1 1 Appreciation of Calligraphy Works in National Exhibition

? National exhibition? In particular, it refers to the largest, highest-level, most universal and influential exhibition sponsored by China Book Association (except the first one). Since 1980, the first national calligraphy exhibition, the national exhibition? It has become an important part of contemporary calligraphy activities. More than thirty years? National exhibition? It has promoted the vigorous development of calligraphy and achieved certain results. The following is the appreciation of 1 1 national exhibition calligraphy works. I hope you like it.

1 1 Appreciation of Calligraphy Works in National Exhibition

1 1 Appreciation of national exhibition calligraphy works 1

1 1 Appreciation of Calligraphy Works in National Exhibition II

1 1 Appreciation of Calligraphy Works in National Exhibition 3

1 1 Appreciation of Calligraphy Works in National Exhibition 4

1 1 Appreciation of Calligraphy Works in National Exhibition 5

In contemporary China book circles? National exhibition? In particular, it refers to the largest, highest-level, most universal and influential exhibition sponsored by China Book Association (except the first one). In a sense? National exhibition? It is the epitome of the development of contemporary calligraphy. So, a brief review? National exhibition? The development of China's calligraphy is undoubtedly of practical significance for correctly grasping the trend and characteristics of contemporary calligraphy.

? National exhibition? The Road of Blending Passion and Rational Thinking

Contemporary China Book Circle? National exhibition? Thanks to the birth of reform and opening up, and? National exhibition? The continuous advancement of reform itself is the concrete embodiment of the spirit of reform. It has been more than 30 years since1May, 980, when the first national exhibition of calligraphy and seal cutting came out in Shenyang, Liaoning. In the meantime, with the great development of politics, economy, culture and society and the pace of reform and opening up, contemporary calligraphy has undergone amazing changes. As far as creation is concerned, there has been a historic breakthrough in aesthetic fashion, composition of creative themes, grasp of traditional classics, understanding of innovation and change, exhibition organization, solicitation method and award mechanism.

1980 In May, the first national calligraphy seal cutting exhibition was held in Shenyang, Liaoning. The exhibition is jointly sponsored by Beijing Calligraphy Research Association, Shanghai Calligraphy and Painting Publishing House and other units 13. At that time, China Calligraphy Association had not been established. When this exhibition was held, people's hearts were generally in an extreme emptiness, and they had great yearning for culture and traditional art. This exhibition showed the calligraphy works of many late calligraphers, such as Guo Moruo, Shen, Qi Yanming, Bai Jiao, Pan Tianshou, Zhang Zongxiang and so on. Other participating authors are clearly divided into two categories. One kind is old calligraphers and social celebrities who are old. Their skill is profound, which represents the creative height of calligraphy at that time. The other is middle-aged authors and a small number of young authors. Due to the lack of skills, their works did not reach a good level, and many of them only stayed at the level of copying the ancients.

1984 In September, the second national calligraphy and seal cutting exhibition opened in China Art Museum was the first national large-scale book exhibition held after the establishment of China Book Association. Similar to the first exhibition, the old calligraphers are still charming and constitute the backbone of the exhibition. Shu Tong, Zhao Puchu, Qi Gong, Lin Sanzhi, Sha Menghai, Xiao Xian, Fei Xinwo, Wang Quchang, Esheng Qin and Xie Ruijie all have works. And specialized? Old comrades studio? Some old painters and veteran cadres exhibited their works, such as Sun Mofo, Li Yimang, Xu Deheng, Hu Juewen, Chu Tunan, Huang Miaozi, Lai Shaoqi and Li Keran. The exquisite calligraphy and profound knowledge of the older generation provide good learning opportunities for young and middle-aged authors. Generally speaking, the first and second sessions? National exhibition? Calligraphy style is dominated by old calligraphers, which continues the vein of calligraphy in the late Qing Dynasty and the Republic of China, and is peaceful and steady.

