Traditional Culture Encyclopedia - Photography major - What are the skills to take pictures of successful people?

What are the skills to take pictures of successful people?

1. hairstyle design

Suppose you take simple portrait photography without a makeup artist or barber. The first thing to remember is that the hair on your shoulders looks terrible. They gave the model a wild look and needed to do something. These are six options for using long hair.

Usually, you want people to look at the camera, and most of the faces are visible. For many women, it looks very beautiful on portraits, revealing a face.

Show the outline of his face (don't lean forward)

When a person stands relaxed normally or even gracefully, a small wrinkle will appear under his chin. If you ask people to raise their chins, it sounds obvious that they are likely to point their chins at you, which looks like shooting at their nostrils (not very attractive). So, let your models show their facial contours.

Look at this contrast. Which one do you like

Seen from the side, this shooting effect may be uncomfortable or unnatural.

Men use the same technique. The portrait is healthy and athletic, but the natural position of the chin is not suitable, so it is impossible to take a portrait.

3. Portrait arm

When people stand as usual, they usually put their hands on their sides. This leads to several problems. First of all, they look embarrassed and uncomfortable in the photo. Secondly, the hand pressing on the body looks much more generous than it actually is.

As long as you tilt your arm a few centimeters, it won't stick to your body, and you can correct this problem. Or, you can put your hand in a certain position, for example, on your hip.

Step 4 leave a visible space at the waist

Everyone likes to look slim. A simple way to make a customer slim is to show his "natural" waistline without adding anything. The model stood with her hands akimbo. The first photo didn't show the most successful shooting posture. The hand behind the body does not leave the body visually, but increases the width of the waist. However, if you move your hand forward a little-there will be room, so nothing will be added to your waist.

The red line shows the visible width of the human body in the first photo. The second photo shows the range of the waist, and this rule applies not only to the arms. For example, it can be a tree trunk, a lamp post and so on.

Turn your shoulders.

This is a very simple but important hint. If a person stands in front of the camera, he will look bigger. If you are shooting stars, athletes or directors of a company, that's fine, but it's not suitable for taking portraits of models. Tilting the shoulders of the model can show a more graceful outline and look slimmer.

The red line represents the width of the model standing in front of the camera. Tilting your body slightly can shoot a slender model.

6. Don't show the white part of your eyes when you take a profile photo.

If you want to take a fantastic shot away from the camera, please don't let the model look far away. You need to point to the model so that you can control the direction of your eyes.

In the first shot, the model looks at the scenery next to us. Usually models have white eyes, which is not good. It is suggested that the model look out of the window, and the slight change of sight will turn her sight to us again, thus producing a more attractive portrait.

7. Don't let your nose spoil your facial contour.

The composition of this rule is a bit complicated, but it is also very important. If you don't want to take a frontal photo, you can ask the model to rotate slightly to the side. In this outline, only one face is visible, and the model will be rotated by about a quarter, so that both eyes are visible. If you mentally draw a line along one side of your face, then your nose can't cross this line.

If the model rotates too much, the nose will cross this line, which will destroy the natural contour of the face. And visually increase the length of the nose. To avoid this, you should ask the model to move back to the camera slightly, leaving some space between the tip of the nose and the edge of the face. You shouldn't cross this line, or the five senses will appear out of proportion.

Let's take a look at these shooting rules and techniques. This is an example of shooting. You can follow this list in the next shooting.

Pull your hair over one shoulder and the other will naturally relax.

The chin is lengthened to form stronger facial lines.

Hands up.

The waist has no visual effect.

Turn your shoulders sideways.

Eyes can see, not white.

The nose does not cross the facial line.