Is the main content of Zuiweng Pavilion written about Zuiweng Pavilion or Zuiweng Pavilion?

Zuiweng Pavilion is Ouyang Xiu's masterpiece of scenery writing and lyricism. In the fifth year of Qing Dynasty (1045), Ouyang Xiu was demoted to Chuzhou (now Chuxian County, Anhui Province) because he neglected to refute the false accusation of Fan Zhongyan, who was mainly Zhang Innovation. This article was written in the second year of exile. Ouyang Xiu advocates that prose should be concise and profound, and Zuiweng Pavilion is a concise and profound model. The full text is only over 400 words, but the content is rich and profound, creating a poetic artistic conception, which makes people strongly infected by the author's thoughts and feelings and enjoy an artistic beauty after reading it.

The main content of the article is to write about the scenery and amusement feelings around Zuiweng Pavilion. The full text is divided into four paragraphs: the first paragraph describes the location, situation and naming origin of the pavilion. The second paragraph describes the beautiful scenery around the exhibition hall. The third paragraph is about entertainment and feast. The fourth paragraph describes the joy of satrap and points out the meaning of drunkenness pavilion.

This is a beautiful prose poem. The outstanding feature is to borrow scenery to express emotion and melt feelings into the scenery. The scenery described by the author is not simply piled up and arranged, but carefully selected and refined on the basis of unique feelings, which is an artistic re-creation with distinct emotional color. The scenery of Chuzhou written by him is the scenery in the eyes and heart of Ouyang Xiu, the prefect of Chuzhou, so it is a poetic fusion of subjective and objective. He wrote mountains, water and pavilions with a pen, but it was not the purpose. The purpose is to write a drunken man and express his inner thoughts and feelings. The feeling of being drunk and dreaming of death comes down to one word, that is, "joy"-the joy of enjoying the scenery, the joy of feasting, and the joy of enjoying the people.

This article is ingenious in conception and rigorous in structure. The whole article revolves around the word "music", which is layered, orderly, natural and smooth, and written calmly and elegantly. Starting with the beauty of the landscape where the pavilion is located, write the intention of naming it "Zuiweng Pavilion". Finally, he said: "The meaning of drunkenness is not in wine, but also between mountains and rivers. The joy of mountains and rivers, the place where the heart is, and the place where the wine is. " Point out a word "music". Next, the second paragraph follows the first paragraph to write about the joy of mountains and rivers. It is vivid and distinctive to express the beautiful scenery around Zuiweng Pavilion with the changes of dusk and seasons. Then he said, "Go in the morning and come back at dusk. The scenery at four o'clock is different and the joy is endless. " It comes down to the word "music", and the expression of feelings is deeper. On this basis, the third paragraph turns from writing about scenery to writing about people, writing about the living conditions of Chuzhou people and the feasts of Zuiweng Pavilion. With extremely concise pen and ink, it touched the songs and smiles of many characters, and fully conveyed the joy of traveling and the feast of prefects and guests in vivid pictures. This has expanded the scope, and the content of "music" has become more substantial and specific. But the joy of the people and the joy of the satrap are written separately. In the last paragraph, the scenery and people, the joy of the people and the joy of the satrap, merged together and reached a new realm. After returning from the pavilion, I was extremely happy. From the joy of birds singing, the joy of mountains and the joy of tourists, step by step, I finally wrote the central ideas of "the joy of satrap" and "the joy of mountains and rivers" with the people. The whole article describes the scenery from beginning to end, and it is also lyrical from beginning to end. The scene is mixed, the pen is full, and it is thoughtful and carefree. When readers appreciate the beautiful scenery around Zuiweng Pavilion, they will naturally feel the author's broad mind, leisurely feelings and broad-minded attitude towards life.

The above is the whole article, even the hierarchical thinking of each paragraph is also very particular. Like the first paragraph. The title of the article is "Zuiweng Pavilion", but it was written far away and was written on the pavilion after many twists and turns. "Chuzhou is surrounded by mountains", and Chuzhou is surrounded by mountains. This is always written as a great landscape. Then, like a cinematographer pushing the lens, he wrote the drunken pavilion of On Springs from the "Southwest Peaks" to the "beautiful and deep" Wolf Evil Mountain, to the "bubbling spring water" and then through the "peaks and turns". From far and near, from big to small, from virtual to real, a close-up of a drunken pavilion standing in Linquan was finally launched, which was particularly eye-catching and left a clear and profound impression on readers. For example, the second paragraph focuses on the joy of mountains and rivers, but the word music appears in the last sentence of this paragraph. At dusk, the scenery is different, it is dynamic, not static, jumping and changing, full of vitality. Every word and sentence of the scenery shows the author's happy mood, and the last sentence clearly points out the word "music", which comes naturally and is tied into a bundle.

On Ouyang Xiu's prose, Su Xun praised him for his "fluency", "tolerance and leisure, and no hardship" (On Ouyang Connotation). It means that Owen writes clearly and smoothly, lightly and calmly, and seems effortless. This article is like this. The author carefully conceived, but easy to understand, just like writing with a pen, inadvertently, really achieved conception, nature, lightness and fluency.

The language of this article is also very distinctive. After the author's deliberate tempering, the appearance is vivid, very concise and vivid. If the word "Yi Ran" is used to describe Zuiweng Pavilion, it describes a situation of flying in the air, which not only vividly shows the objective image of the pavilion, but also conveys the author's unique feelings about the pavilion. Another example is the change of mountain scenery in the second paragraph: "Flowers in the forest at sunrise, and the clouds return to the cave." As soon as the sun came out, the fog in the forest gradually dispersed; The clouds converged and the valley became dark. The four words "Chu", "Kai", "Gui" and "Qing" used here all indicate the change of shape or light and shade. The static environment becomes a dynamic environment when put together, conveying a flowing vitality.

Another remarkable artistic feature of the article, which has always been praised by people, is the use of judgment sentences in the article. In a short essay, * * * used 2 1 function word "ye", which not only didn't give people a heavy and dull feeling, but appeared lively and vivid. A word "ye" constitutes a judgment sentence and expresses a layer of meaning. In similar language forms, the differences and changes in content are shown, resulting in ups and downs and rhyming back and forth, which strengthens the lyrical atmosphere of the article. In sentence structure, parallel prose is scattered, and it is used in various ways. There are both extremely neat even sentences and irregular loose sentences, and the tone is sonorous and patchy, both neat and uneven. The editor of "China's View on Ancient Literature" commented on this article: "It seems to be scattered, but it is not scattered, and it is also the creation of literati." These characteristics show the artistic features of this essay from different aspects.