Traditional Culture Encyclopedia - Photography major - Behind the scenes of glory

Behind the scenes of glory

The mother of Hong Kong's best-selling drama "Glorious Return" is the return of emotion.

"Rong Gui avoids things and writes about feelings, showing his delicate character ... which is also in line with the origin. The screenwriter of this film is Chen Baohua, a former TVB female screenwriter from Hong Kong. In her early years, she became an instant hit with the well-known My Kindness, and then she created many hit dramas such as Lights, Wonderful Hands and Kindness 2, and True Feelings.

The narrative of the whole movie "Rong Gui" is exquisite, neither attached to the specific background of the times to do meaningless empty talk, nor entangled in love, which can be called exquisite. For example, Li Mingsi, the uncle and niece in the film, is not as powerful as Li and has no transcendental competitiveness to change the fate of the business community, but it is still so important. The two people's family watching movies rang the brothers and sisters around them. Their selfless love for their families won everyone's respect, resolved countless trivial contradictions, and became the catalyst for the whole family to finally enter the true sense of "return." Other characters in the play all show their importance with rich emotional colors, such as Li's two sons, the bride who has passed through Hong Kong, Li Yi who is looking for dignity in the cracks, and even the old servant Xiangu at home. Their existence makes the whole drama reflect an inseparable whole, and they all play an indispensable and important role. They are not only the basic points of emotional outbursts, but also the reasons for the whole family to tide over the difficulties and move towards "return". "(Comment)

The Spark Collision of Artists from Three Places across the Taiwan Straits —— The golden combination of Adam Cheng, Jiao Huang and Gui Yalei cannot be duplicated.

During the filming of Glory, screenwriter Chen Baohua learned the attitude and skills of mainland directors. Although he has been immersed in Hong Kong dramas for many years, he is still full of praise for producer Li and director Zeng Nianping of Glory.

Chen Baohua has worked in Hong Kong TV and Asia TV for many years. This time, ATV bought the House of Glory. An old friend of ATV told her that when it comes to Adam Cheng, Gui Yalei and Jiao Huang, the play must be wonderful. This makes Chen Baohua feel very respectable and proud.

The so-called master moves, and the move is a play.

As a screenwriter of Glory, Chen Baohua personally went to the shooting scene to "watch the battle". She found that there were many scenes in a small shot between the main creators, and everyone was struggling.

In one scene, my brother Li (played by) goes to Beijing to find his brother (played by Jiao Huang). At the moment of meeting, the two brothers met their eyes, but they didn't cry. The elder brother called his younger brother's nickname and asked him if he was hungry and warm. This scene is exactly the same as what Chen Baohua thought before. She said: Director Nianping Zeng grasped the inner feelings and external activities of the characters so well that even the investors who watched the war behind the monitor could not help crying.

The brotherhood of the two "Wulin masters" is the same as that of Gui Yalei, who is equally noble and educated inside and outside the play. Three people play a play, just like an old wine. It's the end of the year. If you don't drink it, you know it must be good wine.

Adam Cheng and Jiao Huang both "released" Gui Yalei to Gui Yalei, and frankly "felt very proud".

"In my 40-year acting career, I have partnered with countless actors, but no one can joke with me outside the play-because I never respond and naturally walk away." However, "Glorious Home" made Gui Yalei a pioneer, and became the most violent drama of male partner "discharging" Gui Yalei!

During the filming of Glory, Adam Cheng often expressed to Gui Yalei in a "literary" way: "Your elegance makes me feel like a spring breeze". However, my sister Li Wanqiang, who never jokes with her partner, first reacted: "Oh? He speaks Mandarin very well. "

Adam Cheng is recognized as a pistachio by the whole glory group. Everyone loves to watch his interaction with A Le's sister. Adam Cheng often praises Gui Yalei in front of everyone-the wife in the play is "beautiful", "elegant" and "educated". A Le's sister blushed at what he said, and the colleagues in the crew there were in stitches.

