Group photo of conceptual photography works

In conceptual photography, the photographer is a subjective orientation with a strong tendency in the image. . The following is a group photo of conceptual photography I gave you. I hope you like it.

Collective photo appreciation of conceptual photography works

Concept photography group photo 1

Concept photography group photo 2

Concept photography group photo 3

Concept photography group photo 4

Concept photography group photo 5

The main performance characteristics of conceptual photography

All modes of human discourse can be summarized as "figurative mode", and there are only four modes: metaphor, metonymy, metonymy and fable. Among them, metonymy and metonymy are complementary to metaphor. For example, photography is a metonymy, but it also emphasizes metaphor, especially documentary photography, which takes "authenticity" and "likeness" as the criteria to judge and emphasizes extremes (using headers and not disturbing the subject, etc.). ). Fable is anti-metaphor, subverting and disassembling metaphor. The key to conceptual photography or new photography lies not in its "concept" and "novelty", but in its use of anti-metaphorical rhetoric based on fables.

Traditional photography (especially documentary photography) emphasizes the literal meaning of images, that is, the realism of images, which constitutes a metaphorical relationship with the so-called reality (of course, there are many ironic elements); Conceptual photography, on the other hand, is a mockery and parody of reality, and more uses the extended meaning of images. It is not so much related to reality as to other related texts, which constitutes an allegorical relationship. This kind of photographic text can be related to its text (social text, historical text, advertising text? ) is a text, a parody, and a mutual subversion, thus being involved in a free play with no far-reaching significance, no beginning and no end.