Traditional Culture Encyclopedia - Photography major - The following statement about photography is incorrect.
The following statement about photography is incorrect.
The following statement about photography is incorrect. Nowadays, many people are interested in photography, although novices who are new to photography often feel confused when faced with numerous camera parameter settings and shooting mode choices. Let's take a look at the following statements about photography that are incorrect.
The following is 1 about incorrect photography. If you want to know the incorrect content of The Way of Photography, you must first know what the correct content is. ...
However, "the way of photography" itself is not an accurate concept, and its meaning is not clear. Therefore, it is not clear which kind of photography is correct. ...
In this case, we can only say that anything that goes against the correct way of photography is incorrect ... This is a grandiose statement, but it is actually nonsense.
In the final analysis, if you want to know what is an incorrect way of photography, you must first make clear the correct meaning of the way of photography ... If you know what is correct, you will naturally know what is incorrect. ...
Basic knowledge of photography for beginners
First, the correct way to hold the machine
In the basic knowledge of shooting, the most important thing is to hold the camera steady. No matter how well other photographic elements and techniques are mastered, as long as there is vibration at the moment of shooting, the quality of photos will be greatly reduced because of blurred images.
Although tripods can be used to reduce the possibility of vibration, most of them are shot with hand-held cameras, and photographers are often not allowed to spend time placing tripods and fixed cameras at "decisive moments".
Compared with traditional cameras, digital cameras require higher shooting stability. This is because electronic components need extra time to store information, which is often called "time lag".
1, the correct posture of the machine.
Whether standing, sitting or kneeling, the correct posture of holding the machine should be,
(1). Hold the handshake position on the camera side with your right hand, and touch the shutter button with your index finger to shoot at any time.
(2) Hold the bottom of the fuselage with the palm of your left hand, and hold the camera with your thumb and forefinger to stabilize the lens.
(3) Keep your hands and upper arms close to your body, try to keep a natural drooping state and move closer to your body. Never shrug your shoulders. Because the shoulder is lifted for a long time, the shoulder will feel tired and it is more difficult to stabilize the camera.
(4) When holding the camera vertically, generally, the left hand is down and the right hand is up, but also pay attention to the left arm close to the body.
2. Matters needing attention when standing or sitting down for photography
(1), when standing for photography, you should stretch your feet slightly, or stand back and forth, so that you can put your whole body weight on your feet. If you can rely on some fixed objects, such as leaning against the trunk or wall, the effect is better.
(2) Sitting photography has high stability, but foreign objects can still be used to further stabilize the body. A chair back or a table is a good choice.
3. Precautions for kneeling photography
When kneeling, the left foot should be arched, the right foot should kneel on the ground, and the left hand at the bottom of the fuselage should be lifted and supported on the arched left foot. In general, it is difficult to keep your body steady on your knees. It is best to rely on fixed objects, such as trees and walls.
4. The important role of video tape
Put the camera strap on your wrist, hold it in the tiger's mouth for two turns and then tighten it. After putting your thumb through the strap, hold the camera tightly, so that the camera can be integrated with your right hand, which can not only reduce the tremor of your hand, but also hold the camera when you accidentally let go, so as not to fall to the ground and be damaged.
Second, the use of light.
Photos are artistic products of light and shadow, and it is not an exaggeration to call light the soul of photography. To take good photos, you have to master the key element of light.
1, the properties of light
(1) direct light
On sunny days, the sun shines directly on the subject without any obstruction, and the light-receiving surface will produce bright shadows, while the light-receiving surface will form obvious shadows. This light is called "direct light". Under the "direct light", there will be a very obvious contrast between the light-receiving surface and the non-light-receiving surface, which is easy to produce a three-dimensional sense.
When the sun is blocked by thin clouds, the sunlight will still diffuse through the white clouds, and the resulting illumination contrast will be reduced, which is very suitable for portrait photography.