In front of Jiao Huang, Adam Cheng even "intensified"-"Big Brother is here, so we can only make out". No wonder "Queen" Gui Yalei couldn't help saying, "Adam Cheng's eyes really discharge!"

The drama emperor Jiao Huang is not to be outdone. On the day of "Glory", he suddenly walked up to Gui Yalei and said loudly, "I must talk to you about a vigorous love!"

Gui Yalei: Huh?

Jiao Huang: In the play! Goodbye!

Today, Adam Cheng, Jiao Huang and Gui Yalei are reunited in Beijing to participate in the first broadcast of Glory on National Satellite TV. They still have frequent interactions and are full of fun.

Brown (teasing yourself before going on the show that "no tea and no smoking will fade". When he saw Sister Ale, his eyes lit up): Cheer up when he saw you!

Adam Cheng certainly can't let Huang Jiao specialize in beauty. She immediately said: Alei is as beautiful as flowers and jade! When she said this, she went behind Alei to straighten her collar: clothes are all good brands! )

Gui Yalei: This is the highest award I have won since I started filming!

Jiao Huang is tall and powerful, and his words are both civil and military, which makes people envy him.

According to reports from Ceng Baoyi and others, in the "Glory" crew, Mr. Jiao Huang likes to read poems (such as Byron's poems) suddenly, or read lines from Shakespeare's plays he played before. One idea is to read them all-everyone can enjoy the live performances of the drama masters for free.

Not only that, Jiao thought of corresponding beautiful poems in different situations. For example, Ceng Baoyi wore a short skirt one day, and he could read a poem about legs. For example, if someone wants to create a crying scene, he will read lines related to tears; Such a charming, romantic and elegant move will make a new generation of actors who have grown up under the fast food culture feel refreshed, so everyone compliments Mr. Jiao Huang: As you can imagine, when you were young, you were tall and powerful and eloquent. There must be a lot of beautiful women prostrating themselves under your suit legs! At this time, Mr. Jiao Huang will say: It's none of my business! I have never taken the initiative to chase any woman!

And stressed with a confident expression and tone: this will make mistakes and you can drag it out and shoot it!

Adam Cheng Gui Yalei's "loving couple" use each other.

Adam Cheng and Gui Yalei play a pair of "sister-in-law" couples in Glory, and they respect each other as guests. However, their "love" outside the play is better than in the play. In one scene, the actor embraced Mr. Li (played by you). After the director stopped, Adam Cheng said to Gui Yalei, "I can't let you take advantage. I want to kiss you." In a word, Gui Yalei, who has always been silent, was a little overwhelmed, and the staff around him couldn't help laughing.

In another scene, Li (played by) gets hematologic cancer, and the night before his bone marrow transplant, he makes a final statement with three children at home. Yung-Chih Chang, Lin Shen and Ceng Baoyi, who played three brothers and sisters, were all moved to red eyes.

At that time, there were two cameras, one for Adam Cheng and Gui Yalei, and the other for Yung-Chih Chang, Linshen and Ceng Baoyi. When Adam Cheng finished writing his touching lines, the inner feelings of the three brothers and sisters were still surging. Director Nianping Zeng didn't shout "Stop" when he saw that everyone was in good condition. However, when Adam Cheng saw that the director never shouted "Stop", he fell on A Le's shoulder and spoiled. All three children couldn't help laughing, but because they didn't hear the director shout "stop", no one dared to laugh and had to bite their teeth and hold back. As a result, when the director shouted "Stop", everyone laughed and complained that Adam Cheng had hurt everyone. However, Qiu Guan also said innocently: The play is over, the training with the children is over, and the wife is next!

