Traditional Culture Encyclopedia - Photography major - What are the certain methods for taking pictures?
What are the certain methods for taking pictures?
Photography, camera movement (shooting method)
Push: that is, push shooting, pushing the lens, which means that the subject does not move, and the shooting machine moves forward to shoot and frame the scene. The range changes from large to small, divided into fast push, slow push, and fierce push, which are essentially different from zoom-length push shooting.
Pull: The subject does not move, and the shooting machine makes a backward pulling movement. The viewing range changes from small to large. It can also be divided into slow pulling, fast pulling, and jerking.
Shaking: Refers to photography, where the camera remains stationary and the camera body relies on the chassis on the tripod to move up and down, left and right, rotate, etc., making the audience look around and look at the people or things around them as if they were standing on the same spot.
Shift: also known as mobile shooting. Broadly speaking, all forms of sports photography are mobile photography. But in the usual sense, mobile photography refers specifically to placing photography and cameras on vehicles and shooting objects while moving along the horizontal plane. The combination of moving and panning can form a panning shooting method.
Follow: Refers to tracking shooting. Follow-up is one type, and there are also follow-up, follow-up, follow-up, follow-up, follow-down, etc. It combines follow-up shooting with more than 20 shooting methods such as pull, pan, shift, up, and down, etc., and perform them simultaneously. In short, the technique of following the photo is flexible and diverse, which keeps the audience's eyes fixed on the human body and objects being followed.
Sheng: rising photography, videography.
Descent: descend for photography and videography.
Overhead: An overhead shot is often used to show the overall appearance of an environment or occasion at a macro level.
Looking up: Shooting from above, often with a tall and solemn meaning.
Swing: A swing shot, also known as a panning shot, refers to swinging from one subject to another, showing a sharp change. When used as a means of scene change, no trace of editing is revealed.
Hanging: Suspended shooting, sometimes including aerial shooting. It has broad expressive power.
Empty: Also known as empty shot and scene shot, it refers to a pure scene shot without characters in the play (whether human or related animals).
Tang: The collective name for conversion lenses. The editing of any shot is a "cut".
Comprehensive: refers to comprehensive shooting, also known as comprehensive shots. It combines several shooting methods such as push, pull, shake, move, follow, rise, fall, pitch, tilt, spin, throw, hang, and air into one lens for shooting.
Short: refers to a short shot. Movies generally refer to 30 seconds (24 frames per second), which is about 15 meters or less of film; television is 30 seconds (25 frames per second), which is about 750 frames or less of continuous footage.
Long: refers to a long lens. Film and television can be defined as continuous pictures of more than 30 seconds.
For the distinction between long and short lenses, there is no recognized "scale" in the world, and the above standards are general. There are long shots in Hitchcock's "Rope" that last 10 minutes and are as long as a book (referring to a copy in an iron box), and there are short shots in war films that are as short as two frames and depict the shadows of fire, gunfire, and artillery.
Reverse shooting: refers to the camera shooting in different directions when shooting a scene between two people. For example, when shooting a man and a woman sitting and talking to each other, first shoot the man from one side, then shoot the woman from the other side (close-up, close-up, and half-length are all acceptable), and finally cross-edit to form a complete clip.
Zoom shooting: Photography, the camera does not move, and through changes in the focal length of the lens, people or objects in the distance are clearly visible, or the close-up scene changes from clear to blurred.
Subjective shooting: also known as subjective shooting, that is, the lens that expresses the subjective sight and vision of the people in the play, and often plays the role of visual psychological description.
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