(2) Scattered light
On cloudy days, sunlight is blocked by clouds, so it can't shine directly on the subject. It can only shine on the subject through the intermediate medium or through reflection, and the light will have scattering effect. This light is called "scattered light". Because the light receiving surface and shadow surface formed by scattered light are not obvious, the contrast between light and shade is weak, and the change of light and shadow is soft, so the effect is flat and soft.
"Direct light" will produce light with strong contrast, resulting in thicker shadows, less tonal changes, and harder lines and tones of the captured image. And "scattered light" will produce light with weak contrast, so the shadow will be lighter, the color tone will change more abundantly, and the image lines and colors will be softer and softer. So photographers should choose the right light according to different situations.
2. Different directions of light projection
Shooting the same scene, using light projected in different directions will produce different effects.
(1) Guang Shun
The light coming out from the back of the camera and facing the subject is called "smooth light". The characteristics of "Guang Shun" lighting are that most objects are directly illuminated, the shadow area is not large, and the color of objects is relatively clear. The contrast between light and shade formed by this kind of light is weak, and the three-dimensional sense of an object can not be reflected mainly by illumination light, but by its own ups and downs. So the three-dimensional sense is weak.
(2) Front side lamp
The light from the left or right rear of the camera to the subject is called "front light". Most objects that receive light will receive light, resulting in a brighter surface, so the color tone is brighter, and the area of the object that is not exposed to light will not be too large, but it can already show the light and dark distribution and three-dimensional shape of the object. This kind of light can not only keep the bright hue, but also show the three-dimensional form of the main body.
(3) Side lights
The light from the left or right side of the camera is called "sidelight". It will make half of the subject receive light, while the other half is in the shadow, which is beneficial to show the ups and downs of the subject.
Because the "side light" illumination increases the shadow area of the object, the color of the picture is not bright or dark, and the light and dark are mixed, which is not as bright as the "front light" and "front side light", but it is not too gloomy. Three-dimensional form will be better.
(4) Side backlight
The light from the left or right front of the camera is called "side backlight". It makes the object produce a small part of the light receiving surface and most of the shadow surface, so the color tone will be darker. This kind of lighting will have a better stereoscopic effect on the object than "smoothing", but it is still weak.
(5) Backlight
"Backlight" is the light from the back of the subject and the front of the camera. Most objects are in the shadows. Because the light is weak, the three-dimensional sense is weak, and the tone is gloomy. However, "backlight" can be used to sketch the silhouette and outline of an object, and it can also highlight the texture and shape of the object and clearly show the lines of the object. Using "backlight" in clear weather will produce a strong contrast.
(6) dome light
The light from above an object is called "top light". The sunshine at noon is a good example. "Top light" often causes a strong shadow to the subject. If it is used in portrait photography, it will form a dark shadow under the nose, eyes and jaw of the face.
(7) Bottom lamp
The light source of "bottom light" is located below the subject. This kind of light is rare in daily life experience, so it has weird and dramatic effects and is rarely used in general photography.
3. Contrast of light
"Contrast" refers to the tonal relationship between "brightest" and "darkest" on the subject. The so-called "strong contrast" means that the brightest part and the darkest part of the light on the subject are very different, and the change from the brightest to the darkest is very strong, and the contrast is very strong. Relatively speaking, "weak contrast" means that the difference between the brightest part and the darkest part is not too big, and the change from the brightest part to the darkest part is very smooth, which makes the tone very rich.
Third, photographic composition
Composition is a process of dealing with the relationship between people, scenery and things in the limited space of photos, and arranging them in the best position in the picture to form a specific structure of the picture.
The main purpose of composition is how to emphasize and highlight the theme scenery, and at the same time, arrange the trivial things as a foil. Good composition makes photos look even, stable, comfortable and regular, and can guide the line of sight to the theme point. Improper composition will lead to disorder, imbalance between left and right, top-heavy, lack of visual focus and other problems because of too many themes.
1, notes for composition
In order to make good photographs, we must pay attention to the following points.
(1) Don't be too monotonous, otherwise it will look dull. But it can't be too complicated, otherwise it will make people feel very confused.
(2) Choose a suitable background. A good background not only helps to set off the theme and highlight the protagonist, but also enriches the content of the photo and adds color to the picture.