Jiao Huang called it "the focal bureau", that is, "the director of the old script reform"

Teacher Jiao Huang is called Jiao Ju in the crew. At first, Wu Jun, Lin Shen, Ceng Baoyi, Yung-Chih Chang and Xu Jingyao were a little confused. They didn't know what the title meant. Later, they learned that it was because Mr. Jiao Huang was very demanding on drama. He always took out his countless notes and scripts on the spot and discussed with everyone what lines needed to be changed. Moreover, Jiao Huang's statement is very clever: I never change other people's lines, but you have to listen. In the end, Mr. Jiao Huang won the reputation of the director of Lao Gai (Lao Gai's screenplay). What makes young actors feel "cute" most is that "Jiao Ju" doesn't care. I heard that even Mr. Jiao Huang's wife quipped, "So I'm the director's wife?"

Worried about the audience's insanity, Gui Yalei was under pressure from Wu Jun and Lin Shen.

Because the protagonist Wu Jun plays the role of mother and son in the hit drama Spicy Grandma, Gui Yalei often unconsciously shows her mother's caring actions for her son on the set, such as subconsciously patting Wu Jun on the shoulder. Unexpectedly, this kind of "little action" suspected of mother and son was keenly discovered by producer Li Xiaowan, and then Gui Yalei was "warned"-"This is too much like mother and son!" Gui Yalei said, "She's right. If she accidentally brings it into the play, it may destroy the role relationship ... However, for me, this reminder becomes pressure. "

When dealing with the relationship with Lin Shen in the play, Gui Yalei always reminds himself that he must not reveal the criticism of the "mother-in-law" to the "son-in-law" in "Hot Mother-in-law". "After all, we are the mother and son in Glory. Faced with such a complicated relationship between "characters", not only the audience may have a "collective nervous dislocation", but even Gui Yalei laughed and said that he was sometimes a little confused in a trance.

Wu Jun's 40-story building plays "Spider-Man" with weak legs and trembling.

In the play, Li Yi, the master of mainland economics played by Wu Jun, went to Hong Kong to work hard because he didn't want to be protected by his uncle Li (). Li Yi, a stranger who has just arrived in Hong Kong, can't find a job suitable for his major anywhere. In order to make a living, he had to find a temporary cleaning job and clean the windows of the building.

During the filming, Wu Jun was hung outside the 40th floor of the building. Although the protective measures were foolproof, the director repeatedly asked Wu Jun to bow his head, which made this handsome guy who was afraid of heights feel "leg weakness and liver trembling" involuntarily. "Anyone will be a little scared. After all, it is a 40-story-high place, but I have had similar experiences in TV dramas before, so I quickly adjusted my mood. "

A sword love between Lin Shen and Xu Jingyao —— A modern version of "grabbing marriage" was staged in Rong Gui.

The "budding love" between Li Mingjie (played by Lin Shen) and Su Dong (played by Xu Jingyao), the son of a Hong Kong-owned real estate tycoon, is a scene in the fencing hall, which was laughed by director Nianping Zeng as "a contest of marriage".

The scene in Glory is the first encounter between Su Dong, a Shanghai business beauty played by Xu Jingyao, and Li Mingjie, a rich son of Hong Kong-owned real estate played by Lin Shen: Su Dong's good friend Li Mingsi and his second brother Li Mingjie went to the fencing hall to play and happened to meet Su Dong. After introduction, two people with the same aloof personality quickly upgraded from "fighting for each other" to "swords and shadows".

As a result, after several moves, Li Mingjie, who thinks he is a master, was badly defeated.

Su Dong, who won the victory, said to Li Mingjie in his pocket, "You play, I'll go out for a while."

The word "play" reveals Su Dong's mockery of Li Mingjie's amateur level, and also arouses Li Mingjie's desire to conquer this arrogant girl. Just the cause of a love, there are infinite subtext and pre-story.

Gui Yalei slapped Ceng Baoyi in the face and "learned" from Jiao Huang.

At the beginning of filming Glory, Gui Yalei didn't think highly of his role, because compared with the distinctive character of the Lee brothers, this role was more "foil" than "glory". Just be a competent green leaf. But for a good actor, there is no distinction between high and low roles. When Gui Yalei was really filming and really immersed in the role, he began to fall in love with the role again. The reason is that "this role is completely presented by a' convergent' performance, and my previous active performance experience is completely useless, so I think it is a challenge worth trying."