1987 since the third national calligraphy and seal cutting exhibition, the national exhibition? Enter a new stage and realm of development. Its remarkable signs are: a large number of outstanding young and middle-aged calligraphers with active thoughts come to the fore, new people are constantly emerging, regional calligraphy styles are gradually emerging, and the formal beauty of calligraphy is harmonious and unified. Exhibition hall effect? More and more popular, the evaluation mechanism can be continuously improved, every session? National exhibition? Show distinctive characteristics. The third session? National exhibition? In the evaluation, it is advocated that there should be both profound and solid traditional skills and innovative works with personal style, so most of the selected works show the combination of traditional connotation and innovation and change. At the same time, this exhibition has changed the previous practice of mixed exhibitions and adopted the way of regional exhibition, so that the audience can clearly feel the characteristics and charm of regional book style. Henan is strong, Jiangsu and Zhejiang are exquisite, Liaoning is exquisite and Sichuan is colorful? The emergence of young and middle-aged calligraphers represented by the above provinces marks the beginning of calligraphers' competitive momentum. The fourth session? National exhibition? He has made two outstanding contributions to contemporary book circles: one is to allow authors to contribute freely; The second is to conduct calligraphy awards for the first time and set up national awards. These two reforms greatly mobilized the creativity and enthusiasm of calligraphers. The fifth session? National exhibition? Due to the changes in the composition of the jury, the young and middle-aged authors who were finally selected occupied the main force. The number of works exhibited in this exhibition has greatly increased, which reflects the author's interest in? Exhibition hall effect? And a strong desire to expand the space of the work. Interestingly, in the 6th National Youth Exhibition held in 1995, the winner was Shi He. National exhibition? Except those who won the prize at the same time, the others are celebrities in Sun Shan. This reflects? National exhibition? With what? Zhongqing Exhibition? Differences in evaluation orientation and evaluation methods. It is generally believed in the book world? Zhongqing Exhibition? Emphasis on innovation and exploration, and? National exhibition? More emphasis on inheritance and skills. Zhongqing Exhibition? Took a more personalized road, and? National exhibition? Obviously more rational and peaceful. The seventh, eighth and ninth sessions? National exhibition? With the development of contemporary calligraphy, the styles of calligraphy are more and more diversified, and the forms of calligraphy works are constantly being renovated. Follow this trend. National exhibition? The reform of evaluation mechanism and organizational form has also been further strengthened. The eighth session began to implement the book selection, and the judges also learned more opinions from all aspects of the book industry. By the ninth session, the number of judges had reached an unprecedented 53. The judges judged independently according to six groups: seal cutting, seal script, official script, regular script, cursive script and paper. The judges participating in the selection are all representative figures in related fields, which ensures the professional authority of the selection.

Accompanied by? National exhibition? And the revival of contemporary calligraphy creation, the book circle around? National exhibition? And the thinking about the existence and future destiny of calligraphy in contemporary social life has never stopped: about calligraphy aesthetics, about calligraphers becoming scholars, about returning to tradition, about modernist calligraphy, about calligraphism, about neoclassicism, about popular calligraphy style, about masterpieces, about academic calligraphy, about artistic calligraphy, about proud works? These thoughts have condensed contemporary people's understanding of calligraphy and witnessed the changes of calligraphy in this era.

? National exhibition? Thinking about Brilliance and Challenge * * *

With what? National exhibition? The exhibition "Contemporary China Calligraphy", represented by the exhibition, has promoted the development of contemporary calligraphy with great momentum. Although people can list the brilliant achievements of contemporary China calligraphy in many fields, but? National exhibition? Its influence and popularity are beyond the reach of others. Nearly 30 years? Calligraphy fever? Is largely based on? National exhibition? As a weather vane, a national exhibition? The ebb and flow of the tide directly affects the changing situation of the book world. Undoubtedly,? National exhibition? The successful holding and continuous development of ""naturally cannot be separated from the enthusiastic participation and support of calligraphers, and also benefits from? National exhibition? Correctly grasp the aesthetic orientation: first, respect tradition and classics; Second, respect creativity and individuality. The former is the foundation of calligraphy, and respecting tradition and classics means respecting the art of calligraphy itself; The latter is the motive force of calligraphy development, and respecting creativity and individuality means respecting the law of artistic development. What is worth summarizing? National exhibition? There is no isolated and one-sided understanding of the above problems, but a dialectical attitude, which reflects? National exhibition? Tolerance and profound aesthetic pursuit. That's why people are. National exhibition? See all kinds of styles, genres, forms, etc. , both interactive and harmonious.

