The steps of artist mv from shooting to distribution

(1) If there are multiple audios in the MV, if there is no special need, keep their volumes consistent.

(2) If the MV is pure music with pictures, it will be fast and slow.

(3) If the MV is music with lyrics, the lyrics should match the picture quickly and slowly. It is suggested to lay the lyrics on the track first, because only the PREview of the lyrics will not get stuck, even if you use 128 pre. Adjust the subtitles of lyrics to match the audio of lyrics, so that when laying videos, you can easily aim the related videos at the lyrics.

Video and audio association

(1) If the lyrics are matched with pictures, they may not all match (it is not difficult for the original singer to do this), but it is necessary to ensure that everything that can match matches.

(2) Between two lyrics, between lyrics and front/back/end, rhythm change point, etc., the video picture should be changed.

(3) Fast-paced songs, fast-paced places, the video should always change with the rhythm-even if you change the picture so that people can't see the content clearly when they first appreciate it.

videotape

(1) In photography, "static" videos such as conversations, meditations and close-ups with constant lens range and focal length and basically unchanged characters' movements should not exceed 3 seconds unless there is a special need. Pull, push, follow and zoom photography are the first choice for MV film sources.

(2) There should not be too many close-ups and close-ups of people (even different people) in a MV, and the far, middle, near, front and back scenes should be reasonably distributed, and some landscapes or empty shots in which the protagonist is absent should be properly put.

(3) If the film source has black edges, it is best to trim it uniformly; If you don't trim it, you can't make a black edge in the center of the picture with transitions such as three-dimensional and page turning, and there can't be a black edge on the edge of the picture. The existence of black edges will also affect the effect of some filters, such as general filters-narrow black edges will also be blurred, and the magnification will be more obvious when blurred.

(4) Try not to appear anything similar to logo. There is really no way to cover it with light, halo, fine-tuning filter and so on.

(5) Don't use fancy transitions at random, and don't always use dazzling flash transitions. Transitions are just embellishments, not MV themes. Generally, fade-in and fade-out transitions should be the most commonly used. Others, the strong voice "Explosion" uses the smash transition, the memory and flashback use the flash transition, and so on.

(6) The problem of dialogue and subtitle should be dealt with as needed. If people want to see subtitles clearly, they should choose videos with subtitles. If you don't want people to see it, you can make a full-screen MV, or try to add subtitles to the video, and you can add lyrics and filters.

(7) Don't "plug" the content of an MV. Some videos, no matter how perfect they are, should be deleted if they don't need MV.

(8) Don't remember the scenes of handsome men and beautiful women, and be sure to turn when changing places.

(9) Without special needs, the adjustment of video speed should be no less than 50% and no more than 125%, otherwise there will be obvious traces of artificial processing.

(10) If you want to show something, you should choose the most suitable and clear lens on the screen.

Video scene selection

(1) Those who do highlights should be assigned objectively, and they should not be biased towards which role because of their own preferences.

(2) If you are a single person, don't always give the camera to the protagonist, especially the close shot, but also give some distant views of the protagonist, close shots of others and related empty shots. If the protagonist only has a close shot, then what's the use of the filter mask, artificially processing the level of MV, at least giving the protagonist a panoramic view behind the close shot.

(3) No special needs. If there are many actors in a character on TV, it is best to give only a close-up of one of them; If an actor has multiple roles, then the close-ups of actors representing two roles should not appear in one MV.

(4) If the subtitles are to be typed uniformly, you can make your own fonts in PS into a format similar to the subtitles on TV, and it will be fake when typed.

(5) For the fighting scene, if the shooting effect of the original film is not good, it is necessary to switch shots frequently, and there is no transition in hard cutting, and the transition of 10 frame is crossed in and out. In addition, if you speed up the video properly, the edited fighting scenes will look better.

(6) Empty shots-sky, sun, sunset, moon, clouds, mountains, rivers, waves ... If appropriate, use them.

Appendix 1: film and television terminology-post-production (black is the original, green is my mark)

The film of film and television is nothing more than the synthesis of n shots. Although the concepts of MV and MV are different, in a sense, MV is a collection of some TV drama plots, but the production methods can be used for reference, which imposes a certain talent on MV. Here, I try to analyze one or two.

Excerpt from Baidu Encyclopedia