(3) Understand the relationship between people, scenery and things in the photos and make appropriate arrangements, so as to effectively express the theme and avoid usurping the role of the host.
(4) Consider the color contrast of each scene. Sharp contrast helps to highlight the theme, but if the colors are confused, it will have the opposite effect.
(5) It is necessary to master the illumination angle of light and the shadow generated, which will affect the color and effect of photos.
(6) We should make more use of the changes of illumination, perspective, overlap and light and shade, which will help to increase the three-dimensional sense in plane photos.
2. Create different compositions from different shooting angles.
Most themes are three-dimensional, and they present many faces. There are front, side, back, top and bottom. Different shooting angles of the same object will also make the picture show a variety of composition effects. Therefore, before shooting, we should choose different directions and angles to observe the comparison object, find out the best, most expressive and vivid viewpoint, and find the most suitable composition.
(1) Frontal shooting.
Frontal photography is one of the most commonly used photography angles. Frontal shooting can produce a solemn and smooth composition effect. However, smooth lines and symmetrical structures will also be dull due to lack of perspective. Moreover, in many cases, because the light receiving conditions of objects are similar, the stereoscopic effect of objects cannot be highlighted.
(2) side shot.
With the inclined photography angle, the original parallel lines on the picture become diagonal lines, which gives people a sense of depth and can lead people's eyes to the depths and enhance the three-dimensional sense. And the line of sight extending along the diagonal will also make the picture vivid. With the change of oblique azimuth, the perspective effect will also change interestingly.
(3) look up and shoot.
Looking-up shooting refers to shooting at an oblique angle, which is mostly used to shoot tall scenes. This shooting angle can not only capture the panoramic view of the tall scene, but also form a sense of perspective in which the lines perpendicular to the ground converge upwards. It can also highlight the towering characteristics of objects and increase the sense of oppression.
(4) Shoot from above.
Looking down means shooting from top to bottom. Aerial photography can shoot a wide range of scenery, so it is often used for wide-angle landscape photography. Using overhead photography in portrait photography can bring slim effect to the protagonist.
3. Composition of "Three Points"
The "trichotomy" was put forward by Greek mathematicians. Photographers can often take many harmonious and pleasing photos by applying it to the composition of photos. Specifically, the picture is divided into nine squares of the same size with two straight lines and two horizontal lines. When shooting, put the subject at the intersection of a straight line and a horizontal line.
"Trigonometry" can be applied to the photography of any person or scene.
4. Selection of background and prospect
The differences between the background or foreground and the theme in color, shape, line, texture, light and shade will cause contrast, thus highlighting the theme.
(1) Simple and soft background.
Simple background will not rob the position of the theme, which is conducive to highlighting the theme. But too simple and monotonous background will make the photo too dull.
(2) Avoid messy background.
The messy background will make the photos look very confusing, and what's worse, it will make people confused about the theme.
(3) Avoid too many people and things in the foreground.
If there are too many people and things in the foreground, it will be difficult to highlight the main body and seriously damage the overall effect of the photo.
5, the basic mode of photographic composition
(1) components are balanced and stable.
Balance is balance. It is different from symmetry. The picture formed in this way is not a one-to-one correspondence of the shapes, quantities, sizes and arrangements of the left and right scenery, but a different arrangement of the same or similar shapes, quantities and sizes, which gives people visual stability, is an echo balance between the alien and the different, and is an artistic balance of using the perspective laws and visual habits, such as near-heavy and far-light, near-big and far-small, and deep and light. Of course, equilibrium also includes symmetric equilibrium.
Balanced composition gives people a sense of tranquility and stability, but there is no absolute symmetry, so it is a common form used by photographers in composition, and balance has become one of the basic requirements of photographic composition.
To form a balanced composition, the key is to select the balance point (balance). What is the balance point? This should be found from the artistic effect. As long as the location is suitable, small objects can be balanced with big objects, distant objects can also be balanced with near objects, animals can also be balanced with still objects, and low scenes can also be balanced with high scenes. We should practice and study more and make good use of this artistic skill.