However, on the other side of glory, the national exhibition? Like contemporary calligraphy, it faces severe challenges.

1. Since the beginning of the last century, the May 4th New Culture Movement and the fierce collision between Chinese and Western cultures have had a fatal impact on traditional calligraphy. For thousands of years, it has been in a relatively closed and stable state, and the practical function of the brush has gradually lost. In the second half of last century, with the advent of the computer age, calligraphy has completely become a pure art.

Secondly, since the 1970s, with the opening of the country and the sharp increase of foreign exchanges, Japanese modernist calligraphy and modern artistic thoughts in Europe and America have been pouring in, which has had a strong impact on Chinese traditional calligraphy. The visual and artistic tendency of calligraphy is increasing day by day, and even it is divorced from the text content and diluted in creation. Writing? Phenomenon.

Thirdly, with the advancement of calligraphy discipline and specialization, contemporary higher calligraphy education has undergone obvious changes: from self-cultivation to professional position. A direct result is that contemporary higher education regards calligraphy as a purely technical level, such as paying more attention to the brushwork, form and composition of calligraphy art, and paying less attention to the spiritual connotation closely related to traditional calligraphy.

Fourthly, what is the exhibition hall effect after contemporary calligraphy creation enters the exhibition-centered era? Being a stunner that the creator misses so much, and? National exhibition? The attractive competitive platform has made thousands of calligraphers enjoy it. In this almost fanatical pursuit, the creator is most concerned about whether his works can enter the exhibition, win prizes and become famous overnight. So? Exhibition hall effect? The negative impact? Form first? What is the slogan? Making? There is even a growing trend? Ugly book? The popularity of the exhibition shows the extreme, impetuous and utilitarian mentality caused by contemporary exhibition culture. Many people call it calligraphy? National exhibition? Just like the Olympic Games, each province (city) shows its magic power for gold medal and ranking. As a result, we have seen a lot of articles in various professional media. National exhibition? Information on punching classes, intensive classes and training classes; Are you online? National exhibition? At the opening ceremony, you can see the amazing scene of thousands of people going to the market and jostling shoulder to shoulder; In the densely arranged exhibition hall, I saw the colorful and patchy new fashion of contemporary calligraphy, and even saw the patchwork, fragmented and almost uniform atmosphere? As for the disadvantages of the exhibition, some critics pointed out that the contemporary calligraphy exhibition has been flooded, trampling on calligraphy in the name of calligraphy.

Undoubtedly, contemporary China is in a period of social transformation. With the changes of social life, the art of calligraphy has also undergone profound changes. On the one hand, for? National exhibition? Calligraphy-centered national calligraphy activities have pushed calligraphy from learning to society and from individuals to clusters. Exhibition has become the most important and direct way for calligraphy to contact the majority of calligraphy lovers, and the original artistic personal behavior or salon-style elegant collection activities have been transformed into artistic public behavior. Exhibition hall effect? It directly led to the change of calligraphy aesthetics and values. On the other hand, after nearly 20 years? Calligraphy fever? The baptism of contemporary calligraphy is gradually maturing, and the development law of art itself also requires calligraphy to actively respond and keep pace with the times. The further development and promotion of contemporary calligraphy art must respect the law of art, put people first, and liberate the creativity of calligraphers as the main body of calligraphy creation, calligraphy associations at all levels and various calligraphy societies as a group to the maximum extent. The organization of contemporary calligraphy creation and activities should have broader horizons and ideas, higher goals and pursuits, and more practical measures and carriers. It has become an inevitable choice for contemporary calligraphy creation and activities to emphasize individualization, diversification, scholarship and quality.

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