Is it possible to manipulate people’s senses to create an illusory world experience?

I have seen it. Do you want it? I can send it to you. Version 1: The story of the film is adapted from a 1936 pornographic news story that shocked Japan. Abe Sada is a servant of a wealthy family. Before that, she was a red geisha in Kyoto. Ishida Yoshizo is the head of the family. He falls in love with Abe Sada, and Abe Sada also falls in love with his romantic master. At first, Abe Sada could control his desires and emotions, and took the initiative to resign to the boss's wife, but later he became addicted to the physical pleasure of Ji Zang and could not extricate himself. The two eloped to a hotel and indulged in the sensual sexual intercourse day and night. In order to seek higher satisfaction of desires, the two experienced sexual intercourse that was unimaginable to others and was almost perverted. When sexual intercourse approaches death in the pursuit of pleasure, the intercourse between two people has become close to a ritual, a ritual to release sexual desire, a ritual of love and death. Finally, Jizo, who was exhausted, said to Abe Sada: "Strangle my neck while I sleep. Don't stop. The feeling afterwards will be too painful." So Abe Sada strangled him to death when he finally fell asleep. He killed Jizang and cut off Jizang's penis. This film allows us to appreciate the Japanese perversion and worship of sex. In the film, the heroine Abe fell in love with a man, so making love between them became almost the whole life. They did it day and night, endlessly. Doing it, doing it crazily and without restraint, the abyss of endless desire, the desperate pleasure, experiencing the emptiness of existence during lovemaking, this is a profound film, human desire has no end , the end can only be death! So at the end of the film, Sada Abe, who had experienced orgasmic pleasure, strangled her lover's neck with a belt and let him die in his sleep. Then she cut off his penis, and he lost his life, and she lost her It's the soul. It's so cruel to love you so much that I'll kill you. Therefore, it is listed as one of the top ten banned films in the world. Version 2: In 1976, director Nagisa Oshima collaborated with France for the first time since he established his own business. It is based on the sensational "Abe Sada Incident" in 1936. The heroine Abe Sada is a waitress at Yoshidaya, a Japanese restaurant in Nakano. She fell in love with the boss Yoshida Ishida at first sight. The two of them fell in love and often met in the reception room or remote banquet room of the store. Soon the adultery between the two was discovered by Ishida Yoshizo's wife, so the two had to elope. In the end, because Abe Sada did not want Ishida Yoshizo to return to his wife, driven by a strong possessive desire to murder, Abe Sada strangled Ishida Yoshizo to death and cut off his penis... Immediately afterwards, the director's narration appeared on the screen, explaining when Abe Sadao and Ishida Yoshizo met, when Abe Sadao was arrested and the sentence he was sentenced. In the film, Nagisa Oshima portrays Sada Abe as a winner of love, a character who poses an extreme challenge to the current theme of "sex". The scenes of genitals and sexual intercourse in the film are not allowed according to Japanese law. Therefore, although the film was shot in Japan, the development and editing of all pornographic films were sent to France for processing through cooperation with France, so it is also allowed. Considered a French version of a Japanese film. Version three: English short plot Basedonatruestorysetinpre-warJapan,amanandoneofhisservantsbeginatorridaffair.Theirdesirebecomesasexualobsessionsostrongthattointensifytheirardor,theyforsakeall,evenlifeitself. Version four: She was raped at the age of 14, her boyfriend was terminally ill, and she was forced to work as a prostitute. After a rough life, she vowed to use the most sacred means to experience love. The true meaning of! Desire is too pure, so it is dangerous... For the sake of love, she held him in her left hand and held a knife in her right hand... Content: On May 19, Japan's Showa era (1936), Abe Sadao, a geisha who had a rough life, held a male genitalia in her hand. He was arrested for wandering on the streets of Tokyo, and the incident shocked the whole of Japan. This strange story of cutting off the lover's genitals because of deep love is still talked about by many people today because of the legendary, crazy and extreme thoroughness of its story elements. The story of Abe Sada has also been put on the movie screen many times. Among them, the most controversial and famous one is "The World of the Senses" directed by Nagisa Oshima in 1976. More than 20 years later, in 1998, "Sensory New World" directed by Yoshihiko Obayashi, who was always good at making youth movies, and starring Hitomi Kurome, reinterpreted this sensational story, starring Kuro who had a bold performance in "Paradise Lost". Kohitomi plays the role of Sadao Abe, and in this film, the blurry colors and interweaving shooting techniques depict Abe Sadao's spiritual and crazy love, which is so poignant and romantic that it makes you breathless. The photography and images of "A New World of the Senses" have always been seamlessly intertwined between color and black and white, creating a rich nostalgic color and a time and space confusion in which the "past" and "present" alternate, and the picture is poetic. , this evokes a bit of melancholy in people, and the melancholy is like a dream. "A fallen woman, an infatuated half-life, the arbitrated Showa love history", Sadao Abe's story, no matter how many literary and artistic works are produced, there will always be only one character and the truth. The history that has happened is just like the man's genitals that were cut off. , existed, but can never be repeated.

