood and determination of our Chinese nation. Let us talk about technical standards, I really didn’t expect that Glory and Dreams would be so bold and filmed so well, starting from the second episode of Chen Jiongming’s Mutiny.
From Sun Yat-sen’s suppression of the rebellion, to the middle period of the Anti-Japanese War and the Long March, and finally to the war to resist U.S. aggression and aid Korea, the strategic deployment of each major battle was elaborated, and the war scenes were also created. It was very spectacular, with such production volume and level. , which is extremely rare in previous TV series of the same type. The underwater photography of the Battle of Xiangjiang River and the nearly ten-minute long shot of the Long March are both new attempts by director Liu Jiang in the film and television production industry. The part to resist U.S. aggression and aid Korea once again presents the grand war. The scene, Tokugawa, Sanso-ri, Longyuan-ri, from personnel dispatch to real-time special effects such as burning and explosion, makes the palms of your hands sweat. It can be said that Glory and Dream has shocking scenes and touching emotional expressions, which is indeed rare. The good dramas I have seen are enough to become a benchmark for similar themes. Every work directed by Liu Jiang has lived up to the audience's expectations.
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