(2) Break the balance
With the development and progress of society, some trendy photographers think that balance is not exciting enough to reflect the rhythm and characteristics of life in the new era. They advocate breaking the balance, but they also practice their own views and shoot some unbalanced works. We call the composition form of these works unbalanced composition. Life is varied, and there are both balance and imbalance in real life. As long as it is the need of content and creative intention, the form can be chosen at will.
Unbalanced composition is characterized by instability, disharmony, tension and turbulence. It is ideal to express the dynamic situation from the scene image; From the psychological reflection, there are advantages in expressing restless emotions, uncoordinated movements or inconsistent attention, and different expressions. If the cruel war, revolutionary storm, messy scenes and other scenes are shown, good visual effects can be achieved.
(3) Frame composition
Frame composition is to frame the theme with some foreground. Commonly used are branches, arches, beautifully decorated railings, hall doors and so on. This composition is naturally around the theme, which helps to highlight the theme. On the other hand, although the boundary with clear focus is attractive, it may be opposite to the subject. Therefore, framing composition will cooperate with the adjustment of aperture and depth of field, which will make the scenery around the subject clear or fuzzy, and make people naturally focus on the theme.
(4) right triangle composition
The composition of a right-angled triangle generally takes a vertical side of the picture as one right-angled side of the triangle and the bottom side as the other right-angled side of the triangle. Most of this composition pays attention to the directionality of the subject. The moving direction or face of the scene should be opposite to the hypotenuse of the triangle, so that there is room for a way out in front of the moving object or face of the scene.
Right triangle composition can be used for banners or vertical pictures. Its characteristic is that the vertical straight line can show the towering scenery, and the horizontal line at the bottom has a sense of slow and steady movement. It has the dual advantages of regular triangle composition and inverted triangle composition. At the same time, the left and right angles are flexible and changeable, which is very popular with photographers, so they are used more.
The flexibility of right triangle composition is also manifested in the fact that the bottom is long and the vertical side is short or the bottom is short and the vertical side is long. As long as one of the three angles can form a right angle, this composition form can be used.
(5) circular composition
Circular composition is to arrange the scene in the center of the picture, and the center of the circle is the visual center. The circular composition looks like a United group character, which is represented by a schematic diagram, that is, a circle is formed in the center of the picture.
Cyclic composition, in addition to using circular objects to represent their circles in this schema, there are actually many scenes that can use cyclic composition to express their unity, whether it is form or will. For example, many people sign around a hero model, many children concentrate on listening to old people telling stories, and children play games around the circle. They can choose a circular composition.
Circular composition gives people a sense of unity, but this composition mode lacks vitality, impact and vitality.
(6)S-shaped combination
S-shape is actually a curve, but this kind of curve is a curve with regular shape. The advantage of S-shape is beautiful curve, full of vitality and charm. At the same time, the reader's line of sight moves in depth with the S-shape, which can effectively express the sense of space and depth of his scene.
S-shaped composition can be divided into vertical and horizontal rows. Vertical can show the depth of the scene, horizontal can show the breadth of the scene. S-shaped composition pays attention to the overall image of the close combination of lines and tones, rather than the internal connection or echo between scenes.
S-shaped composition is most suitable for expressing its own curvaceous scenery. In natural scenery photography, you can choose winding rivers, winding paths in courtyards and narrow paths in mines. In large-scale photography, you can choose scenes such as queuing for shopping and performance. When shooting at night, you can choose winding street lights, the track of car lights and so on.
(7) Cross composition
A cross is the vertical intersection of a vertical line and a horizontal line. It gives people a sense of stability, solemnity, seriousness, maturity and mystery, and is healthy and uplifting. Because the cross is most easily associated with the cross of the church, the Red Cross of the medical department and so on. , thus creating a sense of mystery.