As the wife of Hong Kong tycoon Li, a person with high IQ knows how to use her intelligence, which is reflected in other people's behavior. In a family scene, Li Mingsi, who was scolded by his father, exposed his father's "affair" at the dinner table. "Don't think we don't know about you and Miss X, but Mommy didn't say anything." Li Mingsi's words presented the image of Zhang Shuyuan's rich woman to the audience in a three-dimensional way.

In this scene, Gui Yalei slapped Ceng Baoyi in the face. In order to pursue realistic results, Ceng Baoyi took the initiative to say to Gui Yalei: "Don't worry, just play." So Gui Yalei's slap really hit Ceng Baoyi in the face. After this shot was finished, Ceng Baoyi grabbed Gui Yalei excitedly and asked, "How did you play? It didn't hurt at all, but my reaction came out. " Gui Yalei pointed to the brown and said that he was a real expert. It turns out that slapping is a skill.

Yung-Chih Chang made director Nianping Zeng laugh —— Revealing the urchin family in Rong Gui

Speaking of the "san huang" of Adam Cheng, Jiao Huang and Gui Yalei who cooperated with Glory, Yung-Chih Chang, as a first-line all-around student in Taiwan Province, calls himself "lucky", just like entering Baoshan, and will never return empty-handed. "Being able to work with them has also made me grow a lot."

What impressed Yung-Chih Chang most was that Mr. Jiao Huang paid special attention to his eyes when he was acting. He was fascinated by his eyes. He has a famous saying: "Look at me, look at me with your heart!" This sentence always reminds Yung-Chih Chang's actor consciousness like a wake-up call. Once, I shot a group scene in Dadong Roast Duck Restaurant, and the camera occupied Yung-Chih Chang's position, but I couldn't shoot him. The photographer told him to have a rest. As soon as Yung-Chih Chang left the room, he was hurriedly called back by the producer. He said, "Teacher Jiao asked you to go back. He said he had to look you in the eye and act! "

Director Nianping Zeng's signature moves are blinking and scratching his head when he is urged. Secretly, Nianping Zeng likes to look for different inspirations on the spot. Sometimes, after mastering and realizing his novel ideas, he will be there alone. In one scene, a large group of people looked at Yung-Chih Chang and Wen Nianshan opposite in the monitor attentively. Suddenly, director Nianping Zeng behind the monitor smiled and cooperated with Nana to look back at the director. Unexpectedly, Nianping Zeng looked at the silhouette of Yung-Chih Chang on the screen and said, "Hey ... (It's really like Jackie Chan!" There is another member in the "urchin family" of the "Glory" crew.

Ceng Baoyi entered a state of psychological anorexia for honor-a tragic cry in history.

In Glory, Ceng Baoyi plays the role of "a rich man's daughter" Li Mingsi. According to the usual plot development, the rich lady is a person who does everything herself and has no worries about food and clothing. But "Li Mingsi" in "Glory" is obviously not so good. She is psychologically empty, unable to be taken care of by her family and insecure. In order to show her family's indifference to the "demonstration", she ran away from home at a young age, hastily got married and divorced, and then returned disappointed. ...

Ceng Baoyi said that she belongs to such an actress: whenever she plays a role in acting, she thinks of herself as that role. "Li Mingsi" is happy, and she is also happy; "Li Mingsi" is anorexic, and she has also entered a state of psychological anorexia. Ceng Baoyi bluntly said that in order to play "Li Mingsi" well, she really put a lot of effort into it, so that it took her a long time to completely withdraw from the role after the filming of "Glory". What is more tragic is that "Li Mingsi" often has long tears in the play, and Ceng Baoyi is the kind of actor who always cries when he cries, so when filming, Ceng Baoyi has to mobilize his saddest experience from time to time and contribute all his "private tears". Therefore, she said humorously, "Glory magnifies the weakest part of my heart."