What are the main points of taking photos of Japanese girls?

Lead: The purpose of taking pictures is to freeze the moment, and when we look at these photos when we are old, we can think of some people and things, which is its value. The quality of a photo depends on whether it is true or not. If you don't recognize yourself in a photo, would you like it? Photos? Really? Therefore, taking photos of Japanese girls is not small and fresh at all. It is not a forest dress or a certain color, but a record of the most authentic moments of girls.

What are the main points of taking photos of Japanese girls? The picture is pure, true and natural, full of life-like warmth. It is this true beauty that makes Japanese girls look more like a documentary of life, trivial and affectionate, full of warmth and fun.

Mainly lies in the matching of props, a short Xiao Mu car and a potted background full of life, quiet and childlike.

Shoot real life

1. Wear daily clothes to restore the real moment.

When shooting, the clothing accessories should be as simple as possible to restore the real moments in the model's life. I'm more opposed to buying clothes. I think wearing daily clothes to shoot is conducive to restoring the true side of girls.

Just in time for the sunshine at four or five o'clock in the afternoon, let the model sit by the sunny window and make some small moves or gestures at will. With light and shadow, the picture can look full.

Shoot life scenes

Select the most daily scenes such as campus, suburbs, parks, cafes, book bars, etc., and shoot them in the form of records to record the daily life rhythm of girls.

Ready-made snapshots: preset some casual moments in advance, guide the model to do the action of smoothing her hair, and then take snapshots from the moment when the model does the action, and choose the most satisfactory one.

3. Capture emotions when communicating.

Communication with models is very important. I will keep a dialogue with the model when shooting and guide each other's emotions. In order to catch some specific expressions, sometimes I will tell a joke to amuse her, and sometimes I will get a wronged expression in a reprimanded tone.

It is warm to shoot with love.

I like the fresh and natural feeling in Kotori Kawashima's films, without any affectation. Kotori Kawashima's "Baby Baby" is a photo album, which consists of various photos of the same girl he took in the past four years. Time is such a great thing. When we look at photos with a sense of time and traces of time precipitation, we may cause deep memories or be moved by them. In the process of shooting for Guo Caijie, his shooting concept is: dating his girlfriend. This is also an aspect worth learning: shooting for each other with love.

Every moment of interaction with lovely pets and small animals is unforgettable. It's beautiful to take a photo unexpectedly or turn around during a call.

Shooting with rich feelings, keeping a feeling of love every time shooting, and capturing each other's moments from a lover's perspective will be more vivid and infectious.

This group? Hour light? Kotori Kawashima's shooting refers to the idea of shooting Guo Caijie: give her a daily look, and give her a look only suitable for this world.

Natural light with slight overexposure is the most beautiful.

I always think that sunlight is the most beautiful light, especially when taking Japanese outdoor photos, it is enough to make good use of natural light. I like to take pictures that are slightly overexposed. It looks full of sunshine. Adjusting the white balance to make the shadow of the photo appear faint cyan can make the photo look fresher.

I asked the model to sit there and take a snapshot during the break. The bright windows contrast with the green plants in the room, and the afternoon is so leisurely and quiet.

When shooting, the large aperture fixed-focus lens can easily win the charming shallow depth of field and blurred background. I am used to using Nikon D700, equipped with Nikon AF 35mm f/2D and Nikon AF 85mm f/1.4d.

Backlight tips are especially shared: open the aperture and put the sunlight outside the viewfinder, and the photos taken will have super backlight effect.

Late adjustment should not be too late.

The key to shooting a Japanese photo film lies in the overall feeling of the photo and the grasp of the light in the early stage of shooting, and we can't rely on the later stage, let alone adjust the photo too much. This group? Hour light? The idea of adjustment and repair is as follows:

In the quiet life scene, green leaves are chosen as vain foreground to enhance the level of the picture.