Cross-shaped composition should not make the horizontal line and vertical line equal in length, and generally it is better to make the vertical line long and the horizontal line short; When two lines intersect, it is not appropriate to divide them equally, especially vertical lines. Generally, the upper part is shorter and the lower part is slightly longer. Because the two lines are equal in length and equally divided by the intersection, it gives people a sense of symmetry, and the lack of ellipsis and momentum will weaken the expressive force.
The cross-shaped composition of a scene is not always a simple intersection of two horizontal lines and vertical lines, but a cross-shaped composition can be used for a scene similar to a cross. Such as frontal portrait, the head and upper body can be regarded as vertical lines, and the left and right shoulders can be regarded as horizontal lines; Height and horizontal structure of the building, etc. In other words, whoever can form a cross-shaped image visually can choose a cross-shaped composition.
The following are three shooting parameters about incorrect shooting methods.
① shutter
Shutter refers to the device that controls the exposure time, generally measured by speed, and the unit is seconds. The faster the shutter speed, the shorter the exposure time, and vice versa. Therefore, the high-speed shutter is generally selected when the light is sufficient, and the slow shutter is selected when the light is insufficient.
② Aperture
Aperture is a device that controls light entering the lens. The aperture size is generally expressed by F. The larger the aperture, the smaller the F value and the greater the luminous flux. The smaller the aperture, the larger the F value and the smaller the luminous flux.
③ Sensitivity
Sensitivity, ISO for short, is a numerical value to measure the sensitivity of negative film to light. The higher the sensitivity, the brighter the photo will be. However, high sensitivity needs to be used with caution, otherwise the noise of the photo will be too high and the definition will be reduced.
A good photographer should be able to use these three parameters flexibly. Although mobile phone photos are automatic and convenient now, the system automatically adjusts these parameters to let you take good-looking photos. Therefore, if you want to take photos that suit your mind according to the situation, you must learn to use these three basic parameters.
The following statements about photography are incorrect: 3. Analysis of common terms in photography.
Focal length, the distance from the center of the lens to the clear image formed on the film plane (other photosensitive materials). The focal length is usually in millimeters (mm) and is usually marked in front of the lens. For example, we usually use 27-30mm, 50mm (also known as "standard lens", which means 35mm film), 70mm and so on (telephoto lens).
Aperture, a device that controls the amount of light passing through a lens. If you open the first aperture, the amount of light entering the camera will double, and if you narrow the first aperture, the amount of light will be reduced by half. The aperture size is expressed by the value of f, in the following order: f/ 1, f/ 1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/1,and f/1. Expand the application of reading and aperture
Shutter, a device for controlling exposure time. Generally, it can be divided into mirror shutter and focal plane shutter.
Shutter speed, shutter opening time. It refers to the time (exposure time) when light sweeps across the film (CCD). For example, "1/30" means that the exposure time is 1/30 seconds. The shutter speed of1/60s is twice that of1/30s. The rest and so on.
Depth of field, the relatively clear range of an image. Depth of field depends on three factors, focal length, camera distance and aperture size. The relationship between them is that,
(1) The longer the focal length, the shorter the depth of field; The shorter the focal length, the longer the depth of field;
(2) The longer the shooting distance, the longer the depth of field;
(3) The larger the aperture, the smaller the depth of field. Expand reading, what is depth of field?
Depth of field preview: In order to see the actual depth of field, some cameras provide a depth preview button. Press the button to reduce the aperture to the selected size, and the scene you see after shooting is the same as that recorded on the film (memory card).
Sensitivity (ISO), indicating the speed of photosensitive materials. Units are expressed in degrees or fixed. For example, "ISO 100/2 1" means a film with a fixed sensitivity of 100 degrees /2 1. The higher the sensitivity, the more sensitive the film is (that is, the less light is needed to shoot the same photo normally in the same shooting environment, that is, a higher shutter or a smaller aperture can be used).
Color temperature and different pigments contained in different light are called "color temperature". The unit is "k". The color temperature we usually use is 5400 K-5600 K; The color temperatures that light types A and B can adapt to are 3400K and 3200K respectively. Therefore, different types of films should be selected according to the subject and environment, otherwise there will be color difference (unless the color filter is used to correct the color temperature).
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