Traditional Culture Encyclopedia - Photography major - A low wooden house with only a layer of gray tiles on the roof. Time has eroded the door of the old house.

A low wooden house with only a layer of gray tiles on the roof. Time has eroded the door of the old house.

A low wooden house with only a layer of gray tiles on the roof. Time has eroded the door of the old house. And I lingered at the door, thinking about ordinary little things.

My grandfather used to guard the old house. He likes to sit at the door, smoking leisurely puff after puff of self-rolled dry cigarettes. And every time he choked and his face turned red, he would hurriedly ask me to give him a slap on his back. That scene repeated itself for several years. And in my impression, the setting sun that dyed the door of the old house red, fell and rose again, rose and fell again. Inadvertently, grandpa disappeared. The door of the old house creaked and swayed in the wind, and what it swayed was just waves of desolate heartache. After all, there was no one sitting at the door of the old house.

Later, she moved to a new house, but grandma insisted on staying in that old house. She didn't explain, she just sat silently like grandpa, and no one could disobey her. But being a little sensible, I think that the door of this old house carries too much. When I get home from school, I like to lie down on the small bench at the door of my old house and do my homework. It’s quiet there and I can keep my grandma company. Grandma likes to chatter about past events that I am curious about. Occasionally, old ladies in twos and threes would gather at the door of the old house, talking about who would be buried first, just like a normal family affair. But I occasionally hear my grandma complaining alone, complaining that the bad old man left too early. At that time, I didn’t know whether grandma was leaning against the door or whether the door was leaning against grandma. Alone, with tears in my eyes, I listened to her whimpering, but couldn't cry out.

As time passed, the old house became a crumbling and dilapidated building. The people in the village persuaded my father to demolish the house, but I refused. Of course, my father also refused to agree. I remember that he walked with me to the padlocked door of the old house and heard him murmur: "When I am old, I will still live in this house." I think I understand: my grandparents have all gone here. Dad expected to see their figures at the door; as he was approaching middle age, he also thought about his own destination. At that time, I responded innocently: "Dad, when I get old, I will live in this house too." Dad said nothing, touched the small wooden door, turned around and left. I think he didn't want to cry at the door of the old house, fearing that his grandparents would be sad if they saw him.

Now, I stand at the door of the old house, unwilling to push it open, because I am afraid of touching those dusty past events. But some things, like the door of an old house, have gone through too much but remain silent. I dare not disturb the silence and vicissitudes of the years, but I think that there may be only one door between today and tomorrow. We are all standing at the door of the years, wandering, recalling those past events and past people.

I stood at the door of the old house, thinking about those ordinary little things. The door of the old house is locked by time.

This is a lyrical prose with beautiful artistic conception, rich emotion and profound meaning. Standing at the door of the "Old House", the author traces the past and recalls the people and things related to the "Old House". In chronological order, and with a sparse and freehand brushwork, he reproduces the scene of grandfather smoking in front of the door and grandma leaning against the door to meditate. , Dad clinging to the old house and me standing at the door sighing at the typical scenes of the years. Although the scenes depict ordinary people and trivial household affairs, there is something strange in the ordinary, and true feelings can be seen in the indifference. Here there is a heavy sigh of things changing and people changing over the years, and there is also a profound emotion of inheriting the blood and pursuing the ancestors and cherishing the distant future. It can be said that the scenes are blended together. Through the plain and distant artistic conception created in this article, we can experience the author's rich and detailed emotional world, and experience the author's experience and thinking on life themes such as family love, life, and time. In the article, the beautiful family relationship between grandparents and grandchildren, grandma's deep remembrance of grandpa, dad's persistence in sticking to the place where his parents lived, and "I"'s heavy sigh about the vicissitudes of time are deeply touching. This article reflects on life, starting from the "doorway of the old house", with the image and meaning, and with the gradual deepening of feelings and experiences, it is concluded at the "doorway of the years", which has far-reaching implications.

——Based on the existing industrial foundation, accelerate the formation of a variety of energy supply methods that are coordinated and complementary, comprehensively utilized, intensive and efficient. Adhere to the simultaneous development of large-scale external delivery and local consumption, centralized and distributed development, and promote the development of a high proportion of renewable energy such as wind and solar energy. By 2025, new energy will become the main energy source for the increase in power installed capacity, with the proportion of new energy installed capacity exceeding 50%. Promote the comprehensive application demonstration of the integration of source, grid, load and storage, and the integration of wind, solar, thermal and storage.

——Implement coal control and carbon reduction projects and release advanced coal production capacity in an orderly manner. Accelerate the promotion of energy rights trading and carbon emissions trading, and establish a carbon emission intensity assessment mechanism. Relying on the construction of fuel cell vehicle demonstration cities in Ordos and Wuhai, we will develop large-scale wind and solar hydrogen production, explore hydrogen energy power supply and heating business models, and build a green hydrogen production base. Implement comprehensive energy utilization upgrades, strengthen coal classification and quality utilization, promote coal-based polygeneration demonstrations, and increase the comprehensive utilization of coal gangue, washed coal, and coal slime.

——Implementing “replacing coal with electricity” and “replacing oil with electricity” will promote the substitution of electric energy in industry, transportation, construction (renovation of old residential areas), and residential areas, and improve the electrification level of the whole society. Implement digital energy projects, promote the construction of smart power plants for large-scale coal power plants, wind farms, photovoltaic power stations, etc., build all production coal mines into smart coal mines, and promote the digital transformation of energy production, storage, transportation, consumption and other links.

——Implement the flexible power grid project and build the "four horizontal and five vertical" main grid structures of the western Inner Mongolia power grid and the "eight horizontal and two vertical" grid structures of the eastern Inner Mongolia power grid. It is planned to build ultra-high voltage green power transmission channels from western Inner Mongolia to Hebei, to Tianjin, to Anhui, to Henan, and to the southern power grid.

Implement the gasification project in Inner Mongolia and steadily expand natural gas production capacity.