And in the world of images, what is there that cannot be resurrected from death? Therefore, no matter whether the movie is good or bad, whether the viewer likes it or not, the sensory world of the people in the film and the new sensory world of the viewer can finally be intimately connected across time and space... Until many years later, "We have all become history." ". Shot 1: The heroine wakes up in the soft sunshine, naked, lying on a stone platform in the cemetery, surrounded by several children in kimonos holding windmills, singing and laughing. Scene 2: The heroine works as a maid in a hotel. People around her have been pointing fingers and saying that she is a prostitute, but her diligent work seems to show that she is just a good family woman living in a foreign land. The male owner of the hotel defended her so that she could work as an ordinary person. The male owner was probably in his thirties and would occasionally return to the store. Scene 3: On a rainy and snowy winter day, a ragged old man who looked like a beggar fell into a puddle. When someone pointed him out, the heroine went to help him. The old man under the eaves gratefully said to her: I know him. You, you don’t remember, we used to be at xxx place, we xxx, your skills are very good, I will never forget it, I made a special trip to see you. I have money, he said, taking out a cloth bag from his arms. Under the old man's repeated pleas, the heroine took off each other's pants, but she soon discovered that the old man was impotent, and the old man finally had to leave in anger. Scene 4: After the hotel host Yoshizo and the heroine Abe flirted with each other for a long time, they finally couldn't bear it and had sex. After many days of intercourse, Abe, who secretly watched Yoshizo having sex with his wife, felt murderous in his heart. Remove the whole scene of the boss lady. Scene 5: Ji Zang and Abe eloped away, drinking and eating meat every day. On a rainy night, the two were like a pair of ordinary lovers holding umbrellas, playing in the rain, singing songs, and scaring away passers-by who approached. They look like a couple in love. Scene 6: Jizo and Abe would invite geishas to sing every day, and they became more and more bold in front of others. Jizo stuffed a cooked egg into Abe’s private parts in front of the geisha, making her look like a hen. After draining the egg, Abe asked Jizo to eat the egg. Scene 7: Jizo invited many geishas at the same time. He and Abe were having sex in front of everyone, while the geishas were playing with each other with wooden penises. The dancing old man was dancing an ancient Japanese dance in the audience. The crowd was mixed up in confusion. Scene 8: Because of promiscuity, it was difficult for Ji Zang to hire geishas. Only an old woman came to play the piano for them. The three of them were talking about sex, and Abe suggested that Ji Zang have sex with the old woman. The strong Ji Zang made the old woman pee all over the floor. Scene 9: Ji Zang's finances began to get tight. In order to maintain his life of wine and meat, he introduced Abe to a local middle-aged official as a temporary prostitute. Although Abe was unhappy during the discussion, she behaved like having sex with Ji Zang in bed. It's no different now. Scene 10: Preparations for World War II have begun, and soldiers can be seen everywhere on the streets. The official has been dismissed, and the economy of Jizang and others has become increasingly tense. Jizang runs around every day to make a living but to no avail. He returned home to have sex with Abe. Jizo's sexual ability declined due to pressure and long-term fornication. In order to satisfy Abe, he asked Abe to strangle him as before. Along with desire and requirements for each other, the two of them were in their own pleasure. People can no longer distinguish the danger of life and death, and Ji Zang was strangled to death. Scene 11: Abe finally breaks down completely. She cuts off her lover’s genitals and wanders on the streets as if she is holding the treasure of her own life. This film was banned due to its large amount of unconcealed sex and unacceptable ending. If you use a narrow personal perspective to measure it, you can make some positive conclusions about the director's theme. For people with strong individualism who regard sex and love as the same thing, this is simply an innocent love story. The hero and heroine fall in love, elope, are immersed in love and give everything to each other... but it is a messy description of personal life. Anti-moral behavior, adultery, promiscuity, no avoidance of sex or even publicity. Sex is like a symbol of love, the crystallization of love, and a gift. In the heroine's heart, sex symbolizes love and is the whole of her world. Everything else can be abandoned, and little do you know that you are slowly heading towards a mental breakdown. The film nakedly describes the entire process of a man and woman immersed in a life of promiscuity, destroying social morality in various ways for business or art. As an early heavyweight restricted film, it set the stage for Japan's next modern A It sets a model for the development of blockbuster movies and also sets the standard for some morally corrupt behaviors that are privately seeking excitement. ?????????????????????????????????????????????????????????????????????????????????????????????? The story describes the thrilling love story between a maid and her master in a remote mountain village in Japan during World War II. In particular, the shocking ending of the film can be said to be both reasonable and beyond imagination. The film is adapted from a true event. At that time, this incident caused a sensation throughout Japan. The love model described in this movie had a profound influence on later Japanese literature. Junichi Watanabe's novel "Paradise Lost", which became a sensation a few years ago, was influenced by this movie. This movie can make you believe that happiness and tragedy are often just a thought away, and that extreme happiness will lead to sadness. Techniques of Expression Stills from "Kingdom of the Senses" Throughout the film, due to the costumes and scenes, the viewer can hardly determine when the story took place. What is shown in the film is a classical Japan of paintings, legends and imagination. But one shot gave away the secret.

Aji went out to get a haircut and met a group of heavily armed soldiers. On one side of the street, people waved national flags and military flags to see off the young men who were about to go to the battlefield. Director Nagisa Oshima arranged this scene not simply to express the style of the times. As a director who has witnessed the student anti-American and anti-war movements and has always enjoyed being anti-establishment, juxtaposing the fanaticism of war with the fanaticism of love cannot be summed up as a slogan of "make love, not fight", but is also a reflection of the times. Deeply ironic, a nod to salacious anecdotes that have been glossed over in canonical history.